Sentences with phrase «between consumerism»

One study from the USA provides evidence that consumerism is related to smoking, alcohol and cannabis use in 14 to 18 - year - olds, 15 and another reports an association with alcohol use in 10 to 18 - year - olds.16 Among 18 to 21 - year - old Belgian students, a substance use scale (combining smoking, drinking and drug use) was negatively related to «intrinsic values» and positively related to «extrinsic values» relating to financial success and physical appearance.17 Finally, a study of Chinese 14 to 19 - year - olds found positive associations, cross-sectionally and prospectively, between consumerism and scores on a self - reported risky behaviour questionnaire, one component of which was alcohol and / or drug use.18 It has been suggested that these associations may reflect attempts to satisfy the unmet needs of more materialistic individuals, 15 in a manner akin to self - medication.17

Relationships between our consumerism measures and both smoking and drinking were largely similar for males and females and for those from less affluent compared with more affluent households.

The correlation between consumerism and environmental impact goes without saying but aside from the

Thinkers from business, design and innovation, including method's co-founder Eric Ryan, got together for a debate at Conscious Capitalism: Resolving the Conflict Between Consumerism

The correlation between consumerism and environmental impact goes without saying but aside from the embodied impact of our purchases, what about the transaction itself?

Jordan Doner is a New York based conceptual artist and photographer, whose highly finished work offers formal resolutions to the tension between consumerism, transcendence, revolutio...

KAWS has always been known for his work in the intersection between consumerism and art.

Often based on popular commercial sources, his work examines the deep - seated links between consumerism and political consciousness.

In a multidisciplinary manner, she explores the relationship between consumerism and identity, class imitation and social deception, altruism and empathy.

Artists have also highlighted the relationship between consumerism and desire.

This solo exhibition — Bayrle's first major New York museum survey — will bring together works from the last fifty years, highlighting Bayrle's experiments across media and their prescient commentary on the relationship between consumerism, technology, propaganda, and desire.

NPMP aims to raise public awareness and educate consumers about the consequences of buying puppies from pet stores, websites and classified ads, and the direct link between consumerism, human greed, and animal suffering.

Not exact matches

These numbers illustrate the opportunities created by the fusion between throbbing consumerism and fast - paced technological trends.

So just a small technology, a product, a brand creating that kind of buzz between two countries that really have not been able to come together as peoples and as governments, and whereas the consumerism is bringing those two countries together.

Among the various longer - range challenges facing church music in the «90s, four seem to be occupying center stage: the challenge of providing church musicians in sufficient numbers to meet the needs of parishes throughout the land in almost every denomination; the continued search for musical roots in many denominations; the ongoing debate between those advocating the worship and musical tradition of the church catholic and those advocating a variety of trendy fads; and the impact of pragmatism and consumerism in determining worship practice and musical style and substance.

As responses to my CNN post about why millennials leave the church have been pouring in, and as accusations of consumerism fly from one end and of hypocrisy from the other, I was reminded of an older post from April 2012 that seems freshly relevant: «Better Conversations Between the Churched and Un-Churched.»

However, even if we wish to so devote some of our precious time and resources, we continue to be hit by the tax blade cutting into disposable income and cheap consumerism blunting the distinction between stone and bread or between, snake and fish.

There has got to be a balance between just going with the flow of consumerism and keeping up with the Joneses, and the hypercritical nature of being the «BEST» at everything.

I am currently in the process of editing another book, China Across the Divide: Domestic Politics and Society & China's Global Relations, which focuses on the intersection between international and local issues, such as growing Chinese consumerism and its affect on global markets, recent waves of immigration to China, and human rights.

It sheds new light on the relationship between citizenship and consumption, arguing that consumerism does not necessarily make people politically apathetic.

The naturally paced romance that forms between Carol and Louis is just one example of Bell's debut exhibiting originality in the face of Hollywood consumerism (which you could argue is something the film satirizes).

is impregnated with the idea of a dichotomy between developed and underdeveloped countries, ignoring the existence of islands of poverty in the wealthy nations and islands of wealth in poor ones, and also implying that the so called developed countries, with heir unsustainable patterns of consumerism, were a model to be followed.

The concept of sustainable development is being criticized, in Brazil and in other Latin American countries, since the word development is impregnated with the idea of a dichotomy between developed and underdeveloped countries, ignoring the existence of islands of poverty in the wealthy nations and islands of wealth in poor ones, and also implying that the so called developed countries, with heir unsustainable patterns of consumerism, were a model to be followed.

Throughout the generations of automotive consumerism, there has never been as fierce a rivalry as the continuous battle between Toyota and Honda.

Instead of plunging into the electric revolution, I pick and choose between convenience and what looks to me like rampant consumerism, attempting to find a middle ground.

«I hope to draw parallels between the American industrial system, transitioning from a past of heavy industry, factories, and teamsters and the disembodied present of electronic mass - media, surface advertising, and consumerism - so clearly embodied in Times Square,» explained Meckseper, «The critical placement of the pumps is a conceptual gesture that raises questions about business and capital; land use and resources; wealth and decay; decadence and dependence.»

Peskine bridges the gap between graphic design and fine art by using the same design aesthetic to appeal to the masses, as his work often touches on the ideology of consumerism and mass consumption.

Over the last three decades, artist and filmmaker Lynn Hershman Leeson has been internationally acclaimed for her pioneering use of new technologies and her investigations of issues that are now recognized as key to the working of our society: identity in a time of consumerism, privacy in a era of surveillance, interfacing of humans and machines, and the relationship between real and virtual worlds.

The choreography of these sculptures is accompanied by a pulsating sound track and text statements, collaged from celebrated male authors, which collapse the distinctions between art objects and social history artefacts, and the strange and compulsive desires of consumerism.

Without irony, but with a deadpan «directness that suggested innocence», he depicted the bomber as though flying through the flak of a consumer society, questioning the «collusion between the Vietnam death machine, consumerism, the media, and advertising.»

Through performances, films, texts, and most importantly sculpture incorporating found materials and household objects, he sought to subvert the separation between art and lived experience, and to interrogate mass consumerism and the rise of technology.

In his early career Warhol forced the cultural establishment to integrate signs of crass consumerism (the Soup Cans) and commercial exploitation (the Marilyns) into the world of high art, thus helping to destroy the very distinction between high and low art.

Twist's work combines re-imagined tribal stories with geopolitical narratives to examine the unresolved tensions between market - driven systems, consumerism, and American Indian cultural self - determination.

The issues she investigates — such as identity in a time of consumerism, privacy in an era of surveillance, and the relationship between real and virtual worlds — appeared in her art practice long before they became key topics in our society.

Indeed, the relationship between popular culture and Pop Art is explored from all angles, discussing its interpretation as critique or celebration of consumerism, mass production and contemporary graphic art; whether Pop is simply another manifestation of popular culture or subversive criticism of it.

Linder combines pornographic images with cosmetic, food and luxury watch advertising to address the relationship between desire and consumerism, and, likewise Paul McCarthy's Brancusi Tree (silver)(2007) resembles both a sexual gadget and a monumental modernist sculpture.

In Al - Maria's view, the mall in both the Gulf and the United States — along with its attendant consumerism — occupies «a weirdly neutral shared zone between cultures that are otherwise engaged in a sort of war of information and image,» waged through both traditional and social media.

This gorgeous high - definition 3 - D video alternates between the Amazon rain forest and a pristine lab to tell a fictive story of «bioprospecting» in the name of global consumerism.

She tackles the big questions surrounding: identity in a time of mass, overpowering consumerism; privacy in an era of surveillance; the interfacing of humans and machines; the relationship between real and virtual worlds; and new bio-ethics surrounding practices such as growing parts of the human body from DNA samples.

Titled Hunter Games, the large - scale works feature renderings of figures in classical Greek contrapposto poses and touch on the links between visual culture and violence, gun control, and consumerism.

Artist and filmmaker Lynn Hershman Leeson is acclaimed for the pioneering use of new technologies through which she deals with issues such as identity in a time of consumerism, privacy in a era of surveillance, interfacing of humans and machines, and the relationship between real and virtual worlds.

Investigating the relationship between high art and consumerism, Stoll abstracts his objects, taking them beyond their everyday domestic function.

They make mind - numbingly obvious and already well - established connections between the development of consumerism and early modernism.

Now pursing his BFA in Photography at the San Francisco Art Institute, Al - Badry examines Western consumerism's influence on traditional Muslim Culture in his newest series, Al Kouture, and reveals the tension between Occidental and Arab - Islamic ideologies.

FOR IMMEDIATE RELEASE David Baskin, Seasonal Variations at Freight + Volume September 24, 2009 — October 31, 2009 / Reception: Thursday, September 24, 6 — 8 pm Negotiating the uncertain border between the art object and consumerism, David Baskin's recent sculpture explores the underlying agendas inherent in the «formal» properties of everyday consumer goods.

She tackles the big questions surrounding: identity in a time of consumerism; privacy in a era of surveillance; the interfacing of humans and machines; the relationship between real and virtual worlds; and growing parts of the human body from DNA samples.

FAILE's work is constructed from found visual imagery, and blurs the line between «high» and «low» culture, but recent exhibitions demonstrate an emphasis on audience participation, a critique of consumerism, and the incorporation of religious media, architecture, and site - specific / archival research into their work.

Lynn Hershman Leeson artist and filmmaker, who over the last three decades, has been internationally acclaimed for her pioneering use of new technologies and her investigations of issues that are now recognized as key to the working of our society: identity in a time of consumerism, privacy in a era of surveillance, interfacing of humans and machines, and the relationship between real and virtual worlds.

Her struggles with the mundane, the eclectic and the disposable, offer a unique perspective on the relationship between spirituality and consumerism in contemporary society.

The exhibition was the last project Hamilton directly participated in and illustrates the array of mediums, genres and themes the artist employed and approached over the course of his career: from photography, drawing and prints, to industrial design, advertising and the digital manipulation of images; from portrait, self - portrait and interiors, to metalinguistic investigations — for instance on the limitations of different forms of representation and the relationship between vision and movement — via a political critique and a reflection on consumerism and mass culture.