Sentences with phrase «between contemporary art curators»

Launched in 2005, CIMAM's Travel Grant Program is designed to foster cooperation and cultural exchange between contemporary art curators and museums directors in emerging and developing economies and their counterparts in other regions of the world.

Not exact matches

The annual prize celebrates the exchange of ideas and innovations in the presentation of contemporary art and aims to build links between emerging curators in London and across Greece.

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

A Dumpling with soup in it is a conversation between artist Davide Balula and Francesco Stocchi, curator of modern and contemporary art at Museum Boijmans Van Beuningen, Rotterdam.

This is Pope.L's fourth exhibition with the gallery and is accompanied by a catalogue with a Q&A between Pope.L and Bennett Simpson, Senior Curator at Museum of Contemporary Art, Los Angeles.

Moderated by Tanya Gill, the conversation was between artist and researcher at School of the Art Institute, Shaurya Kumar and curator of contemporary Indian art, Betty SeArt Institute, Shaurya Kumar and curator of contemporary Indian art, Betty Seart, Betty Seid.

I remember a brief repartee between Nato Thompson, Creative Time's curator of social engagement public art projects, and Atlanta critic Jerry Cullum at the Contemporary a few years ago on the importance (or unimportance) of contemplative solitude in a painter's artistic practice.

Following a public conversation between Turrell and former Contemporary Arts Museum Houston senior curator Lynn Herbert at noon Oct. 18, the Skyspace opens to the public starting Oct. 19.

Kirszenbaum, currently the guest curator for contemporary art at the Belvedere Museum / 21er Haus in Vienna (Austria) is developing a larger exhibition project between LACE in Los Angeles and Palais de Tokyo in Paris.

«VanDerBeek focuses on the parallels between artists» creative processes — embodied in images of dancers in their studio — and the cycles of urban development and decline,» said Kristen Hileman, Curator of Contemporary Art.

A New Section: The Nineties Selected by Geneva - based curator Nicolas Trembley, galleries will revisit seminal exhibitions from the 1990s, highlighting key collaborations between dealers and artists that have had a lasting impact on contemporary art.

Jodi Roberts, Halperin Curator of Modern & Contemporary Art at the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University contributes an essay regarding the relationship between Matisse's drawings and Diebenkorn's drawings.

Join us on the rooftop for a conversation between artist Wangechi Mutu; Heather Pesanti, Senior Curator at The Contemporary Austin; and Kanitra Fletcher, Curatorial Assistant for Modern and Contemporary Art at the Museum of Fine Arts, Houston, where Mutu's art is also on viArt at the Museum of Fine Arts, Houston, where Mutu's art is also on viart is also on view.

«This is the biggest fear for most artists for whom there is serious demand,» said Allan Schwartzman, a veteran art adviser and curator, who, like others involved in selling work, described an increasingly complex interplay between contemporary artists» market value, collector base and long - term reputation.

JoAnne Northrup, curatorial director and curator of contemporary art at the Nevada Museum of Art, organized the exhibition Unsettled, the centerpiece for this year's Art + Environment Conference, which explores the relationship between landscape and cultuart at the Nevada Museum of Art, organized the exhibition Unsettled, the centerpiece for this year's Art + Environment Conference, which explores the relationship between landscape and cultuArt, organized the exhibition Unsettled, the centerpiece for this year's Art + Environment Conference, which explores the relationship between landscape and cultuArt + Environment Conference, which explores the relationship between landscape and culture.

Building links between emerging curators in London and across Greece, the prize celebrates the exchange of ideas and innovations in the presentation of contemporary art.

Join us on the rooftop for a conversation between artist Wangechi Mutu; Heather Pesanti, Senior Curator at The Contemporary Austin; and Kanitra Fletcher, Curatorial Assistant for Modern and Contemporary Art at the Museum of Fine Arts, Houston.

Building on the Hollywood Hills House history as the first private Los Angeles residency program, ltd los angeles continues to foster the opportunity for artists, writers and curators to interface with Los Angeles» diverse cultural landscape through the contemporary gallery system by collapsing the boundaries between local and global arts practices.

Working under the sign of Benjamin, «Storyteller» curators Claire Gilman and Margaret Sundell grouped together fourteen artists who employ the story form as a documentary mode, setting aside Benjamin's distinction between the subjectivity of oral communication and the assumed veracity of mechanical broadcast in order to investigate the use of narrative across a swath of contemporary art.

After the initial rotation opens this September, periodic changes will place works such as Winslow Homer's Fox Hunt and other treasures in new contexts, and curator of contemporary art, Julien Robson, will make use of the historical collection to reveal the links between past and present.

Between 2008 and 2012, she held the position of Curator of Contemporary Art at the Cleveland Museum of Art.

Between the Pessimism of the Intellect and the Optimism of the Will is the title of the main exhibition of the 5th Thessaloniki Biennale of Contemporary Art; the exhibition is curated by art historian and independent curator, Katerina GregArt; the exhibition is curated by art historian and independent curator, Katerina Gregart historian and independent curator, Katerina Gregos.

In London, the Whitechapel Gallery revisits key chapters of Exhibition Histories with a conversation between artist Lubaina Himid and curator and researcher Paul Goodwin (March 3) around three seminal exhibitions Himid curated in early 1980s London: «Five Black Women», Africa Centre (1983), «Black Women Time Now», Battersea Arts Centre (1983 - 4) and «The Thin Black Line», Institute of Contemporary Arts (1985).

Wild Noise / Ruido Salvaje is organized by the Bronx Museum and by Corina Matamoros and Aylet Ojeda Jequín, Curators of Contemporary Cuban Art at El Museo Nacional de Bellas Artes (MNBA) in Havana, as part of a multi-year collaboration between the Bronx Museum and the MNBA to foster artistic and cultural exchange between Cuba and the United States.

As art historian and guest curator Kathryn Calley Galitz explains in an accompanying essay, the «Blurred Horizons» of the show's title refers to the tendency in contemporary landscape art to muddy the divide between realism and abstraction.

By bringing a collection of painting, sculpture, photography, digital art and installations into this space, curator Vito Abba initiates a dialogue between the Renaissance and contemporary art, connecting works created half a century apart.

Mary Weatherford and Katy Siegel, Professor of Art History, Hunter College; Chief Curator, Hunter College Galleries Join us for a series of one - on - one conversations between curators and painters in front of their paintings on view in the exhibition The Forever Now: Contemporary Painting in an Atemporal World.

Kadist's collections include works that reflect the global scope of contemporary art, and its programs develop an active exchange between Kadist's local contexts (Paris, San Francisco) and artists, curators, academics, and art publishers worldwide.

«Miranda's curatorial practice also reveals a deep commitment to making meaningful connections between artists and local communities; I know she looks forward to engaging with Louisville's vibrant contemporary art community,» said chief curator Scott Erbes in a press statement, underscoring the important role regional museums play in fostering the art scenes in their cities.

Hara was the curator at Centre A: Vancouver International Centre for Contemporary Asian Art between 2007 and 2013.

His foremost interest is in the space between being an artist and a curator and translating the forms of parallel conceptual thinking of non-art disciplines (e.g. geography, economics, blogging) into contemporary art practice.

As always, the symposium takes as its starting point the relationship between art and new media with a series of events examining the «current state of contemporary cultural production in relation to new technologies», with a selection of participating artists, curators, philosophers, and researchers delivering papers, performances and keynotes.

Additional essayists include Franklin Sirmans, Department Head and Curator of Contemporary Art, Los Angeles County Museum of Art, who explores the early performances of Lorraine O'Grady; Tavia Nyong» o, Associate Professor of Performance Studies at New York University, who discusses black performance art from the perspective of sex and gender; and Naomi Beckwith, Curator, Museum of Contemporary Art Chicago, who examines the relationship between live performance and its documentatiArt, Los Angeles County Museum of Art, who explores the early performances of Lorraine O'Grady; Tavia Nyong» o, Associate Professor of Performance Studies at New York University, who discusses black performance art from the perspective of sex and gender; and Naomi Beckwith, Curator, Museum of Contemporary Art Chicago, who examines the relationship between live performance and its documentatiArt, who explores the early performances of Lorraine O'Grady; Tavia Nyong» o, Associate Professor of Performance Studies at New York University, who discusses black performance art from the perspective of sex and gender; and Naomi Beckwith, Curator, Museum of Contemporary Art Chicago, who examines the relationship between live performance and its documentatiart from the perspective of sex and gender; and Naomi Beckwith, Curator, Museum of Contemporary Art Chicago, who examines the relationship between live performance and its documentatiArt Chicago, who examines the relationship between live performance and its documentation.

Kadist's collections and productions reflect the global scope of contemporary art, and its programs develop collaborations between Kadist's local contexts (Paris, San Francisco) and artists, curators and art institutions worldwide.

Toomer, a former gallerist and curator, has made some noticeable changes to the fair, opening a dialogue between emerging and consolidated artists and putting emphasis on the fair's commitment to present a cohesive overview of the contemporary art market today.

Founded in 2015 by art historian and curator Marina Vranopoulou, Dio Horia is a dynamic, young platform for contemporary art that explores relationships between Greece and abroad, as well as how Greece, and Mykonos in particular, can be re-imagined through an intensive summer programme of residencies, commissions, exhibitions and artistic collaborations.

Between 2013 and 2016 he was senior curator at large, and from 2017 - 2018, he served as chief curator at large at the Museum of Contemporary Art Detroit (MOCAD).

As Senior Curator and Deputy Director at Modern Art Oxford, Oxford (UK) between 2002 and 2009, I was responsible for the exhibition department and curated more than thirty monographic and group exhibitions on modern and contemporary art and performanArt Oxford, Oxford (UK) between 2002 and 2009, I was responsible for the exhibition department and curated more than thirty monographic and group exhibitions on modern and contemporary art and performanart and performance.

This program of the FACE Foundation aims to strenghten ties between France and the US in the field of contemporary art by fostering active collaboration and encouraging long - lasting partnerships between French visual artists, curators and collectives and American curators and cultural institutions.

She has writes regularly for Art Monthly, Frieze, Art - Agenda, Ibraaz, Universes in Universe — Worlds of Art, Portal 9, Harper's Bazaar Art and Contemporary And, and has contributed essays to Hatje Cantz's On One Side of the Same Water: Artistic Practice between Tirana and Tangier (Germany, 2012) and an interview with John Akomfrah for The Right Dissonance (London, 2011) a collection of interviews between emerging curators and artists.

1992 Stubborn Painting: Now & Then, Max Protetch, New York, USA (Ruth Kaufman and Mike Metz, Curators) Shades of Difference, Sandra Gering, New York, USA (Shirley Kaneda, Curator) Abstract Painting Between Analysis and Synthesis, Galerie nächst St. Stephan, Vienna, Austria The City of Influence: Ross Bleckner, Peter Halley, Jonathan Lasker, Dayton Art Institute & Museum of Contemporary Art, Wright State University, Dayton, USA (Barry Rosenberg, Curator) Slow Art: Painting in New York Now, P.S. 1 Museum, Long Island City, New York, USA (Alana Heiss and Warren Niesluchowski, Curators) Theoretically Yours, Museo Regione Autonoma Della Valle d'Aosta, Aosta, Italy (Collins & Milazzo, Curators) Abstract Painting 1992, Schmidt Contemporary Art, Saint Louis, USA Documenta IX, Documenta Halle, Kassel, Germany Kinder!

Brand New Gallery is a space devoted to contemporary art, suspended halfway between a gallery and a center for cultural promotion, a platform where artists, curators and collectors can meet and exchange ideas.

Frieze Week: «Curator Francesca Gavin's group show, which includes work by Cory Arcangel and Frankie Martin, among others, highlights the relationship between contemporary art and electronic music, and shows us that rave culture isn't dead — yet.»

For over a decade, exhibition maker and curator Jens Hoffmann has developed a very particular style of exhibition that sits between cultural history, theater, author theory and contemporary art.

Local Tampa, FL radio station WMNF recently featured a conversation between With Hidden Noise curator and artist Stephen Vitiello, USF CAM Exhibitions Manager Shannon Annis, and USF communications specialist Mark Fredricks about the exhibition of With Hidden Noise currently on view at the University of South Florida Contemporary Art Museum.

The project has entailed the understanding that the language with which an exhibition is mounted and the relations between the works set out by its curator have become a founding element of the history of modern and contemporary art.

Join in the tradition of the Brutally Early Club from wherever you are: Ask Hans Ulrich Obrist any questions on your mind — solo or with friends — during a personal Google Hangout session with the world's foremost contemporary art curator, to be scheduled at a mutually agreed upon time between September 2016 and February 2017.

His experiments with media, space, and sound, with the relationship between art and audience, as well as his nuanced meditations on modernity, print culture, and everyday life will come as a revelation to many,» said Kelly Baum, Haskell Curator of Modern and Contemporary Art at the Princeton University Art Museart and audience, as well as his nuanced meditations on modernity, print culture, and everyday life will come as a revelation to many,» said Kelly Baum, Haskell Curator of Modern and Contemporary Art at the Princeton University Art MuseArt at the Princeton University Art MuseArt Museum.

He was previously the Curator of Visual Arts at Project in Dublin between 2000 and 2005 where his programme focused on commissioning solo projects from contemporary Irish and international artists as well as occasional group exhibitions such as Communism in 2005 and Enthusiasm for Frieze Projects in 2006.

Creating a dialogue between contemporary performance and historical art, independent curator Lee Tusman's Room 21 will commission New York - based composer Jace Clayton in the creation of a performance and album - length composition informed by the artworks of The Barnes Foundation and Albert Barnes» extensive record collection held in the museum's archives.