[15] Yet, the combination of a clear and established culture of musical borrowing, together with the special characteristics of musical expression (the importance of genres, performance techniques, and aural perception in particular), magnifies the mismatch
between creative practice and the structures (and strictures) of copyright law.
With an overarching focus on strengthening the relationship
between creative practice and teaching practice, the Teaching Artist Summit will feature a keynote talk by College Art Association's Distinguished Teaching of Art Award recipient Sabina Ott.
Not exact matches
When physical intimacy was not possible for me, we
practiced tantric lovemaking (allowing the
creative sexual energy to flow
between us in meditation) or I pleasured him orally.
The dance I feel
between yoga
practice and
creative practice is exciting and more and more seamless.
«When opportunities are created for our girls to explore the world of science around them and encourage teachers to be
creative in their
practices, we then have the power to eliminate the gaps that exist
between genders.»
You'll find that the articles featured in this special supplement, «Champion Creatively Alive Children,» the third such collaboration
between NAESP and Crayola, provide not only ample best
practice ideas, but also practical tips for developing a
creative leadership team, immersing students in broader learning communities, and strengthening writing skills.
Peter Bognanni's The House of Tomorrow is a fresh and
creative novel that I truly enjoyed reading... The plot of the story isn't particularly fast - paced or driving, and at times it feels slow, but [the novel] is more about the rich conversations people have while
practicing musical instruments together, how sharing CDs can be a window into someone's soul and how shared situations create a deep bond
between people even if they don't always treat each other right, just like Sid and Nancy.
«By co-authoring this exhibition with them in their own territory geographically and conceptually, this exhibition is attempting to draw a consensus
between different
creative impulses, and sensitize an audience which is increasingly interested in work that is informed by other
practices.
The distinction
between art
practice and other
creative human endeavors is irrelevant to them.
The «Foreign Affairs» project are three European artist - led curatorial initiatives collaborating in a cultural concept aimed to explore the relationship
between artist as curator and artist each presenting the other's
creative practice.
«It's the perfect moment to revisit Rauschenberg's career, given that his impact continues to gain momentum as more and more contemporary artists pay homage to, and are influenced by, various facets of his
creative practice and artistic production — from his technology - based artworks and the reuse of images to international collaborations that demonstrated the power of art to spark dialogues
between various cultures,» stated Christy MacLear, CEO of the Rauschenberg Foundation.
I remember a brief repartee
between Nato Thompson,
Creative Time's curator of social engagement public art projects, and Atlanta critic Jerry Cullum at the Contemporary a few years ago on the importance (or unimportance) of contemplative solitude in a painter's artistic
practice.
Lynette Yiadom - Boakye's
creative practice moves
between visual art and literature.
In March, Mnuchin Gallery in New York is presenting «David Hammons: Five Decades,» a survey of the artist's evolving
practice from the late 1960s to present, In anticipation of the exhibition, which is described as the first of its kind in 20 years, the conversation
between Lax and Finkelpearl gives great insight into a significant period of Hammons's
creative arc.
March 3, 2017 CAC Forum: Alliance for
Creative Change - Socially Engaged Arts Education Along with socially - engaged artists and community arts educations, Pepón Osorio will explore related goals, strategies, and possibilities for cross-pollination of
practices, while considering the implications of creating a more direct dialogue
between the disciplines.
Now a resident of British Columbia, she continues to revolutionize painting and
creative practice through her commitment to exploring and communicating the continuity
between tradition and contemporary
practice.
Our programming acts as a conversation
between these disciplines, supporting contemporary
creative practice through exhibitions of regional and international artists.
That level of collaboration
between myself and everyone at
Creative Capital has allowed for a much deeper probing into my own consciousness and
practice to really ask, what do you want to say?
Reyes is ritualistic and repetitive to an extreme; to understand this as a
creative practice rather than pathology is a paradigm shift that closes the gaps
between the artist, her works, and the world she's in communication with.
AB: Yes, to encourage
creative risk taking within the South Asian artistic community and to basically, as Sadia, our director of the foundation, who's right here, put it quite elegantly «To mediate that risk taking
between the artistic studio, the artistic
practice and the general public».
Their programming acts as a conversation
between these three, supporting contemporary
creative practice through exhibitions of regional and international artists.
Counts talks about her
creative process, the crossover
between her art
practice and her jewelry line, St Eloy, and the importance of community.
Art Radar takes a look at Abbas Akhavan's
creative practice and his exploration of the tension
between hospitality and hostility in his latest solo exhibition in London.
Each week features artists, designers, and inventors talking about the intersections
between design, technology, and
creative practice.
I've found a balance
between my
creative vision and the disciplined hustle it takes to keep up with the business of my artistic
practice.
Asboe's
creative works prioritize process over product and explore the boundary
between practice as improvement and
practice as way of life.
He also addresses the tension
between traditional and contemporary identities and how the intersection of cultures informs his perspective and
creative practice.
An assistant professor in the School of
Creative Media, the City University of Hong Kong, his multi-disciplinary artistic
practice ranges from photography and video to text, performance and installation, focusing on the relationship
between anticipation, perception and understanding in communication, mostly in an urban context.
This diverse artistic programme has encouraged participants to engage with cross-disciplinary
practice in both
creative and critical ways, fostering a three way relationship
between artist, artwork and audience.
Sarah Rhodes Based in Southern Africa for many years, Sarah's
practice - based PhD re-frames the nature of collaboration
between designers and African craft groups, illustrating how co-creational agency, through
creative exchange can engender successful outcomes.
Presented in conjunction with the exhibition Strange Currencies, The Galleries at Moore host a conversation
between Mexico City - based artist and activist Minerva Cuevas and
Creative Time Chief Curator Nato Thompson about the effects of socially engaged art
practices.
The differences
between pop and underground culture,
between high and low brow, became more obscured than ever before, causing not only confusion, but also a hearth for new
creative practices.
Jens Hoffman, a practitioner of this type of curatorial
practice describes the condition by saying, «Exhibitions became the
creative principle of so - called exhibition makers who were described as exhibition directors and who became catalysts
between the
creative individual and society.»
The Architecture Is Art talks series examines the intersections and blurred boundaries
between the professional
practice and
creative process of architects and contemporary artists.