Sentences with phrase «between contemporary design»

My research was divided between contemporary design and decorative arts history.

Recognized by TripAdvisor as one of the top in Napa Valley, the Wine Country Inn & Cottages offers 29 pet - friendly guestrooms and suites, each perfectly balanced between contemporary design and country charm making it one of the most unique boutique hotels in the Napa Valley.

Not exact matches

While Instagram is designed to allow any and every iPhone picture to look as if it was taken on an old Yashica camera, Nam's work seems to strike the curious balance between contemporary and authentically vintage.

Founded over 90 years ago, iconic Italian fashion house Fendi is renowned for luxurious designs that bridge the gap between traditional and distinctly - contemporary.

Their target audience is mainly women between the ages of 25 to 40 and their contemporary designs are aimed at the fashionable woman of today.

Native American Indians are a people in transition between history and contemporary Includes: • Finding native american rings • Designs for native american wedding bands • A personal touch

The period setting, too, adds little but pretty costumes and interesting architectural designs, with few links made between contemporary events and those taking place in the wizarding world.

As with Daniel's series «The Furniture,» which focuses on Production Design, I'll alternate between contemporary and older films.

Commenting on the school's contribution to the project, Rye St Antony's Head of Art and Design Jenny White said,» Each of these panels will seek to draw connections between the story of creation in Genesis and the contemporary challenge to overcome hostility and division by caring for the planet.

Designed in the style of a 1960's 911, Singer uses the more modern 964 911 as a base as it is a better bridge between classic and contemporary models.

Between its sleek exterior design, its incredible versatility on the road, and its advanced contemporary technology, drivers have a lot to love with this Hyundai vehicle.

Design wise, the DB11 treads a fine line between retaining traditional British GT design elements and offering a contemporary performance car intDesign wise, the DB11 treads a fine line between retaining traditional British GT design elements and offering a contemporary performance car intdesign elements and offering a contemporary performance car interior.

«The new CLA Shooting Brake offers a contemporary interpretation of sensual purity and represents the perfect synthesis between the emotionality of a coupé and the intelligence of a shooting brake», explains Gorden Wagener, Head of Design at Daimler AG.

Striking the perfect balance between distinctive exterior design, a contoured cabin, capability and performance, the New Range Rover Evoque defines contemporary city life.

Active front grille, with grille louvers that open when the fuel cell stack requires cooling Full underbody aerodynamic cover Left - and right - hand charging ports incorporated in stylish front fender vents Flush door handles that feature push - to - release operation Wind tunnel - shaped outside mirrors with integral turn signals Center high - mounted rear stop lamp incorporated into full - width, wraparound spoiler Signature vertical taillamps with subtle fin design Side glass mounted flush with pillars Wheels with clear - covered space between the spokes, creating a sleeker profile while maintaining Cadillac's signature bold wheel design Low - drag roof rack «From the strong, shield grille and vertical headlamps to the crisp body lines, the Provoq is instantly recognizable as a contemporary Cadillac,» said Hoon Kim, exterior lead designer.

The slick interplay between lines and surfaces is a key trademark of contemporary Mercedes design.

While there's no official relationship between Ford's interior design team and Dwell magazine, with this generation of Expedition Ford was among the first to incorporate truly contemporary design themes into a truck - based architecture.

Over five months, interior designer Patrick Ribes has realized a perfect match between contemporary luxury design and the authentic style of a traditional family home.

Luxury accommodations strike the perfect balance between classic and contemporary — infusing a design and décor worthy of the National Register of Historic Hotels with every imaginable modern comfort (and quite possibly a few you haven't thought of), including a private - access L'Occitane women's only floor, fresh air floor, wellness room and pet - friendly accommodations.

Bulgari Resort Bali is located in one of the most exclusive destinations in the world, a veritable emblem of the tropical exoticism of the Orient, combining the breathtaking beauty of unspoiled nature of Bali beach resorts with a sophisticated contemporary design born from the encounter between traditional Balinese forms and high Italian style...

Our deluxe rooms are a splendid choice for those seeking a blend between contemporary and classic design.

The 400 guestrooms including the Business Class Rooms and Suites are elegant, contemporary and functional.Guests staying at the Business Class Rooms and Suites have access to the Radisson Club Lounge where breakfast, all - day refreshments, and evening cocktails are available.Each room has been designed and accesorized for the convenience of guests who want to make the most of their stay.An iPod dock and complimentary high - speed wired and wireless internet access are available in all rooms.FERIA the all - day dining restaurant caters to local and international palates.Interacation between diners and the chefs highlight every meal.

Conveniently positioned between the airport and downtown areas, close to the exhibition centre and Yas Island, The Rocco Forte Hotel Abu Dhabi combines contemporary Arab artwork including pieces by Lebanese artist Salwa Zeidan with the contemporary and luxurious vision of Olga Polizzi, sister of Sir Rocco Forte and award - winning design director for Rocco Forte Hotels.

From sunrise to sunset, light bounces between furniture of original design, contemporary structures and artisanship.

Between 515 and 615 sq. ft. and designed in modern contemporary décor, both rooms are great to come home to after a long day of play or a night at the show.

Each villa is decorated using stylish decor and is fusion between the contemporary Balinese and modern design.

Ideally located on 100 Street at the Baharka Bridge intersection of the city, Erbil Arjaan by Rotana was developed with both long - term guests and families in mind, combining spacious accommodation and a contemporary design to closely resemble a home environment, closing the gap between hotel room and home.

It is a harmonious balance between traditional Balinese design and simple yet contemporary elegant interior.

Most commentators agree that the speed of contemporary arts investment / change within China is unlike anything we have ever witnessed — the building of vast futuristic culture castles across China, the scale of growth in the commercial gallery sector and the growing numbers studying art and design — suggest that an ongoing cultural engagement between Greater Manchester and China during this present period of growth is essential.

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

«Total Service Artists» by Raphael Rubinstein, Art in America Putting a name on some percolations in contemporary art via the notion of the «total service artist,» a term originally used to describe Martin Kippenberger's maniacal drive to self - design every aspect of both his life and art, and all the connecting tissue between the two.

Designed by architect Renzo Piano and situated between the High Line and the Hudson River, the Whitney's building in the Meatpacking District vastly increases the Museum's exhibition and programming space, providing the most expansive view ever of its unsurpassed collection of modern and contemporary American art.

2014 Da Vinci: Shaping the Future, ArtScience Museum, Singapore Primal Architecture, IMMA, Dublin Light Show, Aukland Art Gallery, New Zealand Lexus Hybrid Art, Optika Pavilion, Moscow Victoria Miro at Schloss Sihlberg, Zu?rich Epicentre: Conversations and discussions between artists, Parra & Romero, Ibiza Summer Exhibition, Royal Academy, London MOFO, Museum of Old and New Art, Tasmania 2013 Grand Palais, Paris 2012 KW Institute for Contemporary Art, Berlin National Gallery, Riyadh, Saudi Arabia 2011 Museum of Art / Rhode Island School of Design, Providence, United States Museum of Old and New Art, Tasmania, Australia 2009 Third Moscow Biennale for Contemporary Art, Russia 2008 Musee d'Art Contemporain, Lyon, France Ecole National Superieure des Beaux - Arts de Paris, Paris 2007 Fine Art Society, London 2004 Saatchi Gallery, London

While Meckseper's earlier vitrine works commented on contemporary consumer culture using the shop window as an example and focus point for civic unrest and protest in our late capitalist society, her current works allude to the political dimension of early modernist display architecture and design between World War I and II in Weimar Germany.

Her efforts to bridge the gap between historical and contemporary design will contribute to the Museum's goal to diversify its decorative arts and design holdings.

According to Architectural Digest, Pratt was featured for its contemporary architecture including Steven Holl's 2005 addition to Higgins Hall and its Leo J. Pantas dormitory of Skidmore, Owings & Merril design as well as for the «dozens of campus structures built between 1885 and World War II that put Pratt on the National Register of Historic Places.»

Taking place between April 29th and April 30th, the fair is at the very forefront of contemporary art, modern art and contemporary design, aiming to pay homage to the requirements of the region's numerous collectors and art enthusiasts.

Having exhibited extensively internationally, his solo shows and projects include Ulysses, Marfa Contemporary, Texas (2014); Colour / Temperature, Hanes Gallery, Wake Forest University, Winston - Salem, NC (2014); Spencer Finch: Yellow, Montclair Art Museum, Montclair, NJ (2014); A Certain Slant of Light, The Morgan Library & Museum, New York (2014); The Skies can't keep their secret, Turner Contemporary, Margate, UK (2014); Painting Air, Rhode Island School of Design Museum of Art, Providence, RI (2012); Lunar, The Art Institute of Chicago (2011); Rome, Museum of Contemporary Art San Diego, La Jolla, CA (2011); Between the light - and me, Emily Dickinson Museum, Amherst, MA (2011); My Business, With the Cloud, Corcoran Gallery of Art, Washington, DC (2010); Evening Star, Pallant House, Chichester, UK (2010); Between The Moon and The Sea, Frac des Pays de la Loire, Carquefou, France (2010); As if the sea should part and show a further sea, Queensland Gallery of Modern Art, Brisbane, Australia (2009).

At no other time in our contemporary history have the boundaries between art, craft and design been more obsolete than now.

Passages: Walking in Contemporary Art,» Perlman Teaching Museum, Carleton College, Northfield, MN «Photography and Film Constructs,» Ringling College of Art and Design, Sarasota, FL «Another Landscape,» Yang Art Museum, Beijing, China «Dust,» SKPxPQA art showcase, Beijing, China 2015 «Jimei X Arles: Encounters Between East and West — International Photo Festival,» Yuanbo Garden, Tan Kan Kee Art Center, Three Shadows Art Center Xiamen, China «Real / Unreal,» The First edition of Changjiang International Photography & Video Biennale, Chongqing Changjiang Museum of Contemporary Art, China «The Persistence of Images,» Redtory Art and Culture Organization, Guangzhou, China «It's not right, but it's okay,» Ucca Store, Beijing, China «The 2nd Three Shadows Experimental Image Open Exhibition,» Three Shadows Photography Art Centre, Beijing, China

NEW YORK CITY — The Museum of the City of New York presents «New York Silver, Then and Now,» an exhibition designed to create a dialogue between 25 contemporary artists, silversmiths and designers and the New York silver in the museum's permanent collection.

In 2008, Opie launched The Julian Opie Shop, an online store featuring products and multiples designed by the artist, further emphasizing his interest in the shifting boundaries between high art and the contemporary world.

Culling imagery from contemporary culture, McFetridge combines art with graphic design to mine the aesthetic worlds of surfing and skateboard culture and also explores the tension between what's hand - made and mass reproduction.

Its programs place prominent thematic emphasis on interactions and connecting points between contemporary art and architecture / design; real space becomes a central theme — not just the museum's exceptional building, with its installation - friendly façade, but its location on the shoreline of Lake Constance, at the point where Switzerland, Austria and Germany come together.

• The publication of the first - ever catalogue raisonné on Kjærholm's oeuvre, researched and written by the leading Kjærholm scholar, Michael Sheridan, designed by award winning graphic artist Takaaki Matsumoto and published by premier art publisher Gregory R. Miller & Co. • Simultaneous exhibitions at Sean Kelly Gallery and R Gallery of the most important collection of Kjærholm works ever assembled, alongside significant modern and contemporary art works that, together, showcase a compelling dialogue between furniture, art and installation.

SELECTED GROUP SHOWS: 2018 Open SpacesKansas City, MO 2018 Color of the Year Presented by Pantone and X-RiteUrban Institute for Contemporary Art, Grand Rapids, MI 2017 Solar Flair: Celestial Bodies in MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Color!

With the early Arts and Crafts movement and the Bauhaus vision of art integrated with everyday life as its historical point of departure, the Art and Craft department seeks to elaborate on the relationship between art and life, on matters of materiality (production, sustainability, globalisation), on design and architecture, and on artistic practice in social and political contexts in a contemporary perspective.

«The Great Hall Project series was designed to foster a dialogue between artists, the museum, and the community about contemporary art and New Orleans as a source of creative inspiration,» said NOMA Director Susan Taylor.

He has had extensive international solo exhibitions and projects including A Certain Slant of Light, The Morgan Library & Museum, New York, NY, The Skies can't keep their secret, Turner Contemporary, Margate, UK (2014); Painting Air, Rhode Island School of Design Museum of Art, Providence, RI (2012); Lunar, The Art Institute of Chicago, Chicago, Rome, Museum of Contemporary Art San Diego, La Jolla, CA, Between the light - and me, Emily Dickinson Museum, Amherst, MA (2011); My Business, With the Cloud, Corcoran Gallery of Art, Washington, D.C., Evening Star, Pallant House, Chichester, UK, Between The Moon and The Sea, Frac des Pays de la Loire, Carquefou, France (2010); As if the sea should part and show a further sea, Queensland Gallery of Modern Art, Brisbane, Australia (2009).

At more than 500 pages, this volume — designed collaboratively with New York's Project Projects — presents the history of UC Berkeley Art Museum's innovative program and includes newly commissioned conversations between some of the most important voices in contemporary art, including Michael Auping, Lawrence Rinder, Jens Hofmann and Jordan Kantor.