Frances Drayson's practice is concerned with identifying and fabricating relationships between different forms of industry; in particular, the alignment
between cultural production and mass - manufacture.
Working both independently and collaboratively, Ault is an artist, curator, writer, and editor, wh0's work emphasizes and celebrates the complex interrelationships
between cultural production and politics.
By anthologizing essays, documents, and interviews by leading critics, historians, and artists on issues of site - specificity, conceptualism, feminism, and architecture practice, Surface Tension reveals the connections
between cultural production and the very spaces in which such work functions.
Not exact matches
For example, referring to the «institutional field of
cultural production» that «rapidly and radically transformed... the rigid dichotomy
between «high» and «low» «(for academics like Professor Rainey, dichotomies are always «rigid» and high art always needs scare quotes), he tells us that «Modernism's ambiguous achievement... was to probe the interstices dividing that variegated field and to forge within it a strange and unprecedented space for
cultural production, one that did indeed entail a certain retreat from the domain of public culture, but one that also continued to overlap and intersect with the public realm in a variety of contradictory ways.»
And when we examine these institutional contexts in which
cultural production takes place, we are likely to be interested in the relationships
between these contexts and the content of what is produced.
The Sundance Institute Theatre Program works in «the space in -
between» an artist's idea and a project's
production as well as opening up new spaces of aesthetic,
cultural and geographic exploration
Yorkville was a place where, potentially, you could develop a more discerning eye for understanding the
production of culture and sometimes come to recognize the coincidence
between mass
cultural production and the regression of one's own intellect, as bikers, greasers, hippies, teenyboppers, and sometimes political organizers, congregated in the coffee shops and flop houses, or just hung out on the streets, all pretending that we were creating a new society free from the normative shackles of conventional morality and lifestyle but basically we were looking for drugs, sex and rock and roll and our twenty minutes of fame.
Between enjoying local and independent restaurants for a taste of Mexico, opt for other
cultural activities in Mazatlan like an agave mezcal tour from Mazatlan, where you'll see traditional and modern
production of the prize - winning alcohol.
African people and their
cultural products have been commoditized for over 500 years, resulting in a worldwide condition of alienation
between labor and its outcomes;
cultural production is affective, or emotional, labor.
With his striking and original visual language and multifaceted artistic practice, Israel makes new connections
between the city of Los Angeles, art history and the
cultural productions of LA of both past and present.
Earlier exhibitions included Wood: The Cyclical Nature of Materials, Sites, and Ideas at the Het Nieuwe Instituut, Rotterdam (2014), which explored links
between wood in design and architecture and the economic, politi ¬ cal, natural, and
cultural cycles that surround its
production, circulation, and consumption.
In multifaceted projects, The Propeller Group blurs the lines
between modes of
cultural production and embraces the formats of branding campaigns, television commercials, Hollywood movies, and music videos to explore the complex ideologies that drive global commerce, war, and
cultural and historical memory.
In her artistic practice, Nova Jiang explores unexpected connections
between various fields of
cultural production.
The symposium is part of an ongoing collaboration
between CCS Bard and the LUMA Foundation, which is currently developing a new centre for
cultural production in Arles, France.
Blurring the boundaries
between media, technologies, and
cultural histories, YHCHI has gained international acclaim for their «net art»
productions - mostly black - and - white videos of quickly flashing capitalized text in a generic font with synchronized music.
As always, the symposium takes as its starting point the relationship
between art and new media with a series of events examining the «current state of contemporary
cultural production in relation to new technologies», with a selection of participating artists, curators, philosophers, and researchers delivering papers, performances and keynotes.
Mabb's interpretations or reconfigurations of Morris» designs consider the relationship
between Morris» own thinking and other forms of
cultural production.
Both artists are concerned with the relationship
between our regional ecological foundation and
cultural production.
Whether it is identifying new dynamics
between art and the public realm, maintaining novel strategies based on contemporary art
production and dissemination, or exploring uncharted framework and territory by engaging with artists, SGA is a vital part of Shanghai's
cultural community and a catalyst for new experiences.
In forging a hypothetical / imaginary bridge
between artists working within local art sub-communities, we aim to identify what we understand as a meaningful confluence developing amongst the
cultural production of an emerging generation of Vancouver artists.
This collaboration
between the DESTE Foundation and the Museum of Cycladic Art is part of the latter's «Young Views» program, which aims at launching a dialogue with a younger generation, keeping the public up to date with the latest developments in contemporary
cultural production, and ensuring the dynamic presence of a space for the exchange of ideas.
Her work is focused on examining the relationship
between art infrastructure and artistic
production, urbanity,
cultural politics of food and art, and contemporary art from the Middle East and Southeast Asia.
It is demonstrated in the range of
cultural production taking place, and the relationships
between artists, communities and local institutions unmediated by the mainstream art market.
The aim is to highlight a new ways of support, partnership and artistic
production between established institutions and
cultural developments in the city of Athens.
This in -
between quality of Benning's current work reflects decades of enquiry into the operation and influence of
cultural material, beginning with Benning's earliest video works made in 1989 and subsequent explorations in drawing, painting and music
production.
Working to redefine the role of arts and culture, our learning programmes connect communities and artists to generate responses to social and
cultural issues, developing a closer relationship
between the artist, the
production of work and an active and engaged audience.
Featuring fifty seminal works by thirty - one stalwarts, including Jackson Pollock, Willem de Kooning, Joan Mitchell, and Lee Bontecou, the show contextualizes postwar
cultural production between the Holocaust and the blithe likes of Levittown.
The exhibition brings together, for the first time, various bodies of work produced by Bonilla over the past decade that trace interactions
between nature, politics and
cultural production.
His work is multidisciplinary and often draws upon themes of
cultural production and identity in relation to history; blurring the distinction
between fiction and reality.
Omni - tasking, schizophrenic and full of contradictions, this position brings a myriad of possibilities: Questioning not only the understanding what is means to be an artist today, it also triggers a larger discourse about the lack of distinction
between labor and leisure (the very base of
cultural production) while reaching its most paradoxical and therefore contemporary state only through positions similar to that of Cassani.
As a continuation of Oursler's longstanding interest in the
production of
cultural identity and technology, these wall - mounted, head - shaped panels articulate the balance
between facial features and algorithms designed to aggregate them.
Moran's work in both music and visual art examines the relationship
between American social history and
cultural production.
Bader appropriates film, music, text, digital images, and found objects, creating complicated hierarchies of
cultural production that mine the intersection
between the real and the fictive, and frequently employ double - entendres and wordplay.
Gustavo Von Ha's
production (first time being nominated for the Prize this edition) is developed from a research about the thin boundaries
between reality and fiction, art and market, authorial
production and
cultural industry insite the contemporary art context.
Development path - An evolution based on an array of technological, economic, social, institutional,
cultural and biophysical characteristics that determine the interactions
between human and natural systems, including
production and consumption patterns in all countries, over time at a particular scale.