«In his work Kelly abstracts the forms in his paintings from observations of the real world, such as shadows cast by trees or the spaces
between architectural elements,» according to his biography on the Guggenheim's website.
Not exact matches
The character designs are a little dated (you can see the difference in her skill
between the late»90s inner art and the more recent redesigned cover art), but she displays excellent skill with clothing, background art, and
architectural elements.
Each of the installations, which vary in form — from sculpture and photography to sound and
architectural intervention — investigates a different
element of the in -
between as both a physical location and an abstract condition.
Combining
elements of the found, the photographic, the cinematic, the
architectural, and the social, Gaillard provokes visual or associative connections
between ancient ruins and neglected contemporary spaces, attempting to recuperate the past in the name of a devalued present.
Young intentionally creates an association
between these objects and religious
architectural elements.
Blurring
architectural elements with sculpture and photography, the show explores the battle
between the manmade world and the natural environment.
The suggested
architectural elements become a metaphoric voice, representing the temporality of my human condition, while teetering
between the realms of public and private, intimacy and distance.
She exploits the similarity
between the liquid form of both subject and medium - water, sky, light - filled
architectural spaces - which she anchors with strong but simple geometric
elements.
Reinterpreting Malevič, Tatlin, El Lisitzky and other key exponents of these movements allowed Pardi to take the still vital
elements of these artistic directions and become one of the most active and qualified representatives of the history of contemporary painting and sculpture.This extensive retrospective illustrates the development of Pardi's explorations at every phase, from the first depictions of
architectural interiors and exteriors of the 1960s, such as the Environments and Hanging Gardens, to subsequent works from the 1970s, which he named Architectures.The series Diagonals are from the early 1980s and consist of straight lines whose tight rhythm oscillates
between black and white to a search for new montages and movements.
Altmejd's work often draws a corollary
between the body and architecture with
architectural landscape punctuated by figurative
elements or figurative sculptures blown up to gigantic scale or infected with inorganic material.
Murphy describes her collages as the «tenuous meeting points
between architectural and abstract
elements.»
Both her collages and sculptures appears as visual excerpts of a spacial presence, in the span
between remains of recognizable
architectural elements and abstract shapes.
Recalling household fixtures and
architectural elements, the works here located tensions and affinities
between form, material, and color, and unexpected associations among their various parts.
New dynamics are realized
between existing
architectural elements and details inserted in the space create new stories; some that before where not be imagined.
The pieces are an expression of the inter-connectivity
between the mind and its relation to
architectural elements.
Oscillating
between design and sculptures, his works can be seen both as
architectural elements and separate entities, hanging from the walls or sticking out from the floors of the gallery.
Continuing her interest in the confrontation
between nature and culture, the paintings on view explore the pictorial space, where the physicality of painting and the play with
architectural elements, in all senses, become the subject of the picture.The exhibition will be on view from Sunday, September 11 through Sunday, October 16, 2011.
This room, entitled White model for a big still life, consisting of various sculptural and
architectural elements, blurs the lines
between environment, architecture, painting and installation by creating a monochrome space that functions, in a sense, like the artist's own creative mindscape.
Conceived by Deshayes as an ode to the river Thames and the city of London, the exhibition draws a parallel
between the sculptures» cast iron material and its decorative and functional use in urban
elements such as radiators, cookware, bollards and
architectural ornament.
The figures, forms,
architectural elements, and space, which are constituted by layers of overlapping imagery that exist
between abstraction and representation, remain active on the picture plane with their seemingly melting colors.