Sentences with phrase «between areas of color»

The stitched lines, visible where the canvas panels are joined, recall the sharp edges between areas of color characteristic of hard - edge abstract paintings.

Not exact matches

Water mats can help babies distinguish between different shapes and colors while helping them develop their tactual skills as they learn to press and push certain areas of the mat to create different effects.

Darker colors are colder, and brighter colors are warmer, so the rift between the iceberg and the ice shelf appears as a thin line of slightly warmer area.

These true - color images, captured by the Thematic Mapper on the Landsat 5 satellite, compare the flooded river basin between West Memphis on the Arkansas side of the river and Memphis on May 10 [top] with pre-flood conditions in the same area April 21 [bottom].

Dr Simone Ottonello, from the University of Parma, Italy says: «If extended to black truffles from different geographic areas, epigenomic analyses, such as the one described in this work, may shed light on the relationships between DNA methylation and transposon - mediated genome shaping, intraspecific variability and commercially relevant organoleptic traits such as aroma and color»

A new study led by the University of Utah School of Medicine and Chung - Ang University provides evidence that several regions of the brain are hyperconnected in adolescent boys diagnosed with Internet gaming disorder (lines between colored areas, colored areas represent specific brain networks).

The software assigns colors to each small 3 - D area, called a voxel, according to the difference in signal changes within each of the areas between the two scans.

Unless you count green, plant science — like most areas of science — is, despite its many virtues, a rather colorless profession, because scientists of color are relatively few and far between.

In this 3D representation of the relationship between collaboration and mean citation impact in the Longwood Medical Area, each building's height reflects the number of citations of papers originating in the building, while the color gradient (from gray / low to blue / high) represents the proportion of publications originating from that building in which both first and last authors work in the building.

Crafting a space that has space for standing and sitting, is quiet in some areas and loud in others, and transitions between vivid and neutral colors can replicate the experience of being outside.

In the 1990s, when the idea of serious consequences for school performance was only starting to develop in states, the achievement gaps between whites and students of color actually grew in some key areas.

Although the racial «achievement gap,» or disparity in academic performance between students of color and their white counterparts, is a well - documented area of concern, nationalized policy efforts to close the gap have been largely unsuccessful.

Named after the Hawaiian resort area of the Big Island, the 2018 Hyundai Kona is available in a variety of trim levels, paint colors, and with a choice between different powertrains.

Even if one does alternate the color of the bars on a standard bar chart like this, the difference will not be nearly as dramatic or defined because there is no «real body» or body, this the colored area that signifies the distance between the open and close on a candlestick.

The great room opens to both the terrace and a courtyard via sliding glass walls on two sides; in between, cream - colored tile floors, white walls and clean - lined furnishings give the living area, dining area and fully equipped kitchen a look of understated modern luxury.

The blue, white and grey color bands are pulled apart so that they fill more of the canvas, leaving larger areas of raw canvas in - between.

Colors and surfaces vary in terms of density and reflectivity, and areas of the compositions frequently shift between positive and negative space, or between figure and ground.

Min's paintings turn on the interactions and relationships between different areas of color, their relative value and transparency, and the moods these colors engender.

The result is two contrasting colors that influence each other, one quite strongly present from the forward - facing fixtures placed midway down the corridor, and one secondarily visible in the spaces between the forward bars in the remaining inaccessible area of the corridor beyond the bars -LSB-...] Of course -LSB-...] the color relationship of the barred corridors is reversed when viewed from the opposite side.&raquof the corridor beyond the bars -LSB-...] Of course -LSB-...] the color relationship of the barred corridors is reversed when viewed from the opposite side.&raquOf course -LSB-...] the color relationship of the barred corridors is reversed when viewed from the opposite side.&raquof the barred corridors is reversed when viewed from the opposite side.»

He stretched a variety of colors across his canvases to develop a rhythmic appearance, which creates distinctions between areas of thick color and thin barely discernible layers.

The work Dodd exhibited in the 1950s shows the influences of the period's gestural abstraction, with areas of loose, brushy color filling the spaces between recognizable subjects, like the cows she initially exhibited.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arcolor, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arColor, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

Hear from the artist's daughter, Gretchen Diebenkorn Grant, along with Bay Area painter Robert Bechtle and the exhibition co-curators as they explore revelatory connections between the subject, style, color, and technique of two of the twentieth century's most extraordinary painters.

Yau writes: «By varying the relationship between the black and white areas, Knifer is able to calibrate a different dance between solid and void, dark and light... In many of the paintings, while I mentally registered a constant push - pull between solid and void, presence and absence, I found it nearly impossible to visually separate the areas, whose contours are defined by the opposite color.

Placed on a floor of a similar color, the areas in between become plains.

The Brooklyn - based artist has for years been refining a distinct technique that produces mesmerizing works that dance between painting, sculpture, and textile — their surfaces ripple with busy and vividly colored painted patterns that seem to swath mysterious objects in various fabrics; thick gobs of paint cling to areas of the canvas as if squeezed out like thick frosting or Easy Cheese.

In general, contrast enhances the difference in brightness and / or color between the interacting areas... Such contrast effects are mutual, but if the surround area is larger and more intense than the area it encloses, then the contrast is correspondingly out of balance, and may appear to be exerted in one direction only.

Using only lines, bands and patterns, flat areas of color, white, gray or black or cleanly cut wood, glass, metal and plastic, perceptual artists establish a new relationship between the observer and a work of art.

Each canvas has an internal rhythm, a call and response between the alternating bands of colors repeated in different areas of the painting.

Moreover, the colors seemed disembodied and purely optical, owing to the stunning effect of the staining technique, which eliminated any tactile difference between painted and unpainted areas.

Colorful Streets includes only color photographs by Holden, and focuses on the area of Market Street between 4th and 6th Streets.

For instance, because these artworks were entirely self - referential, their presence was meant to be «felt» immediately, through their «hard edges», or the abrupt transition between areas of solid, unvarying color from a restricted palette, as well as the repetitive patterns and geometric forms resulting in flatness and two - dimensional space.

For the awkward area between the wall and the ceiling beams, a set of pretty colored glasses adds just the right amount of rustic and coastal for a laid - back look.