Across her work, Harrod underscores how associations
between craft practice and feminized labor have led to the marginalization of craft within contemporary art.
Not exact matches
Through their work
between the 2004 and 2008 presidential elections, BSD's founders refined the technologies and organizing
practices first
crafted during the Dean campaign and made them more powerful.
(Such as: low performers need to go; there are trade - offs
between small class sizes and more generous salaries and benefits; all teachers need their
craft to be regularly evaluated against some clear and common expectations around good
practice; etc..)
Simmons» studio
practice is likewise a constant, emergent process of becoming
between craft and experimentation and
between harmony and disorder.
This informal conversation
between London - based artist Francis Upritchard and German - born jeweller Karl Fritsch will explore the artist's unique sculptural language and the multiplicity of artisan and
craft traditions Upritchard has incorporated into her
practice, including collaborations with UK fashion house Peter Pilotto, Karl Fritsch and Italian designer Martino Gamper.
In her
practice, Cockburn embroiders mid-20th-century photographs with vividly coloured geometric patterns, or obliterates her subjects» identities with kaleidoscopic optical illusions, generating a dialogue
between gender and identity, the mass - produced and the delicately
crafted.
Mr. Troemel was explaining his
practice of making fairly useless objects (three donuts balanced
between a wooden plank, a watermelon with a handle) and selling them on Etsy, the arts and
crafts ecommerce site.
Using the excess fabrics from this work, Alloro developed Big Screen (Remix), drawing parallels
between digital remix culture and the
craft of quilting, both of which traditionally involved collaborative
practices as well as found materials.
, drawing parallels
between digital remix culture and the
craft of quilting, both of which traditionally involved collaborative
practices as well as found materials.
Using ceramic
practices as a cue, the group exhibition explores ideas about the division
between fine art and
craft initiated in the 19th century, and the position of decorative arts within 20th century art history calling into question the relationship
between contemporary aesthetics and social life.
The artists in «Dirt on Delight» run across the full spectrum of conventional delineations
between fine arts,
crafts and outsider
practices.
Sonsini also recognizes similarities
between his painting
practice and the
craft - based tasks his subjects are often hired to complete, as both manually create an object from nothing.
Voulkos» emphasis on the fertility of experimentation, improvisation, and the ambiguous relationship
between intention and chance ignited a dialogue
between ceramics and postwar aesthetics of spontaneity as
practiced by affiliates of Black Mountain College, turning him into a leader of the West Coast
craft movement of the postwar era and his studio into one of the most important pedagogical sites for the development of ceramic art.
With the early Arts and
Crafts movement and the Bauhaus vision of art integrated with everyday life as its historical point of departure, the Art and
Craft department seeks to elaborate on the relationship
between art and life, on matters of materiality (production, sustainability, globalisation), on design and architecture, and on artistic
practice in social and political contexts in a contemporary perspective.
Within Somewhere
Between Black and White, all of the works have ties to the fiber arts, whether it is the materiality or the methodologies, while proposing new directions and hybrids that represent the interdisciplinary nature of a contemporary
craft practice.
Operating fluidly
between concept and
craft, text and textile, Vicuña's
practice weaves together disparate disciplines as well as communities — with shared relationships to land and sea, and to the economic and environmental disparities of the 21st century.
Lorenz brings both knowledge of and reverence for the precious materials used in traditional Asian art to her painting
practice, resulting in a wonderful balance
between abstract painting, sculpture and
craft.
The exhibition space will be transformed into a printing workshop, focusing specifically on local collective
practices, mutual exchange, activism, and the boundaries and overlaps
between art and
craft
Despite a more pervasive adoption of
craft techniques and materials into the so - called fine arts in contemporary
practice, there is a divide
between craft / art that is still stubborn.
Within this framework there was a focus on the relationship
between skill and
craft, and the
practices of self - taught and under - recognised artists, reflecting Trockel's ongoing tendency to overturn traditional disciplinary categories.
«There is a deep connection
between mathematics and photography that originated in the invention of photography itself, a tradition that has carried into the 21st century,» says exhibition curator Klaus Ottmann, «Hiroshi Sugimoto's work exemplifies this tradition, and this exhibition reflects the artist's desire to combine a «very
craft - oriented»
practice with making «something artistic and conceptual».
Chaired by one of our Trustees, Sarah Elson with the generous support of the Material Worlds Committee of major collectors and philanthropists, the event celebrated the rich seam of
practice between fine art and
craft, with new works being commissioned along this theme for sale on the night.
Sarah Rhodes Based in Southern Africa for many years, Sarah's
practice - based PhD re-frames the nature of collaboration
between designers and African
craft groups, illustrating how co-creational agency, through creative exchange can engender successful outcomes.
Wheat's
practice deftly flattens hierarchies
between the fine and domestic arts and
crafts, embracing the intuition of felt experience as rival to conventional reason and logic.
Komada's
practice reveals the metaphoric space
between painting as object and painting as action and explores the boundary
between art and
craft.
Working within the overlapping discourses of Conceptual art, land art, poetry, and feminist art
practices, Vicuña has long refused categorical distinctions, operating fluidly
between concept and
craft, text and textile.
ifa Gallery Berlin presents In The Carpet, a group show investigating the mutual influences
between the
practices of art and
craft, and the fruitful exchanges
between centers in Europe and in Morocco.
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/ Communicating / Communicating with Children / Communicating with guarded children / Communication / Communication amongst youth / Community (1) / Community (2) / Community capacity (1) / Community capacity (2) / Community child care workers / Community Homes with Education / Community meetings / Community programs / Competence (1) / Competence (2) / Competence (3) / Competence (4) / Competence - based ecological perspective / Competence - centered perspective / Competence in context / Competency models / Competency promotion / Competency today / Competent child / Complex problems, simple explanations / Concerns about young carers / Concurrent work with family and child / Confidentiality (1) / Confidentiality (2) / Conflict cycle example / Conflict management / Conflict resolution / Conflict resolutions / Conflicts of theory / Congruence in children's best interest / Connect, clarify and restore / Connecting / Connecting with
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From signs to home decor and holiday
crafts or redoing furniture in
between soccer
practices, we do it all all while armed with an ice cold Diet Coke.