With a deep and vivid palette and dynamic interchanges of light and dark, these paintings — always executed in oil on wooden panels — collapse the usual binary
distinctions between abstraction and representation, narrative and pure sensation, past and present.
His works question any assumed
differences between abstraction and representation, between modes of presentation... Welling's photographs are objects in themselves, beautiful compositions that also gloss and comprise a history of photographic practices.
Their mature post-abstract figurative paintings preserved a sophisticated
dialogue between abstraction and representation — the image oscillating between a recognizable subject and a boldly colored, abstract arrangement of thick slabs on paint.»
In this fifth lecture, originally delivered at the National Gallery of Art on May 4, 2003, the distinguished art historian Kirk Varnedoe explores the 1980s, when Roy Lichtenstein, Andy Warhol, Claus Oldenburg, and others confronted the ironic relationship
between abstraction and the representation of man - made objects, thus producing a politicized critique of abstraction.
Cecily Brown's lush gestural oil paintings draw inspiration from old master paintings as well as contemporary, political - based imagery, hovering somewhere
between abstraction and representation with her loose, painterly, blurred brushstrokes.
A specific constellation of five key works that has been conceived for the gallery by the artist, and deals with contemporary ideas of time through the use of sound, touch, light and reflectivity; with each work existing in a
zone between abstraction and representation.
Grace Hartigan, whose work played the
range between abstraction and representation once told an interviewer: «Now as before it is the vulgar and the vital and the possibility of its transformation into the beautiful which continues to challenge and fascinate me.»
The figures, forms, architectural elements, and space, which are constituted by layers of overlapping imagery that
exist between abstraction and representation, remain active on the picture plane with their seemingly melting colors.
The paintings often
shift between abstraction and representation, like his breakthrough series, «terrazzo» paintings, that imitate the visuality of Italian stone floors and at the same time call upon the expressivity and spontaneity of abstract expressionism.
In Brenda Goodman's recent works, completed after her move from Manhattan to the Catskills, she continues to explore powerfully personal narratives animated by a visual language that moves that moves
freely between abstraction and representation.
The BMA presents Front Room: Adam Pendleton, a dramatic installation of new and recent work by the New - York based artist that examines the relationship
between abstraction and representation through layered and fragmented texts and images sourced from the artist's personal library.
Roberta Smith, a famous art critic, placed Guyton with some younger painters that were countering the structures of late Modernism by revisiting the early Modernist
cusp between abstraction and representation, entering the area previously populated with Malevich «s robotlike peasants, Jawlensky's masks, Mondrian's flower paintings.