Sentences with phrase «between aesthetic interest»

They are right to see a resemblance between aesthetic interest and the act of worship.

Not exact matches

It is one thing to recall Schlegel's spurious distinction between aesthetic and religious interest, yet quite another to pass it along without comment.

In between, bodies run, leap and fall amid nuzzling lips, blasting bullets and periodic story turns that make the movie a modest cultural artifact if one largely devoid of aesthetic interest.

In Phoenix, Christian Petzold sets his nuanced melodrama of postwar German - Jewish identity within a starkly realist aesthetic, making newly fascinating use of his enduring interest in the tensions between the real and the artificial.

Isle of Dogs falls somewhere in - between, as it is not one of Anderson's best films, yet it also puts on display precisely what makes him such a continually interesting artist, most notably his willingness to extend his familiar aesthetic into new realms.

Between the labyrinthine plot following the complex and competing interests of various governmental agencies, and the handheld digital film aesthetic adopted by Liman and cinematographer Cesar Charlone — slightly grainy, cutting frequently to close ups that foreground and slightly fisheye the faces in focus — American Made occasionally felt like a through - the - looking glass version of the adventures of Sonny Crockett (Colin Farrell), a chronicle of semi-competence and good old fashioned greed.

In line with Tillmans's interest in exhibitions as amplifiers of a particular underlying perspective, each of the works engages in an intricate system of relationships between its aesthetic elements, subject, and institutional setting.

Druecke sees a parallel between Garden Path and his series of bronze plaques: «It's interesting to see how effectively the path inhabits its form, inviting engagement through its vernacular function — visitors have been walking on it since I began installing it several weeks ago — but complicating that engagement with aesthetic considerations that tend to lead one away from individual sculptures at Lynden rather than toward them.»

She is interested in collaboration, illuminating the relationships between the traditional and the contemporary, and scrapping aesthetic labels.

They've exhibited widely, in both national and international contexts, and have a range of aesthetic interests that include: practices of accumulation, manifestations of power, human discourses around the transcendent and the material relationship between self and world.

Creating a feedback loop between the formal and social qualities of the collages, A Cosmetic Decision takes an ontological approach to self - reflection, construction of personal identity, and arbitrary aesthetic and political interests.

Although strikingly heterogeneous, the affinity between the two artists lies implicitly in their shared interest in invoking an aesthetic experience by employing «low resolution» both as a visual device and as a perceptual agent, rendering an embodied looking / seeing, seeking to grasp the technological and psychological intricacies of reality.

We are interested in bridging between handmade engineering and traditional art or craft forms by using a DIY philosophy and aesthetic.

But I'm also interested in the relationship between the term «piracy» as you employ it, and that of appropriation as a tool of aesthetic discourse.

Although Athanasios Argianas's «Song Machine» works possess a similar minimalist aesthetic — unlike Stamkopoulos's sculptures, which tackle the formal qualities of painting in three - dimensional space — Argianas's interest lies in the limit between material and immaterial structure i.e. information.

As with the artist's other projects Donald laboriously crafts objects or build environments in order to work between the hand made and the aesthetically valued, the aesthetic and the usable — every project is underlaid by a conceptual interest in the limits (or not) between craft and art, art and architecture, as well as begging questions about particular content and rendering innocent forms (like the decoys) in provocatively corporeal ways.

In line with his interest in exhibitions as amplifiers of a particular underlying perspective, each of the works in this presentation engages in an intricate system of relationships between its aesthetic elements, subjects, and the institutional setting in which it is displayed.