Sentences with phrase «between cultural points»

Located between Interstate 5 and State Route 134, Empire Landing is well situated between cultural points of interest and major employers.

Not exact matches

But Americans have been so concerned to maintain the purity of the gospel that few contemporary U.S. theologians are attempting to find points of positive intersection between Christianity and our cultural mythos.

For example, Bernard Lonergan points out, «A theology mediates between a cultural matrix and the significance and role of a religion in that matrix.

So the point I want to make today is not that all who subscribe to patriarchy are abusive, but that patriarchy in a religious environment, just as in any environment, has a negative effect on the whole community and creates a cultural climate more susceptible to abuse than one characterized by mutuality and shared leadership between men and women.

«Soft boundaries» are seen to exist between subaltern and dominant cultural interaction, which enhances the points of relatedness.

But others have pointed Out that individualism is not only a feature of the cultural landscape between Boston and Los Angeles; it is reinforced in all advanced industrial societies, even in the Soviet Union, by the state's efforts to supply services and legal guarantees.

More specifically, as the above - mentioned case illustrates, from the Dalit communities» point of view the economic, social, cultural, and religious distance between Christian and non-Christian Dalits is exaggerated, if not altogether spurious.

Taking the dictionary definition, blunder is «a gross mistake; an error due to stupidity and carelessness», and the authors are at pains to point out the distinction between blunders that are primarily behavioural or human in character and those that are more institutional, systemic or cultural.

But as Fenton and colleagues point out, there remain «massive cultural barriers between the fields of science and law» that «will only be broken down by achieving a critical mass of relevant experts and stakeholders, united in their objectives.»

Surely the whole reason for this series was to point out the cultural differences between the two nations and poke fun at the American attitude to the world.

At one point in the film, as Seun prepares to leave Dalton to complete high school elsewhere, one of Dalton's administrators wonders, «There's a cultural disconnect between independent schools and African American boys... What are we doing as a school that is not supporting these guys?»

The World Education Forum 2015 was a meeting point between the different educational agents worldwide to promote participatory contexts and including cultural diversity to achieve the targets of post-2015 sustainable development agenda.

The particular works brought together for this exhibition explore the creation and development of certain cultural institutions — and practices — such as education, incarceration, and economic relations, while pointing to the continuing relationship between our secular and religious histories.

Featuring eight different artists and artist collaborations — including Emily Jones, Chiara Camoni, Jacopo Miliani and V4ULT «s Anna Mikkola among others — biotic / abiotic explores the points of connection (and dissolution) between the natural and the cultural.

Often using appropriated material, he draws links between disparate cultural reference points, re-imagining them in new narratives and contexts.

Like a long - distance relationship, points of understanding and difference between the works come in equal measure - dislocation and a sense of cultural ambiguity permeates these works.

Phillipson's recent exhibition at Zabludowicz Collection, through the flesh - tone scenario, the imported combi - boudoir (2013), saw the artist create a multi-layered installation that investigated the relationship between virtual and tactile spaces through cultural references as diverse as point - of - view «selfies», experimental architecture, supermarkets, museums and pop videos.

Either as a pop cultural reference point or the conceptual link between the speculative practices of contemporary art and science fiction, this trend has seen dozens, if not hundreds, of international and Australian artists creating sci - fi - inflected pieces, with exhibitions around the world surveying their work.

As always, the symposium takes as its starting point the relationship between art and new media with a series of events examining the «current state of contemporary cultural production in relation to new technologies», with a selection of participating artists, curators, philosophers, and researchers delivering papers, performances and keynotes.

Akunyili Crosby's characters and scenes, however, occupy the liminal, in - between zone that post-colonial theorist Homi K. Bhabha refers to as «the third space», a point of overlap, conflation and mixing of cultural influences specific to diaspora communities.

She continued her collaboration with director Koyo Kouoh, working with her on several projects, such as Body Talk - Feminism, Sexuality and the Body in the Work of African Women Artists (to be held at WIELS, Brussels, in February 2015), and Streamlines, a project that makes the oceans the metaphorical focal point for an international group exhibition which will examine the cultural repercussion of the global stream of goods and trade between the South and the North (to be held at Deichtorhallen, Hamburg, in October 2015).

Meandering between image and object, Atterbury makes reference to cultural and geographical points of origin.

In a variety of ways Nástio Mosquito is pointing us towards a future in which clear distinctions made between art forms, between popular culture and fine art, and the categorisation of cultural identities will have become either redundant or irrelevant.

The history and economy of cultural appropriation serve as important starting points for his investigations, with an underlying theme being the relationship between work and artwork.

Divining ties between younger and older artists would be the usual idle visual speculation if it didn't also suggest a larger point about cultural change.

Kader Attia grew up moving between Algeria and the suburbs of Paris, and uses this experience of living as a part of two cultures as a starting point to develop a dynamic practice that confronts cultural differences.

Works at the Biennial range historically from an 1870 painting of waves by Santiago Ramón y Cajal, a new work by Füsun Onur where a poem is heard on a moving boat, up to a cultural meeting point between Chicago and Istanbul by Theaster Gates, the work of Christine Taylor Patten, a series of 1,000 tiny one - inch square drawings titled «micros» with minimal material.

Approaching the experience of these environments as metaphor, I seek inconsistencies within our understanding as a critical tool to reveal points of confrontation between innate desire, cultural interpretation and reality.

Often working with charged cultural artefacts and symbols, Tee pairs diverse points of inspiration to instigate dialogues between Eastern philosophies and Western culture.

It is in this respect that her work operates in the liminal, in - between zones that post-colonial theorist Homi K. Bhabha refers to as «the third space», a point of overlap, conflation and mixing of cultural influence specific to diaspora communities.

• Served as cultural adviser for U.S. Military commanders and succeeded in overcoming the cultural difficulties and point of view differences between U.S. military commanders and Iraqi officials.

As a supplement to APT Validation Study II, the research aims for Validation Study III are to (1) generate master scores for video clips of youth program observations without cultural bias, (2) create more tailored and targeted online training and anchor systems, and (3) eliminate significant differences in certification passing rates between groups with different cultural vantage points (i.e., Black vs. White raters, urban vs. non-urban program experiences).