His focus tends to be more on the intimate, apparently insignificant and unremarkable moments of everyday life, their humble materiality and physicality — and how they often lend visibility to moral dilemmas and equivocal feelings
better than dialogue or, obviously, acting codes.
The music is not that great, but it is
better than the dialogue.
Not exact matches
Sometimes the
best course of action is to lead a
dialogue rather
than give a straightforward presentation.
It's a
good bet Bernanke and the Fed got a bit more
than they bargained for with May rumblings of tapering and the actual mid-June Bernanke tapering
dialogue in terms of interest rate movement recently.
But the purposes of theological
dialogue are much
better served by the assumption of two active and responsible partners
than of one who is active (and guilt - ridden) and the other passive (and self - righteous).
Rather
than viewing Moltmann's thought on play as developing chiefly out of a
dialogue with American theology, it would be
better to conclude that (1) his systematic interest in exploring the various ramifications of a theology of hope led him to investigate ecclesiology, which he found playful, and (2) his desire to counteract the seriousness of student revolutionaries, both in Germany and in America, led him into a consideration of play as an antidote.
I use to post a lot more
than I do now, that was when there was «
good dialogue», but I wearied of the nonsense.
Well, they are actually zero, since some earlier
dialogue let us know that when he abandoned the cat, the car was less
than three driving hours from Chicago.
The lamentable polarisation and confusion which has developed as a consequence of these conflicting interpretations of our present situation is only too familiar to anyone involved in the life of the Church and has led all too often into destructive polemic rather
than real
dialogue about the
best way forward for Catholic Christianity in the third millennium.
While it is fine, indeed healthy, for Judaic scholars to engage in a heated exchange about the
best way to approach interfaith
dialogue, nothing can justify Prof. Novak's truly repugnant accusation that, in not ascribing to Dabru Emet, Prof. Levenson is somehow guilty of fostering «self - hatred» among Christians, or his insulting suggestion that Levenson would be
better off teaching in an Orthodox yeshiva
than at Harvard.
But the question of how to interpret the doctrine of the universality and unsurpassability of Christ in the context of inter-religious
dialogue is now with us for
good, and the fact that it will not go away means that we may be at least a little closer to an answer
than we were before.
Through
dialogue, these young men, precious to God, might come to see that the Christian view of Jesus is much earlier, more coherent, and
better evidenced
than the Muslim view of Jesus.
Dialogue works much
better than warfare, but a
good example is the most convincing reformer of all.
He is proving to be a
better guide
than Calvin, Luther, Thomas, Augustine, Athanasius or Irenaeus (with all of whom he was in continuous
dialogue) because he was both more thorough and more rigorously systematic down to the smallest detail.
Mind you that wasn't the only thing you said in that particular thread that led me to the conclusion that attempting to have any real
dialogue with you was pointless and I was already
well on the way to that point from the countless encounters of you avoiding questions and offering nothing more to support your stance
than «I'm right and you're wrong» or «read it again, it's clear».
This is just my opinion so hopefully we can all have a
good dialogue on the above rather
than have a go at each other
He is
best known for advancing
dialogue around college and youth sports, with The Nation writing in 2017 that Tom «has done more
than any reporter in the country to educate all of us about the professionalization of youth sports.»
It's always
better to be upfront about your concerns and keep engaged in a
dialogue than to stew about the lack of communication while not doing something about it....
There is a great danger that the response to this challenge will sound something like this: Labour's internal democratisation simply empowers «
good» working class people — plainly, those who are receptive to a left - wing political agenda — while there is in any case no point in engaging a
dialogue with the «bad» working class people who hold socially conservative views, resent immigration and see UKIP rather
than Labour as the «party of work.»
«In sum, the position of the department is that many of the bills currently under consideration today are
better achieved through collaboration and
dialogue between the council and the department, and among various city agencies and community stakeholders, rather
than through legislation,» Bratton said.
The poor word choices, which resulted from the passion expressed by some, diverted the attention away from the legitimate concerns of the more
than 500 hardworking mental - health workers, correctional officers, caregivers for developmentally - disabled individuals, administrative personnel and others who attended the rally to call for substantive
dialogue with the governor about the direction we need to take the Empire State so that it serves all its citizens
well, especially the most vulnerable among us.»
Building relationships on common ground rather
than in the rough seas of controversy may be the
best way to get beyond popular conflict narratives of science and religion
dialogue, said speakers at DoSER's 2014 AAAS Annual Meeting Symposium, «Religious Communities, Science, Scientists, and Perceptions: A Comprehensive Survey.»
TMT spokesperson Sandra Dawson says her team had more
than 300 «talk — story sessions» — the Hawaiian pidgin term for
dialogue — with community members over the course of several years, including half a dozen
well - attended public hearings, and that by their estimates
well over half the island's population supports the project.
Internal and External Messages Pay attention to your internal
dialogue as
well as the stories you tell your family and friends, which can reflect — or even shape — your mental state more
than you might think.
D9 did a
better job
than most at pointing out our human qualities — both
good and ill — and opening an on - going
dialogue to discuss it.
When you have dedicated episodes of these guys taking shelter from a storm, an entire episode with an awful hipstery filter fest, even more cringy
dialogue and ridiculous death scenes that mean nothing other
than just being shocking and violent;
well that's when the show suffers.
I've never been a fan, as a rule of horror movies, however, the trailer drew me to this one and i'm glad it did, the awful acting we usually get in horror movies wasn't there this time round, in fact, the whole cast were excellent, the special effects were really very
good and the humorous, intelligent
dialogue (another thing you don't usually get in horrors) was brilliant, loved the film, Chris Hemsworth, although with less to do in this
than he does in Thor, was great in it too.
I'm not saying it's the
best comedy you will ever see, because it is not that, but I definitely think this movie has more clever
dialogue than many people give it credit for.
I like Aloy, but she conveyed herself
better in actions
than in
dialogue.
Famke Janssen is also a treat for the eyes and Anthony Heald is amusing as the obligatory back stabbing weasel and although the
dialogue is little more
than samples from the A to Z of lame one liners it's quite
good fun.
He's a devotee of unadorned camerawork and semi-improvised
dialogue — but some actors are
better at improv
than others.
I'm sorry too, «Scandal» fans but even though this particular return was
better than a lot of previous episodes, the show is totally overrated for it's childish approach of political relationships, overacting and
dialogue - spitting nonsense.
The Dolby TrueHD 5.1 mix is a little
better than the Dolby Digital Plus 5.1 on the HD side and standard Dolby Digital 5.1 on the DVD side, with a decent soundfield,
dialogue that is usually recorded
well and a music score typical of the genre by Craig Armstrong and Ar Rahman.
On big screen TVs the image comes alive
better than any previous home video incarnation, but it's the superlative 5.1 surround remix (at 24 - bit from the 35 mm LCRS and
dialogue - music - effects tracks) that most impresses.
There's a lot of heart poured in from the talented cast to make this a cut above most in the genre, and there is quite a bit of
good romantic
dialogue and situations to make this deeper
than the superficial relationship we usually get.
This movie is a mixed bag on one side is Kevin Hart mostly improvising which give most of, if not all of the film's funny
dialogue, he also shares
good chemistry with Ice Cube, on the other side the scripted jokes, are most of the time
well lame, this fun to watch now
than most of the movies are ****
Zemeckis, a gooey crowd - pleaser at heart, overplays the hushed reverence at times, using heavy - handed
dialogue to suggest that it was Petit's audacious walk that «brought them to life» for many New Yorkers (the towers were famously derided as giant filing cabinets upon construction) and closing on a final shot
better suited to a postage stamp
than a movie.
Hell, Tilda Swinton had less
dialogue than everyone else, yet she was able to give the
best and most honest performance out of everyone!
Whereas before when the Dynamo is activated and inverts Shantae's magic to make her evil, and her friends snap her out of it within seconds, thanks to some
well - spoken
dialogue, it turns out Shantae's friends did more
than just say a few lines.
People will despise this movie for its quirky
dialogue and its over-exposed lead, but given a chance, Jennifer's Body is entertaining, a little bit different, and deserves
better than it's gotten, despite some obvious flaws.
Of course, everything about «Pompeii» feels half - assed — from its bland romance, to its terrible
dialogue, to the worthless addition of 3D — and though it's slightly
better than last month's «The Legend of Hercules,» the film is still a pretty miserable viewing experience.
Like many of his lines, these sentences would be
better suited for bumper stickers rather
than movie
dialogue.
He even manages most of the material
better than Michael Clarke Duncan («The Green Mile,» «The Whole Nine Yards») who is just too much of an actor to deliver the cheesy
dialogue with the right mix of sincerity and irony, and Peter Facinelli («Can't Hardly Wait,» «The Big Kahuna»), whose thin - voiced delivery doesn't convey the necessary petulant malevolence.
The stellar cast could play every single one of these roles in their sleep but that doesn't make them guilty of lazy performances; Anthony Mackie's conflicted cop is empathetic at times and
well in need of a slap at others while Casey «
better - in - every - way -
than - his - brother - when - on - screen» Affleck is likable if not always blessed with the
best lines of
dialogue to deliver.
It's a mixed blessing, of course, as
good Holmes should probably be more of a
dialogue - driven thing
than an exploding - glass, riding - chandeliers sort of thing.
The actors aren't all
well cast (I counted only about three I'd consider to be above average for their respective roles — Acker as Beatrice, Fillion (Waitress, White Noise 2) in the supporting role of Dogberry - the only time the audience I viewed the film with laughed at anything in the film that came from actual
dialogue, rather
than the injected slapstick and actors occasionally comical facial expressions, came from Fillion's delivery - and British actor Paul Meston in the minuscule part of Friar Francis) The rest often appear as though they're reciting lines without any sense of meaning in the words they are saying, and when one of those happens to be the male romantic lead, that's one hell of a liability.
It's still a Crowe film, though, and there's an intangible quality that keeps it likable even when it's not particularly
good, animating it as the
dialogue lands with a thud, the chemistry fizzles, and ultimately moral plays as more corny
than true.
Whit Stillman adapting Jane Austen works
better than I imagined, seamlessly merging his comic rhythms into the Regency
dialogue and story structure of her epistolary novella Lady Susan.
Far from staid, the picture illustrates nothing but Brownian motion — shaking shit up real
good and filming the results for two long hours to a parade of ironic pop songs and barely - heard snatches of
dialogue written by someone I'd like to see do
better than this, Donnie Darko creator Richard Kelly.
Other
than the bad language, this may be a
good watch for older audiences who are looking for strong
dialogue and acting versus special effects and action.