Sentences with phrase «between craft practice»

Across her work, Harrod underscores how associations between craft practice and feminized labor have led to the marginalization of craft within contemporary art.

Not exact matches

Through their work between the 2004 and 2008 presidential elections, BSD's founders refined the technologies and organizing practices first crafted during the Dean campaign and made them more powerful.
(Such as: low performers need to go; there are trade - offs between small class sizes and more generous salaries and benefits; all teachers need their craft to be regularly evaluated against some clear and common expectations around good practice; etc..)
Simmons» studio practice is likewise a constant, emergent process of becoming between craft and experimentation and between harmony and disorder.
This informal conversation between London - based artist Francis Upritchard and German - born jeweller Karl Fritsch will explore the artist's unique sculptural language and the multiplicity of artisan and craft traditions Upritchard has incorporated into her practice, including collaborations with UK fashion house Peter Pilotto, Karl Fritsch and Italian designer Martino Gamper.
In her practice, Cockburn embroiders mid-20th-century photographs with vividly coloured geometric patterns, or obliterates her subjects» identities with kaleidoscopic optical illusions, generating a dialogue between gender and identity, the mass - produced and the delicately crafted.
Mr. Troemel was explaining his practice of making fairly useless objects (three donuts balanced between a wooden plank, a watermelon with a handle) and selling them on Etsy, the arts and crafts ecommerce site.
Using the excess fabrics from this work, Alloro developed Big Screen (Remix), drawing parallels between digital remix culture and the craft of quilting, both of which traditionally involved collaborative practices as well as found materials.
, drawing parallels between digital remix culture and the craft of quilting, both of which traditionally involved collaborative practices as well as found materials.
Using ceramic practices as a cue, the group exhibition explores ideas about the division between fine art and craft initiated in the 19th century, and the position of decorative arts within 20th century art history calling into question the relationship between contemporary aesthetics and social life.
The artists in «Dirt on Delight» run across the full spectrum of conventional delineations between fine arts, crafts and outsider practices.
Sonsini also recognizes similarities between his painting practice and the craft - based tasks his subjects are often hired to complete, as both manually create an object from nothing.
Voulkos» emphasis on the fertility of experimentation, improvisation, and the ambiguous relationship between intention and chance ignited a dialogue between ceramics and postwar aesthetics of spontaneity as practiced by affiliates of Black Mountain College, turning him into a leader of the West Coast craft movement of the postwar era and his studio into one of the most important pedagogical sites for the development of ceramic art.
With the early Arts and Crafts movement and the Bauhaus vision of art integrated with everyday life as its historical point of departure, the Art and Craft department seeks to elaborate on the relationship between art and life, on matters of materiality (production, sustainability, globalisation), on design and architecture, and on artistic practice in social and political contexts in a contemporary perspective.
Within Somewhere Between Black and White, all of the works have ties to the fiber arts, whether it is the materiality or the methodologies, while proposing new directions and hybrids that represent the interdisciplinary nature of a contemporary craft practice.
Operating fluidly between concept and craft, text and textile, Vicuña's practice weaves together disparate disciplines as well as communities — with shared relationships to land and sea, and to the economic and environmental disparities of the 21st century.
Lorenz brings both knowledge of and reverence for the precious materials used in traditional Asian art to her painting practice, resulting in a wonderful balance between abstract painting, sculpture and craft.
The exhibition space will be transformed into a printing workshop, focusing specifically on local collective practices, mutual exchange, activism, and the boundaries and overlaps between art and craft
Despite a more pervasive adoption of craft techniques and materials into the so - called fine arts in contemporary practice, there is a divide between craft / art that is still stubborn.
Within this framework there was a focus on the relationship between skill and craft, and the practices of self - taught and under - recognised artists, reflecting Trockel's ongoing tendency to overturn traditional disciplinary categories.
«There is a deep connection between mathematics and photography that originated in the invention of photography itself, a tradition that has carried into the 21st century,» says exhibition curator Klaus Ottmann, «Hiroshi Sugimoto's work exemplifies this tradition, and this exhibition reflects the artist's desire to combine a «very craft - oriented» practice with making «something artistic and conceptual».
Chaired by one of our Trustees, Sarah Elson with the generous support of the Material Worlds Committee of major collectors and philanthropists, the event celebrated the rich seam of practice between fine art and craft, with new works being commissioned along this theme for sale on the night.
Sarah Rhodes Based in Southern Africa for many years, Sarah's practice - based PhD re-frames the nature of collaboration between designers and African craft groups, illustrating how co-creational agency, through creative exchange can engender successful outcomes.
Wheat's practice deftly flattens hierarchies between the fine and domestic arts and crafts, embracing the intuition of felt experience as rival to conventional reason and logic.
Komada's practice reveals the metaphoric space between painting as object and painting as action and explores the boundary between art and craft.
Working within the overlapping discourses of Conceptual art, land art, poetry, and feminist art practices, Vicuña has long refused categorical distinctions, operating fluidly between concept and craft, text and textile.
ifa Gallery Berlin presents In The Carpet, a group show investigating the mutual influences between the practices of art and craft, and the fruitful exchanges between centers in Europe and in Morocco.
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From signs to home decor and holiday crafts or redoing furniture in between soccer practices, we do it all all while armed with an ice cold Diet Coke.
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