Sentences with phrase «between aesthetic»

GS: But did it ever get tricky not crossing the line between aesthetic concerns, say beautiful cinematography, and the need to effectively communicate the issues to the audience?

For Zhu, an attraction to the communal aspects of Joseph Beuys (who, not unlike Mao, sought to erase the line between aesthetic and social movements) caused a shift to social sculpture using common materials: stacked piles of rice paper, teapots, bicycles, and soy sauce bottles.

They point to the links between art institutions and the other organizations that make up our society, asserting that to separate art from aspects of our daily experience — whether education or medicine, marriage or war, parenting or advertising — is to reinscribe arbitrary and false divisions between art and society, between our aesthetic lives and our everyday lives.

His practice revolves around our encounters with art, fiction and cinema that explore the links between aesthetic experience and knowledge production....

Based in Los Angeles, Gaines investigates the relationships between aesthetic experience, political beliefs and the formation of meaning.

«What I was really eager to explore is the relationship between aesthetic practices and politics or political practices,» she said about her initial attraction to the Center.

Taking the form of photographic series and video installations, his work investigates the relationships between aesthetic experience and formation of meaning.

An exhibition exploring the relationship between aesthetic strategies and the historical, political, and cultural contexts of the region

In a conversation with Pendleton, Rainer says her work in the Sixties was «split between aesthetic rebellions or dialogues, and my activism around the Vietnam War,» a reason she moved into filmmaking to have more «latitude» to deal with socio - political content.

Jason Chen will present a new series of handwoven photographs that investigates the notion of duality, interrogating the liminal space between aesthetic perspectives.

In line with his interest in exhibitions as amplifiers of a particular underlying perspective, each of the works in this presentation engages in an intricate system of relationships between its aesthetic elements, subjects, and the institutional setting in which it is displayed.

Sprague's work plays - up tensions between aesthetic and functional, sculptural and pictorial, lasting and ephemeral: a room divider performs as a painting, a painting on the wall is also a plaster cast sculpture, painted cardboard appears to be ceramic.

Eva Masterman's profile >> > Jackson Sprague Sprague's work plays - up tensions between aesthetic and functional, sculptural and pictorial, lasting and ephemeral: a room divider performs as a painting, a painting on the wall is also a plaster cast sculpture, painted cardboard appears to be ceramic.

It is apparent that dynamic energy, frenzied motion and spatial disorientation are also among Martin's subjects, but he achieves a balance between aesthetic and narrative functions of his images.

His more recent works investigate the relationship between the aesthetic world of geometric and biomorphic form and the aesthetic world of the organic, where natural materials take on synthetic forms and synthetic materials at times look like natural objects.

His work in recent years investigates the relationship between the aesthetic world of geometric and biomorphic form, and the aesthetic world of the organic, where natural materials take on synthetic forms and synthetic materials at times look like natural objects.

Perhaps there's just something inherently funny about the way a Frenchwoman says «bottom», but I suspect it's more than that: it's the gap between aesthetic aspiration (the seriousness of conceptual art) and the ridiculously pervy (making teacups with buttocks).

«Sculpture Victorious» promises to explore the productive yet sometimes fractious relationship between the aesthetic aspirations and the industrial advances of the period.

In this site - specific show, the artist explores associations between aesthetic and political cues that accompany recurring waves of rebranding nationhood.

The Parrish Museum's Road Show series is designed to foster connections between aesthetic vision and commonplace existence by mounting exhibitions and presentations at venues separate from the main museum itself.

Kierkegaard's purpose, according to the author, was to «exhibit the existential relationship between the aesthetic and the ethical in an existing individual» and remind people «what it means to exist, and what inwardness signifies.»

To separate the art institution from other aspects of our daily experience — be it education or medicine, marriage or war, parenting or advertising — would be to reinscribe arbitrary and false divisions between art and its contexts, between our aesthetic lives and our everyday lives.

Any attempt to critically deal with this exhibition's surprising juxtaposition of works by Monika Baer and Thomas Bayrle must first take into account the clear differences between their aesthetic positions: Since the early»90s, Baer has been developing...

The juxtaposition of their works brings out both the similarities and the contrasts between their aesthetic strategies.

Burgin soon decided to use photography not simply to scrutinize the gallery, but to probe the connection between the aesthetic realm of the white cube and the world outside with a body of work that at once mimicked and manipulated the codes of commercial advertising.

They present an unsettling contradiction — between the aesthetic appeal of the images and the profound ecological concerns they expose.

Scaffali, the Italian word for shelves, brings together a selection of recent mirror paintings whose portrayal of industrial storage units presents a tension between the aesthetic and utilitarian.

Taking the form of drawings, photographic series and video installations, his work consistently invokes the use of systems as generative part of the artist's practice, investigating the relationships between aesthetic experience, political beliefs and the formation of meaning.

In line with Tillmans's interest in exhibitions as amplifiers of a particular underlying perspective, each of the works engages in an intricate system of relationships between its aesthetic elements, subject, and institutional setting.

Design is definitely an evolution, says Albaisa, and it's no easy feat walking the line between an aesthetic based in muscled athleticism; and the fine artistry you have to almost necessarily work into premium car styling.

These adjectives may be apt, but they also function as shorthand, eliding the filmic while serving as a connecting thread between the aesthetic impression a movie makes and its larger artistic ambitions.

Jimmy Choo recently unveiled its cruise 2016 collection, which explores the stark differences between the aesthetic qualities of «Sunlight» and «Moonlight.»

The findings show striking similarities between the aesthetic score produced for random reef images and the health of the respective reef ecosystem as evaluated by reef scientists.

... The only significant difference between the aesthetic idol and the conceptual idol lies in the fact that the former reduces God to a physical object while the latter reduces God to an intellectual object.»

It is one thing to recall Schlegel's spurious distinction between aesthetic and religious interest, yet quite another to pass it along without comment.

In Kierkegaardian terms this is a struggle between the aesthetic and the ethical spheres of existence.

In his Stages on Life's Way (SLW), Kierkegaard speaks of irony as the means by which persons make the transition between aesthetic and ethical awareness, and humor as the means for making the transition between ethical and religious awareness.

Beauty is felt when there is some congruence between the aesthetic object and the observer's pattern of sense perception and related responses.

They are right to see a resemblance between aesthetic interest and the act of worship.

Myers knows there is a close connection between aesthetic and moral judgments, and he has a lot of both.

-- The difference between an aesthetic experience and a «religious» experience IS one of the questions raised in this movie, and you haven't even begun to address that question, other than to restate it.

Not exact matches

The overall aesthetic design of your ad: color schemes, styles, layout and tone; bold versus subtle, traditional versus modern, serious versus comic, masculine versus feminine, young versus old, and everything in between.

The difference between the two is that the way of the ethical merchant can increase the wealth and well - being of people so that they can have a better life and take time for a spiritual purpose and an aesthetic life.»

Ripatrazone draws a dichotomy also between dogma and the faithful's aesthetic experience of Catholicism.

On the one hand, the comrades take refuge in outdated forms of communication and esoteric arts and crafts instead of occupying themselves with the contradiction between the present constitution of the media and their revolutionary potential; on the other hand, they can not escape from the consciousness industry's program or from its aesthetic.

Furthermore, the distinction between unilateral and relational forms of power is directly relevant to the process concept of value as aesthetic.

Herein resides the dipolar difference between (1) aesthetic judgments which are concerned with both (a) contingent relationships of patterned qualities and (b) necessary relationships (both those conditionally necessary, found in the given patterns, and those metaphysically necessary, found in all possible givens) and (2) logical judgments which are only concerned with the necessary aspects of relatedness.

It has been noted in the cybernetic analysis of music that this orchestrated balance between pattern and spontaneity offers «the highest degree of aesthetic value attainable» (CO 203).

Much later, as a graduate student at Northwestern University's School of Speech, I began to develop some tools for investigating intersections between language and action, angling toward such forms of aesthetic expression as oral reading, acting and directing in the theatre, and storytelling.

Aesthetic texts, so went the claim, present an experience which is shared between an author and a reader in the communicative act of reading.