Sentences with phrase «between characters work»

Some other questions asked to explain more how the switching between characters work, when we will see gameplay of Grand Theft Auto V and if there will be a PC or next - gen version of the game.

Everything from the eclectic music choices to the chemistry between the characters works perfectly.

«Each scene is a snapshot of a story, with a dynamic between the characters working on various levels, which ties into the bigger picture; there's much more to these pieces than illusion alone.»

Not exact matches

No employer shall «discriminate between the sexes in the payment of wages for work of comparable character, the performance of which requires comparable skills» or «pay wages or other compensation to any employee at a rate greater than that at which the employer pays wages to employees of a protected class for work of comparable character»

The reason this novel is successful is that it is the least allegorical of his works; there are few one - to - one relations between the characters and events of the novel and some outside structure or pattern of ideas.

The plot fails, but not before we've had an insight into the huge power disparity between the upper and working - class characters.

It provides a base for new coalitions between Roman Catholics and Protestants (witness the ecumenical character of its adherents), liberals and conservatives (witness the continuing concerns of the World Council of Churches and the evangelicals» Chicago Declaration), «majorities» and «minorities» (witness the numerous theological works written from black, feminist, Latin American and Anglo perspectives), and therefore can become an acceptable, sound theological foundation for church education.

Novelists work diligently to make the written dialogues between characters in the story seem «real», that is, oral.

These words are symbolic of the Yehudi's life and are the most fitting for its close; for of all of the characters in this novel, deeply religious though they are, it is only he who has declared God's oneness, only he who has refused to work for redemption with external means and who has refused to accept a division of the world between God and the devil or a redemption that is anything less than the redemption of all evil and the recognition of God as the only power in the universe.

He is working on a title called Nowhere that aims to simulate complex social interactions between players and computer - controlled characters, showing players how their actions affect not only those characters but also future versions of themselves.

Environmental campaigner Sauven argues: «Some of the characters involved have previously worked to deny the reality of the hole in the ozone layer, acid rain and the link between tobacco and lung cancer.

n0ne: Just be ready to be called a dumbass when something does nt work or you go too deep LMAO Learn to find the balance between flashy and efficient, and remember that it's easy to be fast with Falcon, but it's harder to know when to hit the brakes and not lose control of your character.

I appreciate decency and sincerity in a relationship between a man and a woman.Am very understanding, open minded with a heart of forgiving, loving and caring with sense of humor, hard working with cheerful character, honest, sincere, kind, warm and intelligent.

Director Ron Howard delivers an admittedly appealing opening stretch that effectively establishes Willow's fantastical world and raft of quirky characters, with, in terms of the latter, the movie certainly benefiting from Davis and Kilmer's thoroughly charming and affable work as the disparate protagonists (and it doesn't hurt, either, that the chemistry between the two couldn't be more solid).

There's some nice character work at play when Jackson can be bothered to stop cutting between extraneous plots and generic battles.

In «Paprika,» this connection between dreams and movies is worked to a fare - thee - well, but there are other levels of representation, too — Internet sites, which characters enter bodily, and, appearing now and then, a kind of collective unconscious, in which a parade of toys and icons (including the Statue of Liberty) march through an enormous city with a menacing, throbbing insistence that borders on the fascistic.

What did make this movie work was the sense of «being there,» of watching these characters go through what they think are grand plans for themselves (Wikus proud of getting promoted; Christopher thinking he's finally going to fix the mothership and escape) only for random chance, selfishness, and the raw immediacy of simple survival kick in and having them struggle from moment to moment against hostile forces (MNU, the human slumlords, there is no difference between those two groups exploiting the aliens).

The film works as both a character study about two men trying to manipulate the system for personal gain, and as a thriller in which the line between heroes and villains isn't all that clear - cut.

The episodic bent of the film's first half - much of the narrative seems to follow the central characters as they fight one fire after another - does test the viewer's patience to a fairly demonstrable degree, and it's clear that Backdraft, by and large, works best when focused on the rivalry and relationship between the central figures (and how it ultimately affects their respective work).

Yes, the events leading up to the heist definitely have their moments, but the amount of banter and comedy between the characters throughout the heist works so well, that I feel like I'm rewatching that sequences play out in my head, long after I witnessed it in theatres.

I think it would have worked better if there was more irony between us and all the characters where we know more about what's going on then they do.

With a brand new story, new characters, new game modes, and other minor and major changes, Persona 4 Arena Ultimax is a great way to expand the previous fighting game born from the cooperation between Atlus and Arc System Works.

Though Tonto is far more interesting, the characters work best during their scenes together, thanks to some fantastic chemistry between Depp and Hammer.

«That» scene that you've no doubt been teased between Williams and Affleck works so well not for being the sob - inducer the poster and critical hosannas promise, but for being the thesis of the film and its central character for how it avoids that kind of response.

Fassbender and Lawrence do the best they can with what little they're given, but the main reason that «First Class» worked as well as it did was because of the relationships between the three characters.

But once Stone's character is allowed to calm down and not be so manic, the scenes between her and Cooper begin to work and Crowe's vision starts to come together.

Co-written by director David Gordon Green (Joe), whose work frequently explores the pitfalls of male culture (and there's nary a woman in sight here, unless she's at a party), the script is best when it stays focused on the relationship between Brad and Brett, sometimes not bothering to fully flesh out the supporting characters.

The game does a poor job of pointing you in the direction of progression (so poor that it doesn't do it at all) so I would find myself cycling between the three of four characters assigned to that level testing out abilities until one finally worked.

Unique skills can be learned as well, usually when you've formed a strong bond between two characters — another incentive to get your units working closely on the battlefield.

WWZ catches the composer in his maximum action mode, and fans of robust works such as A Good Day to Die Hard [M](2013) will be pleased at how smoothly the score flows between epic action and short character moments.

It should have worked, and it almost does, but Black buries his characters in a sputtering, chaotic story, seeming to realize only sporadically that we aren't watching this film for the plot and the stunts... but for the byplay between the two main characters.

Barry, a much acclaimed character actor for his work in Dead Man Walking and Born on the Fourth of July, moves between menacing and feeble.

Re-teaming with his «Edge of Tomorrow» (a.k.a. «Live Die Repeat») director Doug Liman, Cruise plays Barry Seal, a real - life character who ran drugs, guns and money between Central America and Arkansas in the late 1970s and early»80s, while also working for the CIA.

He's working on something called «Seven Psychopaths», but all he has is a vague idea of a character and an ending that goes against the grain of Hollywood, without violent shootouts between cookie - cutter gangsters and thugs.

It kind of worked, bringing a nice relationship between the two characters and Farrell acting as a narrative device for the audience to explore McClane's character a bit more.

Meanwhile, both the central character played by Gael Garcia Bernal and the relationship between him and his buddy / sidekick need more work.

Working with a warm if pasteurized visual palette, Van Sant gives free rein to his Romantic side, lending the characters an anachronistically intense yearning that hints that they're in limbo not just between spiritual states, but between centuries.

This deconstructs what makes the formula work, first by replacing the effete Daniel with the masculine Julie, then by splitting the father figure emphasis between two characters engaged in an adolescent and howlingly - unconvincing kiddie romance.

We may have inferred spurious behavioural similarities between Max Fischer, Royal Tennenbaum or Steve Zissou in the director himself — characters as an extension of the creator's personality, as the auteurists would have it — yet this latest work appears wholly obsessed with the mechanics and logistics of Anderson's experience writing and directing movies.

The Straight Story remains Lynch's most hopeful film with the male character actively working towards preserving the sanctity of the bonds between family members.

«We were all working individually, and for two full weeks before we started so much time creating these relationships between the characters.»

As expected, Linklater's penchant for the themes of alienated characters and the social constructs of America are also explored and how he effortlessly evolves through his work while working diversely between Independent and bigger productions.

During this recent exclusive interview with Collider, the undeniably charming James Badge Dale (who plays the Lone Ranger's older brother, Texas Ranger Dan Reid) talked about how cool it is to be in three of the biggest blockbusters of the summer (Iron Man 3, World War Z and The Lone Ranger), how The Lone Ranger was the most physically demanding, finding a treehouse out in Canyon de Chelly where he could grab a nap between takes, the process of finding the perfect cowboy hat for his character, working with a horse that was scared of gunfire, and the experience of cowboy boot camp.

I sat down with Gerwig to talk about her unique character, the difference between working on a Hollywood project as opposed to an independent, and what the next Woody Allen movie To Rome with Love is going to be like.

What works best here are the character conflicts between Iron Man and Doctor Strange and the complexity of Gamora and Thanos» relationship.

Historically new entries have came in as little as 2 years (SSB Vanilla to SSBMelee) and as long as 6 (SSBBrawl to SSB Wii U) So it's highly likely they could make a new Smash Bros in 4 years even if the first two years the team was split between making minor character DLC for the last game while most of the team worked on the new game.

What was it like to work with Karen Gillan and develop the relationship between your characters?

Following the panel, Collider got a few minutes to chat with executive producer Louis D'Esposito, who also directed the pilot, about expanding Peggy Carter's world even further, how quickly they realized that there was a potential TV show there, working so closely with the actors, what makes Hayley Atwell and the character she plays so appealing, that they'd love to continue for Season 2 (with somewhere between 8 and 13 episodes), what he's most proud of with the show, the importance of casting the right actors to populate the world, and the challenge of getting Dominic Cooper to sign on.

By the end of Harry Potter, when you're controlling characters with access to all of the magic of the game, you'll find yourself switching between spells on the fly to work your way through levels.

Indeed, there are moments in the film when it seems the entire purpose of positioning Arthur as some sort of benign underworld Don was merely to provide some witty banter, word play and the quick cut dialogue exchanges between multiple characters that often marks Ritchie's work.