Not exact matches
Incrediboy - Don't you know that you sound just like this: «My imaginary
superhero is
better than your imaginary
superhero»!
Straying from the standard, modern
superhero formula it helped to pioneer in 2002, Homecoming is more teen comedy
than it is a «
good vs. evil» tale, highlighting a distinctive setting in Queens as the battleground for crushes, parties and yes, actual super villains — this one played by Michael Keaton in a scene - stealing performance.
Your
superhero deserved so much
better than what he got thanks to these clowns» irresponsibility.
What could possibly be
better for your little
superhero than a lift - the - flap, touch - n - feel, interactive Batman board book?
«Moms who get help will be
better equipped to help their babies, which is infinitely more valuable
than trying to be some
superhero mom who does it all herself,» says O'Laughlin.
In our culture, the
superhero is that unique, larger -
than life figure, who, by virtue of gift, accident, calling or legacy possesses powers and abilities that allow them to fight evil, protect the innocent and
better society.
u should have been invited to the
superhero thing, that with one of those masks that Luella i think it was did, it would have been perfect, and much
better than the boring safe bland and not even on theme dresses that a lot of the people wore
No
better w5ay of letting pe3ople know what you're doing
than being a
superhero and doing it.
Iron Man 2 continues the
superhero film trend of being a sequel that is
better than its predecessor and although it contains none of the self - reflexivity of Watchmen or Kick - Ass, the darkness of Christopher Nolan's Batman films or the inventiveness of the Hellboy films, Iron Man 2 is fun, unchallenging and inoffensive entertainment.
It becomes a much
better movie
than the original «Deadpool,» not an action bloodbath with laughs, but a knowing spoof of the
superhero genre.
As the
better Marvel films have shown, you need a lot more
than zippy repartee to make a
superhero film feel heartfelt and thematically resonant.
So in the comics, the Merc with a Mouth goes to see
superhero movies in his spare time — and who
better to bring along on a movie date
than his friendly neighborhood Spider - Man?
This is much more
than just a
superhero movie, it is a great character piece as
well.
It probably would have been
better as a Grindhouse movie
than a
superhero movie.
This isn't like Martin Scorsese's «Cape Fear,» David Cronenberg's «The Fly» or Jonathan Demme's «The Manchurian Candidate» — or the recent
superhero - inflected version of «Carrie,» which I liked
better than most critics — all of which drastically rethought their inspirations.
Superheroes and the universe they inhabit, where every gesture is bigger
than a billboard and
good argues with evil in cartoon balloons, are funny.
A dream - sequence reunion between Erik and his slain father (Sterling K. Brown) might count as the most affecting moment in MCU history — if not all of
superhero cinema — were it not for Killmonger's final lines: «Throw me in the ocean with my ancestors that jumped off the slave ships,» he says, «because they knew death was
better than bondage.»
Captain America: Winter Soldier artfully dodges nearly every typical
superhero movie problem (as
well as general sequel problems) with a stunning grasp of mood, total commitment to a «square» character, a smart choice of villain, and thrilling action scenes that feel authentically dangerous (a complete rarity in blockbusters) rather
than like stop - and - gawk «setpieces» with no actual stakes.
It is my pleasure to announce that my fears have now officially been laid to rest, as Spider - Man is not only
better than I could have reasonably hoped, but may in fact be the
best licensed
superhero flick I have seen,
besting Batman, X-Men and dare I say it, Superman.
And co-composers James Newton Howard and Hans Zimmer break new ground as
well: rather
than the usual trumpeting
superhero music, they turn to simpler, more startling effects, like a madman finding all the wrong keys on a piano.
I love a
good popcorn
superhero movie as much as the next guy (maybe even more
than most critics), but «Logan» shows how deep one can go in the genre if they just approach it in a different way.
Some may think of Ant - Man as one of Marvel's (ahem) smaller films, but Paul Rudd's
superhero debut was
well - received, and earned more
than $ 519 million worldwide.
He's not much of a personality, and his super powers are pretty run - of - the - mill (advanced discus throwing — woo), but if there's one thing the Captain can do
better than any other
superhero, it's represent the patriotic Soul of the Nation.
... There's less
than two weeks to go until Thor: Ragnarok begins its international roll out, and if early tracking is to be believed, the God of Thunder's third solo outing is tracking a domestic opening weekend of between $ 100 and $ 110 million, which would put it comfortably ahead of the first two Thor movies, as
well as putting it ahead of rival 2017
superhero movies Logan ($ 88.4 million) and Wonder Woman ($ 103.3 million).
The film broke a ticket - presales record for
superhero movies, and at press time it was tracking toward a $ 165 million opening —
better than every Marvel nonsequel except The Avengers and possibly enough to crack the top 10 movie opening weekends of all time.
Like pretty much any
superhero origin story, the setup was
better than the payoff, which, like far too many movies about the origin of a
superhero, pitted the newly formed hero against a generic villain with an even more generic plan, as if that's some kind of required challenge for these heroes to have to face each and every time — even if we're just getting to know them.
The story is set in a world filled with
superheroes who have become celebrities, whose egotistical behavior oftentimes ends up doing more harm
than good.
More importantly, as Captain America: Civil War proves, they can balance a full - to - bursting line - up of
superheroes and what is essentially three different movies — an extension of Winter Soldier's espionage vibe, an Avengers movie in everything but name, and a PTSD psychological drama — while still delivering something coherent, character - driven and more satisfying
than the a series of things - blowed - up - real -
good set pieces.
At the same time, Civil War is arguably a
better Marvel Cinematic Universe crossover «event»
than either of the first two Avengers films, when it comes to delivering balanced amounts of standalone plot development, universe - building, and
superhero - based spectacle.
We usually see this kind of movie in May, a
superhero blockbuster from Marvel Studios, except it's
better than most of those.
Black Panther, the latest installment in Marvel's cinematic universe and the first with a black
superhero in the lead, is chock full of moments that will leave viewers in awe — «More times
than you have fingers and toes,» Bassett promised — including the ensemble of powerful women that King T'Challa (Chadwick Boseman) surrounds himself with: Bassett as Queen Mother Ramonda, as
well as Lupita Nyong «o, Danai Gurira and Letitia Wright.
Typically, the
best of these (Captain America: The Winter Soldier, Iron Man 3) have explored more serious terrain
than their preceding films, offering more sober glimpses at the consequences of
superhero antics.
This movie also did a
better job
than most of telling a
superhero story that focused on origins but was still compelling.
As we might expect, considering both Ant - Man and the teaser for the sequel, Hope van Dyne isn't only
better equipped
than Scott Lang but
better suited to be a
superhero.
The movie's villains aren't nefarious masterminds or hardened thugs, but scared, emotionally damaged teenagers, while Talley himself is less unbreakable
superhero than the kind of vulnerable everyman Willis (who also produced the film) played to such
good effect in the original Die Hard.
Ryan Coogler's highly anticipated
superhero movie is even
better and richer
than could have been imagined, thanks to a fantastical world that evokes real questions about history
Shyamalan's
best film, both cleverer and less twist - dependent
than «The Sixth Sense», if there were any justice more people would make effects - free
superhero stories like this one, and then even snooty critics could admit to liking them.
The film has become the go - to punching bag for people wanting to disparage
superhero movies for being too leaden and joyless, and for no
good reason other
than the movie happens to be 100 percent leaden and joyless.
The conflict at the film's center is a familiar standoff between
good and evil (or «love and war»), and the romantic aspects occasionally become quite saccharine, but the fusion of mythological elements, period settings, comedy, and standard
superhero action makes for an entertaining experience that's more
than the sum of its parts.
«Captain America: The Winter Soldier» is a
better -
than - average Marvel
superhero bash, intriguingly plotted and pretty clever in its speculations about 21st - century life for Steve Rogers, aka Captain America, the greatest of the Greatest Generation...
Nothing says
superhero blockbuster bust up
better than two teams of them running at each other.
Rather
than detangling the network of
superhero film reel that's enabled this one to happen, I think it's
best to cut to the chase and talk all things artificially intelligent and Hydra - related.
Well, it sounds unbelievable but Marvel's Black Panther has already sold more tickets
than any other highest grossing
superhero movie.
Probably the greatest
superhero movie ever made that's not based on pre-existing characters from another medium, and
better than almost every other
superhero movie, period.
Now the bloom is off the metaphorical rose, the big question for lovers of R - rated
superhero movies is this: Is Deadpool bigger and
better than Deadpool 1?
Yet the opening hour treads such familiar territory, stumbling over more
than a few wider
Superhero clichés, you'll find yourself impatiently wishing him into the impossible - for - any - teenage - boy - to - ever - weave - anything - so - intricate spandex and just bloody
well get on with it.
That
superheroes are (usually) people too is drummed into the viewer with all the subtlety of the giant particulate penis of Dr Manhattan — these people often seem
better suited to straightjackets rather
than the more traditional cowl and cape.
It was
better than most other
superhero movies, but it was still under the MCU's standard.
For
better or worse, Thor: Ragnarok is a Marvel movie, complete with magical MacGuffins, synergistic
superhero cameos, a villain less interesting
than the heroes, and an overlong CGI - heavy climax featuring giant aircrafts.
There are more
than a few nice moments in the
superhero spectacle, but adding up to more
than «Batman v Superman» doesn't make «Justice League» a
good movie.