Sentences with phrase «between black identity»
Her potent observations are no less topical today and, in fact, even more urgent as we routinely bear witness on social media and news outlets to the dualisms between black identity and white identity, rich and poor, females and males.
https://carpenter.center/ Not exact matches
Jerry Goldsmith (1968) **** Bangkok Dangerous Brian Tyler (2008) *** The Banner Saga Austin Wintory (2014) **** Basic Instinct Jerry Goldsmith (1992) ***** Basic Instinct 2 John Murphy (2006) *** Batman Danny Elfman (1989) **** Batman Returns Danny Elfman (1992) ** Batman Begins Hans Zimmer and James Newton Howard (2005) ** Batman v Superman: Dawn of Justice Hans Zimmer and Tom Holkenborg (2016) * * batteries not included James Horner (1987) *** 1/2 Battle: Los Angeles Brian Tyler (2011) ** Battleship Steve Jablonsky (2012) * Battlestar Galactica Richard Gibbs (2004) ** Battlestar Galactica: Season One Bear McCreary (2005) ** 1/2 Battlestar Galactica: Season Two Bear McCreary (2006) ** 1/2 Bears George Fenton (2014) **** Beat the Drum Klaus Badelt and Ramin Djawadi (2003) **** The Beautiful Country Zbigniew Preisner (2004) **** A Beautiful Mind James Horner (2001) **** Bee Movie Rupert Gregson - Williams (2007) **** Being Julia Mychael Danna (2004) **** Belle Rachel Portman (2014) *** Beloved Infidel Franz Waxman (1959) ** 1/2 Below Graeme Revell (2002) * Ben - Hur Marco Beltrami (2016) ** Beneath the Planet of the Apes Leonard Rosenman (1970) **** Beneath the 12 - Mile Reef Bernard Herrmann (1953) ***** Beowulf Alan Silvestri (2007) *** The Best Exotic Marigold Hotel Thomas Newman (2012) **** The Best of Everything Alfred Newman (1959) *** The Best Offer Ennio Morricone (2013) **** 1/2 The Betsy John Barry (1978) **** A Better Life Alexandre Desplat (2011) **** Between Heaven and Hell and Soldier of Fortune Hugo Friedhofer (1956/5) ***** Beyond Borders James Horner (2003) **** Beyond Rangoon Hans Zimmer (1995) **** 1/2 Beyond the Gates Dario Marianelli (2005) **** Beyond the Poseidon Adventure Jerry Fielding (1979) **** 1/2 The Beyondness of Things John Barry (1998 concept album) ***** The BFG John Williams (2016) *** 1/2 Bhopal: A Prayer for Rain Benjamin Wallfisch (2014) **** The Bible Hans Zimmer and Lorne Balfe (2013) * Bicentennial Man James Horner (1999) **** 1/2 The Big Bounce George S. Clinton (2004) *** The Big Bus David Shire (1976) *** The Big Empty Brian Tyler (2003) ** 1/2 Big Fish Danny Elfman (2003) *** 1/2 The Big Kahuna Christopher Young (1999) *** 1/2 Big Miracle Cliff Eidelman (2012) *** The Big Sleep Jerry Fielding (1978) **** Big Wednesday Basil Poledouris (1978) **** Bilal: A New Breed of Hero Atli Örvarsson (2016) *** Birdman of Alcatraz Elmer Bernstein (1962) ***** Birth Alexandre Desplat (2004) **** The Birth of a Nation Henry Jackman (2016) *** Bite the Bullet Alex North (1975) ***** Black Chris Tilton (2006) **** The Black Bird Jerry Fielding (1975) **** 1/2 The Black Cauldron Elmer Bernstein (1985) *** 1/2 The Black Dahlia Mark Isham (2006) ***** Black Gold James Horner (2011) **** 1/2 Black Hawk Down Hans Zimmer (2001) **** 1/2 The Black Hole John Barry (1979) **** 1/2 Black Panther Ludwig Göransson (2018) **** Black Rain Hans Zimmer (1989) * Black Robe Georges Delerue (1992) **** Black Sails Bear McCreary (2014) **** The Black Stallion Carmine Coppola (1979) and The Black Stallion Returns Georges Delerue (1983) **** Black Sunday John Williams (1977) *** 1/2 The Black Tulip Christopher Young (2010) **** Black Widow Michael Small (1987) *** Blade II Marco Beltrami (2002) *** Blade Runner 2049 Hans Zimmer and Benjamin Wallfisch (2017) ** Bless the Child Christopher Young (2000) ***** Blizzard Mark McKenzie (2003) **** 1/2 Blood Diamond James Newton Howard (2006) *** 1/2 Blood In, Blood Out Bill Conti (1993) **** Bloodline Ennio Morricone (1979) *** The Blue Lagoon Basil Poledouris (1980) **** The Blue Max Jerry Goldsmith (1966) ***** The Blue Planet George Fenton (2001) ***** Bobby Jones: Stroke of Genius James Horner (2004) *** Body Double Pino Donaggio (1984) **** Body Heat John Barry (1981) ***** The Bodyguard Alan Silvestri (1992) ** Bolt John Powell (2008) *** 1/2 Bonnie & Clyde John Debney (2013) *** 1/2 Book of Blood Guy Farley (2009) *** The Book of Henry Michael Giacchino (2017) *** The Book of Stars Richard Gibbs (1999) *** 1/2 The Book Thief John Williams (2013) **** Born in China Barnaby Taylor (2016) **** Born on the Fourth of July John Williams (1989) ***** The Bounty Hunter George Fenton (2010) *** The Bourne Identity John Powell (2002) *** 1/2 The Bourne Supremacy John Powell (2004) *** 1/2 The Bourne Ultimatum John Powell (2007) **** The Bourne Legacy James Newton Howard (2012) ** The Boy in the Striped Pyjamas James Horner (2008) **** 1/2 The Boys from Brazil Jerry Goldsmith (1978) ***** The Boxtrolls Dario Marianelli (2014) *** 1/2 The Boy Who Could Fly Bruce Broughton (1986) **** Brainstorm James Horner (1983) ***** Brake Brian Tyler (2012) *** Brannigan Dominic Frontiere (1975) **** The Bravados Alfred Newman and Hugo Friedhofer (1958) *** The Brave Little Toaster David Newman (1986) **** 1/2 The Brave One Dario Marianelli (2007) ** 1/2 Breach Mychael Danna (2007) **** Breakheart Pass Jerry Goldsmith (1975) *** 1/2 Breakdown Basil Poledouris (1997) **** Breakout Jerry Goldsmith (1975) *** Breathe Nitin Sawhney (2017) *** The Bride Maurice Jarre (1985) **** The Bridge at Remagen Elmer Bernstein (1969) **** Bridge of Spies Thomas Newman (2015) **** 1/2 Bridget Jones's Baby Craig Armstrong (2016) *** Bring Me the Head of Alfredo Garcia and The Killer Elite Jerry Fielding (1974/5) ***** Broadcast News Bill Conti (1987) *** Broadchurch Ólafur Arnalds (2015) **** 1/2 Broken Arrow Hans Zimmer (1996) * Broken Horses John Debney (2015) *** 1/2 Bruc Xavier Capellas (2010) *** 1/2 Bruce Almighty John Debney (2003) *** The Bucket List Marc Shaiman (2007) *** Buddy Elmer Bernstein (1997) **** Bug Brian Tyler (2006) *** A Bug's Life Randy Newman (1998) **** 1/2 Bugsy Ennio Morricone (1991) *** 1/2 Bullet to the Head Steve Mazzaro (2012) *** Bulletproof Monk Eric Serra (2003) *** The «Burbs Jerry Goldsmith (1989) *** 1/2 Bury my Heart at Wounded Knee George S. Clinton (2007) *** 1/2 The Butterfly Effect Michael Suby (2004) *** 1/2 By Love Possessed Elmer Bernstein (1961) ****
Named one of «25 New Faces of Independent Film» by Filmmaker Magazine for 2017, she tells stories about black girls and women who find themselves between worlds and identities.
Ezra Edelman's five - part documentary film O.J.: Made in America explores two parallel historical narratives: 1) The story of post-Watts race relations in Los Angeles, specifically the tensions between the LAPD and the black community; and 2) the story of a preternaturally talented black athlete who sought to shed his racial identity to achieve «white» success, only for him to reclaim it at a crucial moment.
Weaving deftly between 1980 and the present day, and told in an unforgettable voice, Long Black Veil is an intensely atmospheric thriller that explores the meaning of identity, loyalty, and love.
The American Civil War is one piece of history that is filled with treats for fans of the form — high drama, hazy battle lines between good and bad, black and white; and the sights and sounds of a nascent America still struggling to forge its identity.
There are a number of artists dealing with that conjunction between identity and color, and not only black artists.
«RASHID JOHNSON: Anxious Men» @ The Drawing Center New York, N.Y. Over the past 15 years or so, Rashid Johnson «s practice has explored a range of themes, including «the black experience in America, the dialogue between abstraction and figuration, and the relationship between art and personal identity.»
Created between 1964 and 2005, the oil and mixed - media collage works explore American identity, prisons, war, migration, farming and the challenges and dignity of black life.
By setting intimate moments alongside landmark events (such as the Black Popular Culture Conference in 1991, the truce between the Crips and the Bloods in 1992, the Black Male exhibition at the Whitney in 1994, and the Black Nations / Queer Nations Conference in 1995), the archive constructs collective and private narratives to comment on identity, desire, sexuality, and loss.
Black is the Day, Black is the Night is a conceptual exploration into the many facets of human identity using notions of time, accumulation, memory and distance through personal correspondence with men serving life and death row sentences in some of the most maximum security prisons in the U.S., all of which had served between 13 - 26 years at point of contact.
The depiction of black identity occasioned by the Brixton Rising was one of disorder, lawlessness, and rage — characterizations that continued in the months that followed with subsequent confrontations between protestors and police taking place in Birmingham, Liverpool, Manchester, and other cities.2
The show reflects on a number of interesting notions: the ways in which postwar black artists have constructed their identity through their reliance on abstraction; the formal affinities between artists of different generations; and the role of non-figurative art as both personal expression and political impetus.
Her work focuses on the interaction between technology and black identity and questions how blackness is represented through modern technology.
As a young African immigrant, she learned to straddle the divides between black and white, African and American, local and foreign, while negotiating her own identity between worlds.
He typically gravitates toward cultural theorists, poets and critics — Stuart Hall's posthumous memoir, «Familiar Stranger: A Life Between Two Islands,» about growing up in Jamaica in the 1930s; Fred Moten's «In the Break: The Aesthetics of the Black Radical Tradition,» on the connections between jazz, sexual identity and radical black politics; Judith Butler's «Precarious Life: The Powers of Mourning and Violence,» a look at the vulnerability and aggression that followed SeBetween Two Islands,» about growing up in Jamaica in the 1930s; Fred Moten's «In the Break: The Aesthetics of the Black Radical Tradition,» on the connections between jazz, sexual identity and radical black politics; Judith Butler's «Precarious Life: The Powers of Mourning and Violence,» a look at the vulnerability and aggression that followed SeptBlack Radical Tradition,» on the connections between jazz, sexual identity and radical black politics; Judith Butler's «Precarious Life: The Powers of Mourning and Violence,» a look at the vulnerability and aggression that followed Sebetween jazz, sexual identity and radical black politics; Judith Butler's «Precarious Life: The Powers of Mourning and Violence,» a look at the vulnerability and aggression that followed Septblack politics; Judith Butler's «Precarious Life: The Powers of Mourning and Violence,» a look at the vulnerability and aggression that followed Sept. 11.
Colescott, a black artist, depicts the scene as the media and public saw it, rather than portraying the actual white culprit, and in doing so underscores the problematic association between crime and the black community in America, while sparking conversations about race and identity that remain prescient and necessary in our current world.
SELECTED GROUP SHOWS: 2018 Open SpacesKansas City, MO 2018 Color of the Year Presented by Pantone and X-RiteUrban Institute for Contemporary Art, Grand Rapids, MI 2017 Solar Flair: Celestial Bodies in MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Color!
2004 African Art, African Voices: Long Steps Never Broke a Back, Philadelphia Museum of Art, PA, USA Continental Drift: Installations by Ilya Kabakov, Joan Jonas, Juan Muños, Yinka Shonibare, Norton Museum in West Palm Beach, FL, USA Fashination, Moderna Museet, Stockholm, Sweden The Fabric Workshop and Museum, New York, NY, USA Flexible 4: Identities, Landes Museen, Linz, Austria Between The Lines, James Cohan Gallery, New York, NY, USA Black President: The Art and Legacy of Fela Anikulapo - Kuti, Yerba Buena Centre for the Arts, San Francisco, CA, USA, (catalogue) 2003 Looking Both Ways: Art of the Contemporary African Diaspora, The Museum for African Art, New York, USA (catalogue) Love over Gold, Gallery of Modern Art, Glasgow, Scotland Black President: The Art and Legacy of Fela Anikulapo - Kuti, New Museum, New York, NY, USA, (catalogue) Flexible 4: Identities, The Whitworth Art Gallery, Manchester Supernova: Art of the 1990s from the Logan Collection, SF MOMA, San Francisco, CA, USA (doublures), vêtements de l'art contemporain, Musée national des beaux - arts du Québec, Québec, Canada (catalogue) Independence, South London Gallery, London The African Exile Museum, Migros Museum, Zürich, Switzerland Somewhere better than this Place, The Contemporary Arts Center, Cincinnati, Ohio, USA
Reclaiming artifacts and iconographies to critique the museum and speak about Black cultural history and identity, he bridges the gap between «high art» and «the street» to question connotations of race and class.
Using his signature materials of white ceramic tile, red oak flooring, shea butter, black soap, and wax, Johnson examines themes of race, history, yearning, anxiety, and escape and investigates the relationship between art, society, and personal identity.
Since, Lydia has created «In / Between Spaces» - a mobile group exhibition series in a 26» U-Haul that explores Black identity in various spheres of modern life and that travels to predominantly Black neighborhoods in New Orleans to engage those who have been alienated from the world of contemporary fine art.
3 — Identity - Politics Curators, Between Adrian Piper pulling out of the show Radical Presence: Black Performance in Contemporary Art and the artists of Jewish descent who declined to participate in the Jew York exhibition at Zach Feuer and Untitled galleries, it looks like curators who want to group or explore artists based on identity have hit harIdentity - Politics Curators, Between Adrian Piper pulling out of the show Radical Presence: Black Performance in Contemporary Art and the artists of Jewish descent who declined to participate in the Jew York exhibition at Zach Feuer and Untitled galleries, it looks like curators who want to group or explore artists based on identity have hit haridentity have hit hard times.
In this extended interview, author Darryl Pinckney discusses characters caught between conflicting identities and locales in his latest novel «Black Deutschland.»
He is best known as one of the founders of the Black Audio Film Collective, which was active between 1982 and 1998, and which was dedicated towards examining issues of Black British identity through film and media.
The exhibition evokes urgent and wide - ranging conversations taking place between black artists, writers, thinkers and institutions that addressed identity and representation, racism and colonial legacies.
My multicultural identity is a lens through which I explore nuance, multitudes, and shades between black and white thinking.
The implications of racial identity development theory for the development of mutuality between black and white women are considered.