Well, sorry to say but with the exception of 1 % of the population that are true atheists people know there is a difference
between Fictional stories and the truth expressed by Christ.
Throughout most of history, there's been a symbiotic relationship
between fictional story - tellers and creators — thanks to fiction's capacity to spark imagination and those with technical knowledge to help realize its vision.
An author's note depicts the differences
between the fictional story and true events.
Not exact matches
This is a beautiful, albeit
fictional account of the love
story between Jesus and his wife Mary Magdalene.
To me, it was a
fictional story but it explained the relationship
between the trinity and how God views His children.
Immediately it brought me back to childhood and a novel I read about the endangered Fender's blue butterfly in the Douglas fir forests of southern Oregon, a
story about the clash
between environmentalists and the logging industry over endangered species and their habitat, (a
fictional story so I'm not sure how entirely accurate).
In it, Cheadle's script (co-written by Steven Baigelman) weaves together the tumultuous relationship
between Davis and Frances Taylor (Emayatzy Corinealdi) with a completely
fictional story about Davis and Brill teaming up to try and recover a session tape that was stolen by Michael Stuhlbarg's sleazy producer and Keith Stanfield's aspiring musician.
The visual
storying telling
between the
fictional book and the reality are clear, but it's when the two begin to reflect each other metaphorically and physically, that it becomes blurry.
According to a release, the
story is not entirely centered on Capote — instead, it focuses on the romance
between a
fictional starlet played by Chloë Grace Moretz and Jack O'Connell's elevator operator.
They are very much related and feed into each other as the film addresses the differences
between past and present and the fine line
between reality and fantasy with one
fictional story even serving as a metaphor for another.
Set from 1958 to 1964, this
fictional story based around true characters and events revolves around the relationship that develops
between an aspiring actress, Marla (Lily Collins) and her driver / future finance expert, Frank (Alden Ehrenreich)-- both in the employ of reclusive billionaire Howard Hughes (writer, director Warren Beatty).
There is also quite a difference
between the language that students read in
fictional stories and the type of language that they come across in informational text.
Speculative fiction allows both authors and readers to enter into a
story with a sense of appreciation and wonder for what's different
between the
fictional world and the real world.
For a
fictional take on Dickens, try Dan Simmons haunting Drood, the
story of the friendship
between Dickens and fellow author Wilkie Collins and the inspiration for his final, unfinished work.
In Dark Aemilia, Sally O'Reilly takes Aemilia Lanyer (sometimes spelled Emilia Lanier) for her choice of Dark Lady and weaves a
fictional love affair
between her characters that fits with the
story of love and recrimination described in the sonnets.
Cath struggles to find the balance
between devoting her attention to the real world — her family, college classes, living on her own (and separate from her party - girl twin sister, Wren), an unexpected romance and finding that elusive campus cafeteria — and disappearing into the comforting,
fictional world of her own
stories.
The narrative, a short
story written in the early 1880s by Frank R. Stockton, relates the tale of a
fictional kingdom in which men facing punishment must choose
between two identical doors, one hiding a lovely woman to be th...
Similarly, we ought to distinguish
between diegetic
stories that occur within the
fictional world of the game, and non-diegetic
stories that feature the player themselves as a character.
As we welcome New York City's new mayor Bill de Blasio, we celebrate the synergy
between our Mayor's platform and how this program suggests the metropolis as a place comprising a multitude of different cities, locations, and
stories — some
fictional and some factual.
Suspending viewers
between the gritty firsthand accounts of people who would typically remain nameless and faceless in the media, and an accessible drama featuring two actors who are the very embodiment of visibility, Love
Story reflects on the callousness of a media - saturated culture in which identification with
fictional characters and celebrity figures runs parallel to widespread indifference to the plight of those facing real world adversity.
Taking its title from the name of a
fictional, post-iPhone device at the centre of Gary Shteyngart's 2010 near - future novel Super Sad True Love
Story, Äppärät is concerned with labor, play and the uncertain zone
between the two; with the extension of the body, and the self, through technologies ancient and contemporary; with things (to borrow Martin Heidegger's formulation) «present - at» and «ready - to» hand; with compulsion and with death Äppärät begins with Jessie Flood - Paddock's Just Loom (2015), a wall painting - cum - sculpture based on an illustration of a worker operating a loom from Denis Diderot's Encyclopédie (1751 - 72), one of the first attempts to record and systematize all human knowledge in published form.
This
fictional and factual retelling of this veteran's
story explores the shifting divisions
between reality and representation, and truth and memory.
The sculptures draw on mythology and fables to develop parallels
between the
fictional conditions considered in those
stories and their pervasion into our self - identity and consciousness.
Often combining
fictional narration with seemingly archival or documentary footage, the works in the exhibition employ a range of tactics to blur the line
between fiction and reality, weaving fragmentary
stories around elusive or even entirely absent centers.
There's an oft - quoted scene out of Sir Arthur Conan Doyle's Sherlock Holmes
stories in which the famous
fictional detective explains the differences
between seeing and watching.