Sentences with phrase «between contemporary performance»
Creating a dialogue between contemporary performance and historical art, independent curator Lee Tusman's Room 21 will commission New York - based composer Jace Clayton in the creation of a performance and album - length composition informed by the artworks of The Barnes Foundation and Albert Barnes» extensive record collection held in the museum's archives.
https://www.pcah.us/ Not exact matches
Garcia excels at eliciting strong performances throughout and maintaining a consistent mood poised delicately between wry comedy and more serious contemplation of contemporary American female lives.
In short, if we carefully examine the state of contemporary cinema, we easily acknowledge that even though there is a defining economic and technological imbalance between Hollywood and the rest of national film industries, first, it would short - sighted to understand Hollywood cinema as a monolithic structure which survives through the repeated performance of a practice of top - down cannibalism.
Tucked in between all the hurt and the jokes, the character development and the across - the - board terrific performances is a surprisingly sharp look at contemporary America...
Tucked in between all the hurt and the jokes, the character development and the across - the - board terrific performances is a surprisingly sharp look at contemporary America... Full Review
While the idea of distributed leadership is not without its critics, the contemporary literature continues to show a positive relationship between shared forms of leadership and improved organisational performance.
Design wise, the DB11 treads a fine line between retaining traditional British GT design elements and offering a contemporary performance car interior.
Striking the perfect balance between distinctive exterior design, a contoured cabin, capability and performance, the New Range Rover Evoque defines contemporary city life.
I address this issue by looking at contemporary data regarding dividend yield and stock performance of the firms in the Dow Jones industrial average between 2004 and mid-year 2008.
From adrenaline pumping action to pampered beachfront spa treatments, fine dining to bush tucker, Aboriginal performances to contemporary theatre, parkland playgrounds to romantic retreats, mountain hiking to deep sea diving and everything in between, Cairns has certainly got you covered.
1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.
Her current projects (in collaboration with Angel Nevarez, artist and MFA faculty member, School of Visual Arts, New York) investigate contemporary music, dissent, and public fora, while moving between the spatial simultaneity of performance and enunciation, and reflecting upon the projection of political agency through transmission and song.
1999 Contemporary Japanese Art I, 1950s - 1970s from the Collection, The 10th Anniversary of Museum Opening, Introducing Newly Collected Works, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan Eyes Watching the Space, Enjoying Painting and Space, Niigata City Art Museum, Niigata, Japan Japanese Prints 1945 - 1999, Expressions and Anti-Expressions of the Times, Machida City Museum of Graphic Arts, Tokyo, Japan Against Educational Course of Contemporary Art, The 20th Anniversary of Museum Opening, Itabashi Art Museum, Tokyo, Japan NICAF TOKYO» 99, The 6th International Contemporary Art Festival, Tokyo International Forum, Tokyo, Japan Listening to Kaoru Abe, Ota Fine Arts, Tokyo, Japan Out of Actions: Between Performance and the Object 1949 - 1979, The Museum of Contemporary Art at the Geffen Contemporary, Los Angeles, USA MAK - Austrian Museum of Applied Arts, Vienna, Austria Museu d'Art Contemporani, Barcelona, Spain Museum of Contemporary Art Tokyo, Japan
Sarah's art practice incorporates performance, video, documentary, installation, community engagement, social practice and drawing and aims to blur the boundaries between popular culture, community engagement, art education and contemporary art.
Between 1963 and 1966, the Foundation sponsored a number of public events, including a series of performances at The Pocket Theater featuring then - emerging artists like Trisha Brown, Robert Morris, Yvonne Rainer, David Tudor, and La Monte Young, among many others; a concert of music by then - emerging composers Morton Feldman and Earle Brown; «Six Lectures» (1966), a series of lectures given by Norman O. Brown, Merce Cunningham, R. Buckminster Fuller, Marshall McLuhan, Harold Rosenberg, and Peter Yates; and «9 Evenings» (1966), a series of performances organized by Experiments in Art and Technology (E.A.T.) for which contemporary artists and scientists created collaborative performance works.
«This archive is one of the most significant collections out there for the study of experimental music, dance, performance, video art, and the multitude of relationships between these disciplines,» said acting head of the Getty's department of architecture and contemporary art Glenn Phillips.
Ranging from the slow motion erotics of collision to high speed ethanol ambitions, masculine relics of bodies past to feminized hybrids of bikinied futures, AutoBody figures the car as an extension of the body, laying bare the contemporary relationship between sculpture and performance.
In this performance, contemporary artist Jumana Emil Abboud invites audiences to move in and between spaces in a newly commissioned live art piece inspired by Palestinian folklore.
Programs include: Affinity Atlas, an exhibition combining an international roster of contemporary works and an immersive «cabinet of curiosities,» with rotating displays by Skidmore faculty that forge unexpected connections between the works on view; a collaboration and residency with Mark Allen and Machine Project to create new installations, performances, and events at the Tang; and a reexamination of the work of Alma Thomas.
Paul Schimmel, ed., Out of Actions: Between Performance and the Object, 1949 — 1979 (Los Angeles: Museum of Contemporary Art, 1998), 44 (ill.)
Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art at the Geffen Contemporary, Los Angeles, February 8 — May 10, 1998.
Movement V: Ballroom is part of Performing the Neighborhood, a five - year partnership between the Mitchell Center and Project Row Houses to commission and present major performance - based works by contemporary artists in the Third Ward neighborhood of Houston.
Expect a robust series of events surrounding the opening, including a lecture on gentrification (Renzo Martens and the Institute for Human Activities), a dedication of a tombstone in the Minneapolis Sculpture Garden (singer Jamie Stewart of Xiu Xiu and Danh Vo), a conversation between two of contemporary art's preeminent artists who write (Liam Gillick and Hito Steyerl), and a performance by Nástio Mosquito.
During the past thirty years, Jones» work has been featured in significant group exhibitions, including Disparities & Deformations: Our Grotesque, Site Santa Fe (2004); Out of Actions: Between Performance and the Object at the Museum of Contemporary Art, Los Angeles (1998); Mapping at the Museum of Modern Art, New York (1994); and Choices at the New Museum of Contemporary Art, New York (1986).
Her highly acclaimed and controversial projects, Contemporary Arab Representations, encouraged an invaluable exchange between the Arab world and the art world and perhaps helped to change some perspectives within both communities through seminars, publications, and performances.
In the 1998 touring exhibition «Out of Actions: Between Performance and the Object, 1949 — 1979» organized by the Museum of Contemporary Art, Los Angeles, his paintings hung alongside works by Fontana, Jackson Pollock and John Cage.
Schweder's desire to blur the boundaries between various media also references such art movements as Fluxus, the art collective Ant Farm, and such contemporary sculptors and performance artists as Carsten Höller and Erwin Wurm.
The way these aspirations and expectations about love play out in the real world - between and among partners, friends, and families - is the theme of The Progress of Love at the Centre for Contemporary Art, Lagos, which will present a series of performative exhibitions, performances, and film screenings.
Stadium, the ten - year retrospective of collaborative duo Tarryn Gill and Pilar Mata Dupont at Perth Institute of Contemporary Art, looks back on a body of work that investigates connections between nationalism, aesthetics and performance.
Moving restlessly between disciplines of film, performance, sound and site - specific installation, the exhibition captures the diversity and complexity of Laure Prouvost whose name has now become a topical buzzword of the contemporary art scene.
Kristine Stiles is Professor of Art and Art History at Duke University, Durham, North Carolina, and has contributed to numerous books, including Out of Actions: Between Performance and the Object (1997), Theories and Documents of Contemporary Art: A Sourcebook of Artists» Writings (1996) and Phaidon's Paul McCarthy (1995).
Our current program is Performing the Neighborhood, a five - year partnership between the Mitchell Center and Project Row Houses to commission and present major performance - based works by contemporary artists in the Third Ward neighborhood of Houston.
Article by Caitlin Eyre in Berlin / / May 30, 2016 Austrian contemporary artist Erwin Wurm has explored the boundaries between sculpture, object and performance since the late 1980s.
Or you can see the performance for free at Nottingham Contemporary: Saturday 26th to Monday 28th May every hour between 11 am to 3 pm.
A pioneering artist in painting, film, photography, video art and performance, Indian artist Nalini Malani (born 1946) is a transition figure between the modern and contemporary art of her country.
And Beasley's Movement V: Ballroom is part of Performing the Neighborhood, a five - year partnership between the Mitchell Center and Project Row Houses to commission and present major performance - based works by contemporary artists in the Third Ward neighborhood of Houston.
David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.
ORGASMIC STREAMING — ORGANIC GARDENING — ELECTROCULTURE — «a group exhibition looking at practices that emerge between text and performance, the page and the body, combining a display and events program of historical and contemporary works — seeks an alternative framework to look at the influence of conceptual procedures as well as experimental writing within contemporary feminist performance practices across visual art, sound and text.»
As always, the symposium takes as its starting point the relationship between art and new media with a series of events examining the «current state of contemporary cultural production in relation to new technologies», with a selection of participating artists, curators, philosophers, and researchers delivering papers, performances and keynotes.
ORGASMIC STREAMING — ORGANIC GARDENING — ELECTROCULTURE — «a group exhibition looking at practices that emerge between text and performance, the page and the body, combining a display and events program of historical and contemporary works — seeks an alternative framework to look at the influence of conceptual procedures as well as experimental writing within contemporary feminist performance practices across -LSB-...]
Her work centers on Latin American contemporary art, performance, video, and the relations between art and politics, and has been published in international journals and catalogues.
Art and the Feminist Revolution at the Museum of Contemporary Art, Los Angeles, and MoMA PS1, as well as the groundbreaking 1998 exhibition Out of Actions: Between Performance and the Object, 1949 — 1979 at the Museum of Contemporary Art, Los Angeles.
Additional essayists include Franklin Sirmans, Department Head and Curator of Contemporary Art, Los Angeles County Museum of Art, who explores the early performances of Lorraine O'Grady; Tavia Nyong» o, Associate Professor of Performance Studies at New York University, who discusses black performance art from the perspective of sex and gender; and Naomi Beckwith, Curator, Museum of Contemporary Art Chicago, who examines the relationship between live performance and its docPerformance Studies at New York University, who discusses black performance art from the perspective of sex and gender; and Naomi Beckwith, Curator, Museum of Contemporary Art Chicago, who examines the relationship between live performance and its docperformance art from the perspective of sex and gender; and Naomi Beckwith, Curator, Museum of Contemporary Art Chicago, who examines the relationship between live performance and its docperformance and its documentation.
Jones draws a relationship between «body art» and contemporary performance art.
Through its curatorial projects, the gallery continues to investigate the relationship between contemporary and historical avant - garde movements in Japanese performance, architecture and design.
As Senior Curator and Deputy Director at Modern Art Oxford, Oxford (UK) between 2002 and 2009, I was responsible for the exhibition department and curated more than thirty monographic and group exhibitions on modern and contemporary art and performance.
Coco Fusco's performance Words May Not Be Found, 2017, as a collaboration between KW Institute for Contemporary Art and SOPHIENSÆLE, Berlin, reviewed by Vanessa Gravenor in Sleek Magazine.
Inszenierung / Mise en scene», Museum im Kulturspeicher, Würzburg 2008 «Bending the Word / MATRIX 226», BAM / PFA — UC Berkeley Art Museum, Berkeley 2008 «Time Crevasse», Yokohama Triennial 2008, Yokohama 2008 «ICA: 60 Past, Present and Future», performance at ICA — Institute of Contemporary Arts, London 2008 «Fia Backstrom: That social space between speaking and meaning», White Columns, New York (performance) 2008 «The Store», Tulips & Roses, Vilnius 2008 «Experiment Marathon Reykjavik», Reykjavik Art Museum, Reykjavik 2008 «Oral Culture», performance at Jan Mot, Brussels (performance) 2008 «Tate Triennial 2009 Prologue 1», Tate Britain, London (performance) 2008 «Self - Storage», CCA — California College of the Arts, Metro Self Storage, San Francisco 2008 «Of this Tale, I can not Guarantee A Single Word», Royal College of Art, London 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlin 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlin (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalperformance at ICA — Institute of Contemporary Arts, London 2008 «Fia Backstrom: That social space between speaking and meaning», White Columns, New York (performance) 2008 «The Store», Tulips & Roses, Vilnius 2008 «Experiment Marathon Reykjavik», Reykjavik Art Museum, Reykjavik 2008 «Oral Culture», performance at Jan Mot, Brussels (performance) 2008 «Tate Triennial 2009 Prologue 1», Tate Britain, London (performance) 2008 «Self - Storage», CCA — California College of the Arts, Metro Self Storage, San Francisco 2008 «Of this Tale, I can not Guarantee A Single Word», Royal College of Art, London 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlin 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlin (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalperformance) 2008 «The Store», Tulips & Roses, Vilnius 2008 «Experiment Marathon Reykjavik», Reykjavik Art Museum, Reykjavik 2008 «Oral Culture», performance at Jan Mot, Brussels (performance) 2008 «Tate Triennial 2009 Prologue 1», Tate Britain, London (performance) 2008 «Self - Storage», CCA — California College of the Arts, Metro Self Storage, San Francisco 2008 «Of this Tale, I can not Guarantee A Single Word», Royal College of Art, London 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlin 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlin (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalperformance at Jan Mot, Brussels (performance) 2008 «Tate Triennial 2009 Prologue 1», Tate Britain, London (performance) 2008 «Self - Storage», CCA — California College of the Arts, Metro Self Storage, San Francisco 2008 «Of this Tale, I can not Guarantee A Single Word», Royal College of Art, London 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlin 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlin (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalperformance) 2008 «Tate Triennial 2009 Prologue 1», Tate Britain, London (performance) 2008 «Self - Storage», CCA — California College of the Arts, Metro Self Storage, San Francisco 2008 «Of this Tale, I can not Guarantee A Single Word», Royal College of Art, London 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlin 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlin (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalperformance) 2008 «Self - Storage», CCA — California College of the Arts, Metro Self Storage, San Francisco 2008 «Of this Tale, I can not Guarantee A Single Word», Royal College of Art, London 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlin 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlin (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalperformance at KW Institute for Contemporary Art, Berlin (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalperformance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European KunsthalPerformance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalperformance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European KunsthalPerformance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalperformance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalperformance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalperformance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalperformance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalle, Cologne
ARTIST TALKS Field Meeting — Thinking Performance Asia Contemporary Art Week, Metropolitan Museum of Art, New York, USA, 2015 Conversations at the Edge School of the Art Institute of Chicago, USA, 2015 Artist Talk The Berlin University of the Arts, Berlin, Germany, 2015 Artist Talk Hochschulübergreifendes Zentrum Tanz, Berlin, Germany, 2014 Artist Talk Kunsthochschule Burg Giebichenstein, Halle, Germany 2014 Between the Lines Braunschweig University of Art, Germany, 2013 Between the Lines Michaelis School of Fine Art, Cape Town, South Africa, 2013 Artist talk / tutorials Trondheim Academy of Fine Arts, Trondheim, Norway, 2013 Artist talk / tutorials CalArts, LA, USA, 2013 Artist talk / tutorials University of California, Irvine, USA, 2013 Hello It's Me, Goodbye: Andy Warhol's Cinema Panel discussion, Osage Kwun Tong, Hong Kong, 2012 Liverpool Biennial 2012 Liverpool, UK, 2012 Filmic Affairs — Schnittstellen zwischen Kunst und Kino Halle für Kunst, Lüneburg, Germany, 2012 Fuel4talk: Ming Wong with Haudenschild Garage, San Diego, CA, USA, 2012 Before and After Cinema.
Over the last decade, DRAF has championed performance at the heart of its programme, and is celebrated for its work at the intersection between contemporary visual art and other disciplines (music, sound, dance, spoken word).