It relies on the speaker hardware as well as the software processing to create the effect, with Dolby saying that the MateBook X has bespoke speakers, with two motors each, meaning they can drive more air and create
better audio effects - as well as producing sound beyond what you'd expect from a compact notebook.
Further, the docking station also comes with a subwoofer built in, which gives
better audio effects.
Not exact matches
(2) The
audio - visual
effects of the lights feature are great, but seem to be overwhelming to the baby (and adults as
well) with too many lights flickering on and off at the same time and over stimulating the baby.
And the
best part, I mean, you got all these different seance from monstrosity to ghosts, to technology, to special
effects, this is not a cheap underground movie, The producers really deserve some credit on the graphics and
audio!
The
audio is
well represented in both a solid Dolby Digital 5.1 presentation and a DTS track; the latter's only noticeable differences are slightly rangier music and sound
effects.
Likewise, the 5.1 DTS - HD master
audio leaves nothing to be desired, distributing strong sound
effects, evenly - distributed elements, and a
good amount of atmosphere.
The 5.1 DTS - HD master
audio consistently pleases while serving the film
well, from early»90s British pop songs to a creative Steven Price song to the aggressive sound
effects befitting the more fantastical elements.
Full of
good songs and some artillery
effects, the 5.1 DTS - HD master
audio soundtrack is lively and commendable.
As
well, you can take a peek at composer Harold Arlen's home movies, outtakes and deleted scenes, special
effects sequences, the 1938 MGM short From the Vault: Another Romance of Celluloid: Electrical Power, the 1939 newsreel Cavalcade of Academy Awards, the 1939 trailer Texas Contest Winners,
audio vault, the radio promo Leo Is on the Air, the 1939 radio show
Good News, the December 25 1950 Lux Radio Theater broadcast, and stills galleries.
The 5.1 DTS - HD master
audio is also lively, dealing out a
good deal of atmosphere and directional
effects with
good levels and perfect clarity.
Blu - ray — Includes everything on the DVD, as
well as an
audio commentary with the director, additional scenes, a special
effects comparison, and another featurette on the legends of Halloween.
The game has an interesting soundtrack that probably doesn't quite fit the game too
well and it literally has not
audio dialogue so there's very little in the way of sound to review, you get the generic 2D crafting sound
effects which are amusing however and do contribute to the game's humour a little, the gameplay itself is immersive enough that you can sink hours into the game without realising it, though the menus can be a little tiresome to navigate as you have to open a close them to remove a misplaced item or constantly scroll through all the many different items and topics you can choose from.
Some of the baseball scenes with the angels
effects make
good use of the surrounds, and the
audio is not disappointing the way the video quality is.
The film's incredibly effective sound design is also captured quite
well in the immersive DTS - HD MA
audio track with
effects spread out through the field and the period - correct dialogue coming through clearly.
The DVD carries a surprisingly
good Dolby Digital 5.1
audio track which provides clear dialogue and sound
effects.
It felt like watching an old movie on a really battered,
well - worn VHS tape and then watching the same movie's director's cut on Blu - ray on the biggest 3D television possible: the change in quality was dramatic in every way, from the video quality to the
audio to the acting, writing, direction, special
effects — everything.
The
audio is all re-done for this moment and to
good effect.
The 5.1 DTS - HD master
audio also serves the film
well, engaging the ears with African - flavored score, suitable needle drops, and the dialogue and sound
effects that drive the comedy.
DVD special features are ample, anchored by a feature - length
audio commentary track with director Alvart and producer Jeremy Bolt, in which the pair discuss Alvart's late - in - the - game, pre-production idea of depicting the
effects of years of hyper - sleep via sloughing skin, as
well as the special challenges involved for Foster in crafting a performance out of reacting to Quaid's disembodied voice, since more than half of his material was prerecorded, before the younger actor's scenes.
The featured
audio is an English DTS - HD MA 5.1 that offers clear dialogue and a
well balanced mix of
effects and background music.
Like WB's Maximum Movie Mode, Blu - ray exclusive The Devil's in the Details: Inside the Action with Joe Carnahan is a souped - up commentary with the film's director that includes behind - the - scenes footage, storyboards, animatics, model - building and visual -
effects presentations, and an interactive dashboard with info on vehicles and weaponry, as
well as a running counter of steps in each plan (at times, Carnahan's
audio commentary gives way to video segments with the director as on - screen host for the supplementary video footage.
Blu - ray extras consist of
audio commentary by Trachtenberg and producer J.J. Abrams as
well as various making - of featurettes focusing on the bunker design, the sound
effects and more.
This restored edition features a relatively new video transfer, along with several new
audio transfers to ideally bring viewers the
best viewing experience possible for this landmark film utilizing some of the earliest of visual
effects for the sake of an imaginative feature.
Add the excellent level design, great character design and special
effects and the graphics meld
well with both the
audio and the gameplay to easily create one of the
best Monster Hunter experiences to date.
The 5.1 - channel lossless
audio, Dolby TrueHD rather than the more common DTS - HD Master
Audio, is even
better, with music and
effects dazzling at demo - worthy heights.
On laserdisc, it fared much
better, receiving the trailer, plus an
audio commentary, a deleted scene, a featurette on visual
effects, and several Lindsay Lohan screen tests.
The
Good:
Good visuals and
audio effects.
The
audio is effectively engulfing when it aims to be; sound
effects are
well - mixed and create appropriate atmosphere.
The stereo and surround sound
effects are very
good, and with all of the superhero shenanigans in the film, there are ample opportunities for the
audio to fill the speakers.
The
audio effects are
good, too, and the Vita easily handles the occasionally complex mix of music and
effects.
The stereo
effects are noticeably
good, as there are numerous shots of the car moving across the screen with the
audio going from one front channel to the other.
Audio: The
audio is the industry standard English DTS - HD MA 5.1, with an accomplished mix and
good use of
effects speakers to produce logical, directional sound.
The system produces a surround
effect that envelops the cabin in quality
audio, with
good clarity that doesn't seem to favor any frequencies.
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The book is more than 1,000 pages long, and this recording runs more than 47 hours, but the cast (67 actors playing 198 roles), the 150,000 sound
effects, and the original music composed for the recording make the
audio possibly the
best way to experience Hubbard's paean to the golden age of science fiction.
The
well - chosen
audio background will strengthen emotional
effect from the book.
New UI and visuals are in full
effect here as
well custom
audio.
With a self - guided
audio tour of narration and special
effects, collections of whaling artifacts, photo murals and videos, as
well as the American Scrimshaw collection, this is not an ordinary museum.
Happily the
audio stills holds up very
well with some great voice acting and sound
effects.
The
audio work is equally impressive with a magnificent cast of voice actors breathing life into the rich writing, fantastic sound -
effects and a satisfying, soaring score stands among the
best examples of videogame music.
The trailer also appears to depict additional subtle improvements over MotoGP 18's predecessors - with aspects such as tweaks to the
audio effects and HUD graphics, as
well as more fluid rider and bike animations, being more obvious examples.
The
audio side of things is equally as impressive featuring another
well made soundtrack along with magnificent sound
effects and voice acting.
The visuals ranged from
good to great and the
audio (music, sound
effects, and voice acting) was excellent.
When the update to Grand Theft Auto V hits in September, all three platforms will also get enhancements to the Rockstar Editor like ambient
audio and sound
effects tracks, improved Director Mode, and
better camera controls.
The less said about the
audio the
better really, because it is a mixture of repetitive music that tries to sound spooky, mixed in with distorted screaming and annoying sound
effects that just don't add anything to the experience.
Characters are
well animated and when mixed with some special
effects, it all comes together rather
well, particularly when added with the excellent
audio, especially the soundtrack.
The sound
effects are the
best part of the
audio.
Audio effects seem
well diversified, units are responsive even through
audio feedback and the music score was most pleasant.
It's not just increased resolution, that's for sure: elements like textures and models have been redone,
audio has been revamped as
well, with new foley (everyday sound
effects... Continue reading →
The game has an interesting soundtrack that probably doesn't quite fit the game too
well and it literally has not
audio dialogue so there's very little in the way of sound to review, you get the generic 2D crafting sound
effects which are amusing however and do contribute to the game's humour a little, the gameplay itself is immersive enough that you can sink hours into the game without realising it, though the menus can be a little tiresome to navigate as you have to open a close them to remove a misplaced item or constantly scroll through all the many different items and topics you can choose from.