Sentences with phrase «between cultural periods»

The borders drawn so neatly between cultural periods are regularly trespassed by artists who continue to work well beyond the eras that mark their defining achievements.

Not exact matches

During the Détente period, many hawks advocated keeping diplomatic and cultural relations between East and West in the deep freeze.
Its heyday was the late medieval and early modern periods, suggesting a deep cultural continuity between them.
Each awakening has occurred during a period of profound cultural disorientation, when the whole cultural system was jarred by disjunctions between old beliefs and new realities, past norms and present experience, dying patterns and emerging patterns of behavior.
The results indicate that despite a short period of geographic and cultural separation between the Nguni and Sotho - Tswana speakers there are measurable genetic differences between them.
The visible differences between us are the cumulative result of genetic, environmental and cultural influences over long periods of time, but rarely do we consider these factors together, which can lead to discrimination on the basis of one or another.
I would like to characterize this period as a time when the tension between being the subject of politics and objects of anthropology (cultural other) was experienced most intensely in the history of Turkey's squatter neighborhoods.
This bundle contains 17 ready - to - use Renaissance worksheets that are perfect for students to learn about the period from the 14th to the 17th century, considered the bridge between the Middle Ages and Modern history which started a cultural movement in Italy in the Late Medieval period and later spread to the rest of Europe.
Greece's thriving tourist trade is highly seasonal — three - quarters of visitors go between May and September — and there is a downside to visiting outside this period: you miss out on the main program of cultural events in the capital, plus the «party islands» virtually shut down.
Most commentators agree that the speed of contemporary arts investment / change within China is unlike anything we have ever witnessed — the building of vast futuristic culture castles across China, the scale of growth in the commercial gallery sector and the growing numbers studying art and design — suggest that an ongoing cultural engagement between Greater Manchester and China during this present period of growth is essential.
During the period between the fall 1964 and the spring of 1965 Diebenkorn traveled throughout Europe, he was granted a cultural visa to visit and view Henri Matisse paintings in important Soviet museums.
In the era of globalisation the relations between the European metropolis torn by economical difficulties and protecting its status of a cultural capital and the region of Latin America living through a period of economical growth and cultural revival are more complicated than it used to be.
Pierre Chareau: Modern Architecture and Design proposes a fresh look at the internationally recognized designer and examines his work in the Parisian cultural context between the wars to highlight his circle of influential patrons, engagement with the period's foremost artists, and designs for the film industry.
«Coasts have been a source of ongoing artistic fascination throughout the modern period, and this exhibition draws exciting and unprecedented parallels between works with radically different aesthetic and cultural contexts.»
Light was also shed on sociohistorical and historico - cultural subjects such as «Shopping — A Century of Art and Consumer Culture,» «Privacy,» the visual art of the Stalin period, or New Romanticism in contemporary art; other presentations revealed the influence of Charles Darwin's theories on art of the nineteenth and twentieth centuries, or the intriguing causalities between artists of the modern era and self - proclaimed «prophets» of this period.
Organized by Susan Ehrlich for the Armand Hammer Museum of Art and Cultural Center at the University of California at Los Angeles (its second venue), «Pacific Dreams» assembles 120 - odd works to demonstrate how receptive to European Surrealism artists in California were between the Depression years and the period of Pop art and Funk.
Over a 23 - day period, the project crossed North America by train presenting a series of cultural interventions and site - specific happenings that took place in ten cities between New York and San Francisco.
This exhibition explores an unprecedented period of cultural and intellectual exchange between Mexico and the U.S. in the 1930s and 1940s through 30 prints and drawings by artists such as Diego Rivera, José Clemente Orozco, David Alfaro Siqueiros, and Elizabeth Catlett.
My guess, FWIW, is that there is a lot of cultural (and perhaps even neurological) development going on between the first «anatomically modern» humans 200,000 years back (and, according to recent finds, now further back than that) and the «Upper Paleolithic,» which is the period ~ 50,000 years ago when we start to see differentiation and development of stone tool technologies in the archeological record:
The transition between the Medieval Warm Period and the Little Ice Age has been named the «A.D. 1300 Event» and has been identified as a time of rapid cooling, sea - level fall, and cultural change.
There may be a some degree of correlation between the MWP and the cultural periods of the Anasazi culture.
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