While the exhibition seeks to trace commonalities
between contemporary practices by engaging somewhat diverse uses or ideas of lines, the resulting effect points succinctly to -LSB-.....]
Not exact matches
The ecumenical conversations
between the World Alliance of Reformed Churches and the Pontifical Council for Promoting Christian Unity distinguished three
contemporary Reformed attitudes toward the Roman Catholic Church: of those who remain unconvinced that the Catholic Church has actually dealt with the fundamental issues that divided Rome and the Reformation, those who «have not been challenged or encouraged to reconsider their traditional stance» and remain «largely untouched by the ecumenical exchanges of recent times,» and those who have engaged «in a fresh constructive and critical evaluation both of the
contemporary teaching and
practice of the Roman Catholic Church and of the classical controverted issues.»
Holmer has been suspicious of
contemporary models of theology which seem to depend heavily upon distinctions
between theory and
practice and
between intellect and emotion.
His question was, «What is the connection, if any,
between classical rhetorical theory and
practice on the one hand, and
contemporary contextualization theory and
practice on the other?»
This mismatch
between human infant biological needs and
contemporary caregiving
practices or contexts may be particularly heightened in western industrialized cultures within which sudden infant death syndrome (SIDS) and / or sudden unexpected infant death in infancy (SUID) are both more salient and prevalent.1, 2
In short, if we carefully examine the state of
contemporary cinema, we easily acknowledge that even though there is a defining economic and technological imbalance
between Hollywood and the rest of national film industries, first, it would short - sighted to understand Hollywood cinema as a monolithic structure which survives through the repeated performance of a
practice of top - down cannibalism.
Scholars now describe HOLC's property evaluations and risk management procedures, along with the
practices of the Federal Housing Administration, Veterans Administration, and U.S. Housing Authority, as significant contributions to the continuation of racial segregation, intergenerational poverty, and enduring wealth gap
between white Americans and minorities in the U.S. Mapping Inequalities provides visitors an idea of what housing policies were like in the New Deal era and how these guidelines have since affected the interaction
between wealth and poverty in
contemporary America.
The relationship
between historical art and
contemporary practice is further explored through the acclaimed Frieze Masters Talks programme, which was curated in 2017 by Tim Marlow (Royal Academy, London).
The contrast
between the reclaimed «artistic» waste and the richness of the paint highlights a dynamic tension
between Ruby's
contemporary practice and the early - modern belief in the supremacy of «pure artistic feeling» over the visual depiction of objects.
He positions his artistic
practice as a tool for reflection on local realities in crisis, as the
contemporary place for critical reflection and creation, and
between the edges of progress and dystopia.
The exhibition is curated by students from the MLitt Curatorial
Practice (
Contemporary Art) programme, established jointly
between the University of Glasgow and Glasgow School of Art.
The relationship
between drawing and sculpture is particularly interesting in
contemporary art
practice; Antony Gormley is one of the most eloquent artists when it comes to articulating ideas that pertain to individual perception, collective needs, intellectual processes, or the applications and development of a visual language to assuage the spiritual or emotional privations of the modern world.
Tackling on many
contemporary issues
between ecology and economy, Kirsten Stolle has developed a widely recognized artistic
practice.
While
contemporary practices reflect the urgency of site - specific art and nonsite, then, there is simultaneously an erosion of distinctions
between them.
«It's the perfect moment to revisit Rauschenberg's career, given that his impact continues to gain momentum as more and more
contemporary artists pay homage to, and are influenced by, various facets of his creative
practice and artistic production — from his technology - based artworks and the reuse of images to international collaborations that demonstrated the power of art to spark dialogues
between various cultures,» stated Christy MacLear, CEO of the Rauschenberg Foundation.
Sarah's art
practice incorporates performance, video, documentary, installation, community engagement, social
practice and drawing and aims to blur the boundaries
between popular culture, community engagement, art education and
contemporary art.
By juxtaposing these seminal post-war and
contemporary female artists, the exhibition examines affinities
between their works, the variety of their
practices, and how their works and sensibilities interact.
An eponymous new show, opening tomorrow at Boston's Institute of
Contemporary Art, represents the first full North American survey of his
practice, exploring Raad's focus on investigations into distinctions
between fact and fiction, especially in relation to «the veracity of archives and photographic documents in the public realm [and] the role of memory and narrative within discourses of conflict».
For the last eight years, Lemus's
practice has explored divisions
between African - American and Latino cultures, and the means by which identity is assigned in
contemporary culture.
For this program, Kim, a Brooklyn - based
contemporary artist, and Phillips, an award - winning poet and professor at Washington University in St. Louis, will continue the conversation begun
between their artistic
practices while engaging their multidisciplinary contributions to the Blue Black Library.
I remember a brief repartee
between Nato Thompson, Creative Time's curator of social engagement public art projects, and Atlanta critic Jerry Cullum at the
Contemporary a few years ago on the importance (or unimportance) of contemplative solitude in a painter's artistic
practice.
The common thread, according to the press release, is that of «a fluid and fluent dialogue
between the most diverse national and international artistic
practices in
contemporary art.»
Using ceramic
practices as a cue, the group exhibition explores ideas about the division
between fine art and craft initiated in the 19th century, and the position of decorative arts within 20th century art history calling into question the relationship
between contemporary aesthetics and social life.
Their current work explores the relationship
between contemporary art making
practices and the historical tradition of romantic landscape painting.
Reading Room explores some of the ways in which
contemporary visual artists, poets, writers, and scholars
practice in the rich seam
between art and writing.
Frieze London is one of the only fairs to focus only on
contemporary art whilst Frieze Masters gives a unique view on the relationship
between historical art and
contemporary practice.
SEE / SAW : Collective
Practice in China Now was an exhibition held at Ullens Center of Contemporary Art between November and December last year, presenting the collective artistic practice of Chin
Practice in China Now was an exhibition held at Ullens Center of
Contemporary Art
between November and December last year, presenting the collective artistic
practice of Chin
practice of China today.
The aim is to question issues that are relevant to
contemporary art
practices and the recent history and politics of Lebanon, such as the relation
between art and public spaces, the critical reception of works, and censorship.
This publicly accessible, cultural hub for
contemporary art practice and research opened in April 2012 as a unique collaborative venture between Newcastle City Council, Arts Council England, BALTIC Centre for Contemporary Art and Northumbria
contemporary art
practice and research opened in April 2012 as a unique collaborative venture
between Newcastle City Council, Arts Council England, BALTIC Centre for
Contemporary Art and Northumbria
Contemporary Art and Northumbria University.
The dialogue
between contemporary artworks and objects from the past speak to his overall
practice and material considerations for incorporating objects encountered by chance or from his immediate surroundings into the installation.
Join artist Polly Apfelbaum and art historian Faye Hirsch in exploring how the printmaking process sparks a spirit of inquiry and experimentation in the studio, and delve into the intersection
between printmaking and painting in
contemporary practice.
The Landing is dedicated to establishing a dialogue
between under - appreciated historical artists and
contemporary practices.
As part of its commitment to supporting the research community, promoting knowledge production, fostering dialogue
between research and
contemporary arts
practices, and networking with other entities that share similar interests, the MACBA Study Centre offers a program of residencies with a duration of one to three months.
Andy Warhol / Ai Weiwei, developed by The Andy Warhol Museum in Pittsburgh, PA, and the National Gallery of Victoria, with the participation of Ai Weiwei, explores the significant influence of these two artists on modern and
contemporary life, focusing on the parallels, intersections, and points of difference
between their
practices — Warhol representing 20th - century modernity and the «American century,» and Ai representing life in the 21st century and what has been called the «Chinese century» to come...
Focused on the celebration of temporary relationships
between people, materials and places, My Future Ex presents a diversity of
contemporary approaches to the
practice of installation Read More»
In a way that no other exhibition has done previously, Radical Women: Latin American Art, 1960 — 1985 will give visibility to the artistic
practices of women artists working in Latin America and US - born women artists of Latino heritage
between 1960 and 1985 — a key period in Latin American history and in the development of
contemporary art.
The dialogue
between contemporary artworks and objects from the past speak to his overall
practice.
Building on the Hollywood Hills House history as the first private Los Angeles residency program, ltd los angeles continues to foster the opportunity for artists, writers and curators to interface with Los Angeles» diverse cultural landscape through the
contemporary gallery system by collapsing the boundaries
between local and global arts
practices.
It will also include rooms dedicated to the minimal and conceptual
practices of the 1970s and 80s, as well as a series of new works by
contemporary artists such as Tony Cairns, Maya Rochat and Daisuke Yokota that reflect the connections
between the two media today.
The project aims to explain to the viewer how art investigates and comments on the processes of everyday interactions
between people and the world, how
contemporary art
practices interpret the current condition of disappearing transitions from object to subject, from nature and culture to conceptions of the world as a collective process.
The Korea Society's current exhibition of Korean ceramics presents the work of eight living artists through such a familiar opposition, implying that the dialectic
between ancient
practices and demands for innovation is at the core of
contemporary ceramic art's concerns.
With my own work, it was an opportunity to imagine where things could go as well as consider the intersections
between my
practice and the work of my
contemporaries.
Oraib Toukan's first solo exhibition, at the Jordanian arts foundation Darat al - Funun, delved into a dialectic
between memory and amnesia that has become almost overbearing in
contemporary art
practice from the Arab world.
Artes Mundi's links with the international art community make it well placed to initiate dialogue
between artists and the communities, opening up access to the
contemporary visual arts and the ideas and
practice of
contemporary artists.
As an outcome of full immersion in the landscape, the artworks created during this time offer dialogues
between the locale's past and
contemporary practices including video, sound and sculpture.
Through print media, sculpture and video installation, her studio
practice examines the relationship
between the mapped image and
contemporary notions of exploration, virtuality, and the simulated environment.
The exhibition's goal is to shed light on the dialogue taking place
between the diverse mediums,
practices and iconography through a selection of artists who push boundaries beyond
contemporary Chinese Political Pop and Cynical Realism and combine inspiration from Eastern and Western traditions.
Sparked by the realization that disparity exists
between the institutionalized art world and the new wave of rising artists, Alt Esc was founded to vocalize the leading ideas and trends in young
contemporary studio
practice.
This year's event explores links
between traditional African art and
contemporary art
practice, while galleries around Paris present their best items
Frieze Masters Talks Co-curated for the first time by Tim Marlow (Royal Academy, London) and Jennifer Higgie (frieze & Frieze Masters Magazine), Frieze Masters Talks will present panels and conversations exploring relationships
between historical art and
contemporary practice.