Jason Chen will present a new series of handwoven photographs that investigates the notion of duality, interrogating the liminal space
between aesthetic perspectives.
Not exact matches
People need to cultivate the ability to stand back enough to gain
aesthetic and intellectual «distance»
between themselves and what they see in the media, and then, from a critical
perspective informed by their own faith, look at what the media are doing and saying.
In line with Tillmans's interest in exhibitions as amplifiers of a particular underlying
perspective, each of the works engages in an intricate system of relationships
between its
aesthetic elements, subject, and institutional setting.
Her goal has been to offer a new space that shifts reality from a third - person to a first - person viewing
perspective; to remove the space
between the artist and the still life while at the same time retaining and recalling the intellectual clarity, beauty, explosive dynamism, celebratory tone, and heightened attention to detail and ornamentation reminiscent of the Baroque
aesthetic that she loves.
In these three artworks, the idea of revelation of the hegemony of online systems and the «loophole» possibility generated as a result of the legal enforceability of such systems provide the viewer with an
aesthetic perspective on the current interwoven relationships
between art, society, and issues related to political economy.
As the phenomenon is directly related to the difference
between the social status of their homelands and the adopted countries, their works reveal different
perspectives and offer both
aesthetic and sociologic value to the discussion on «migration».
In line with his interest in exhibitions as amplifiers of a particular underlying
perspective, each of the works in this presentation engages in an intricate system of relationships
between its
aesthetic elements, subjects, and the institutional setting in which it is displayed.
Focusing on both present and future, moving
between concern with microcosms and universes, this exhibition will resound as a polyphony of individual
perspectives interwoven by different
aesthetic and cultural traditions.
at the Museum of Modern Art — make bold attempts to decode fashion from two opposing curatorial
perspectives, by tackling the very premise of fashion's postmodernity, and with it, many of its existential dilemmas: the relationship
between form and function, automation and craftsmanship, and the status of
aesthetic authorship in the age of global mass production.