She loves to read the Bible but she finds it difficult to navigate
between different chapters on her K2.
If I can not sense or propose some linear connection between my past, present and future, then there is no continuity, no development
between different chapters of my life - story.
Not exact matches
I just wish that N. T. Wright (or his editor) had made better connections
between the
chapters, or simply chosen
different chapters to include.
Highlights for me included: 1) Belcher's call in
Chapter 3 to find common ground in classic / orthodox Christianity (the Apostle's Creed, the Nicene Creed, and the Athanasian Creed) which, if applied, would dramatically reduce some of the name - calling and accusations of heresy that have been most unhelpful in the discussion
between the emerging and traditional camps, 2) Belcher's fabulous treatment of postmodernism and postfoundationalism in
Chapter 4, where he rightly explains that when talking about postmodernism, folks in the emerging church and the traditional church are using the same term to refer to two completely
different things, and where he concludes that «a third way rejects classical foundationalism and hard postmodernism,» and 3) Belcher's fair handling of the atonement issue in
Chapter 6, in which he clarifies that most emergering church leaders «are not against atonement theories and justification, but want to see it balanced with the message of the kingdom of God.»
The book comprises eight
chapters, each by a
different author, presenting a series of well - reasoned and documented discussions on the following themes: the difference and complementarity of the sexes, abortion, premarital sex, marriage, contraception, infertility treatment, male priesthood and the tensions
between family and work life.
I should note, I love a cookbook where the introductory
chapter actually teaches me something, and this one passes — from the differences
between cow, goat, and sheep's milk, to how
different cheese types are produced, I learned a lot (and we make cheese).
As we shall see in the following
chapters, Shereshevskii possessed a very strong synesthesia — an involuntary link
between different senses, like associating numbers with colors — that gave his memories a much richer content and thus made them easier to recollect.
And I deal with the subject of love at the end of the book and it is sandwiched
between 2
different chapters, one is about trust and the other
chapter is about commitment.
«After five episodes of piano - wire tension
between Dexter and Debra, this
chapter is driven by a
different sort of friction.»
Also
between some
chapters you will enter
different large open worlds which you can do side quests (wanted posters), protect settlers / travelers, visit the gun shop to purchase ammo and weapons, or just simply explore the beautiful landscape.
In
Chapter 4 the main objective is to Reactivate the Wormhole Transporter within the dust, a device that will allow you to fast travel
between different locations on the map, and instantly return to the base camp.
The narrative is split
between four
different chapters, each focusing on a
different character exploring Jump World, building a team to compete, and working to achieve their own personal goals.
After studying this
chapter, you will be able to: Identify
different forms of business organisation Explain features, merits and limitations of select forms of business organisation Distinguish
between various forms of organisation Analyse factors determining choice of an appropriate form of business organisation.
Included in the PowerPoint: a) Scarcity, Choice and Opportunity Cost - The Fundamental Economic Problem - The Meaning of Scarcity and the inevitability of choices at all levels (individual, firms, govt)- The basic questions of what will be produced ow and for whom - The Meaning of the term «Ceteris Paribus» - The Margin and Decision Making at the Margin - Sort run, long run, very long run b) Positive and Normative Statements - the distinction
between fact and value judgements c) Factors of Production - the rewards to the factors of production: land, labour, capital and enterprise - Specialization and division of labour d) Resource Allocation in
Different Economic Systems and Issues of Transition - decision making in market, planned and mixed economies - the role of the factor enterprise in a modern economy e) Production Possibility Curves - shape and shifts of the curve - constant and increasing opportunity costs f) Money - functions and characteristics in a modern economy - barter, cash and bank deposits, cheques, near money, liquidity g) Classification of Goods and Services - free goods, private goods (economic goods) and public goods - merit goods and demerit goods as the outcome of imperfect information by consumers PowerPoint Also Includes: - Key Terms for each
Chapter - Activities - Multiple Choice and Essay questions from past exam papers.
Students learn through the following tasks: - Gauging and collaborating previous knowledge of «equality» through a discussion - based starter task; - Reading
chapters 9 and 10 with a particular focus on the increasing inequalities
between the
different animals, and demonstrating their understanding through a related activity sheet; - Gauging the inequalities
between the animals through the design and explanation of an «equality graph» (template and instructions provided); - Understanding how the events of the final
chapters help Orwell to get his message across to the reader; - Analysing how the inequalities
between the animals are evident through either a character analysis of Boxer or Napoleon (template and success criteria provided); - Peer assessing their partners» learning attempts.
Forging a conceptual bridge
between serious games and 21st century workplace skills, this
chapter: 1) defines evolving characteristics of the 21st century learner, 2) synthesizes proposed 21st century skills from
different disciplines, and 3) analyzes how certain features of serious games can promote the highly valued 21st century skills of expert problem - solving and complex communication.
That was
chapter 10 from the novel — which goes back and forth
between my main character Osama al - Kharrat's visit to the UCLA campus as a teenager and his vigil at his father's hospital bed years later — in a
different form.
The
chapter explains the difference
between Pressbooks» two modes of editing, when you might want to use each for
different scenarios and how to get the most out of the book formatting menu options.
The construction of
different chapters that alternated
between 1986 and 2016 were expertly tied together to provide a smooth flow yet made one anxious to find out more of the story from the
different perspectives.
Because it's not only a fierce and tender love story
between two people caught in two very
different worlds, but also a book that,
chapter by
chapter, taught me something about the world.
When there's a choice
between two or more equally correct options, the important thing is to ensure that you're consistent, rather than doing something one way in
Chapter One and another way — just as correct, but
different — in
Chapter Two.
The story will run through seven
chapters with players switching
between different characters along the way.
While it sounds promising in writing, the actual story plays out in an unorganized manner, potentially detaching the player from the experience: Progression in Beyond is
chapter - based, with each
chapter featuring a
different experience from Jodie's life; with very few exceptions, there's no continuity
between segments, as progression takes the player back and forth
between Jodie's childhood and adulthood without warning.
You'll get to experience the story from plenty of
different perspectives with over eighty characters available to play as, and thankfully switching
between them throughout each
chapter is painless — everything you earn is shared
between all characters, so you won't have to grind through the same things over and over again to play around with them all.
The entire show consists of six
different chapters, each showing
different relation
between the body and the space, from a large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface of the abstract paintings, a cast resin sculpture and a drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.
Stories of Espai 10 and Espai 13 at the Fundació Joan Miró Featuring Ana Laura Aláez March 13 - May 25, 2014 Fundació Joan Miró Parc de Montjuic, Barcelona, Spain The exhibition, with Manuel Segade as its curator, is organised around seven thematic
chapters that show and explain the links
between different artistic generations and languages over the past four decades.
Even though In the Name of the Artists can be divided into
different chapters, there are still clear links
between them.
Each
chapter of the exhibition will be curated around a
different set of themes, with some works remaining from one instalment to the next, allowing for the same artworks to be understood through
different lenses, and unfolding multiple meanings and resonances
between the works.
Chapters 6, 7, and 8 present this basic background information, and the final
chapter (9) discusses the issues involved in making comparisons
between the
different kinds of measurements.
Coupled simulations, using six
different models to determine the ocean biological response to climate warming
between the beginning of the industrial revolution and 2050 (Sarmiento et al., 2004), showed global increases in primary production of 0.7 to 8.1 %, but with large regional differences, which are described in
Chapter 4.
This is
different from, say, the IPCC assessment, which is largely a dump (or consilience) of information, with inconsistencies
between working groups and
chapters, that is cemented by expert judgment.
The authors of the
different chapters of IPCC seems to work rather independenty with the references since the abbreviations of journal names differ
between chapters.
Although the
chapter requires the reader to have a more than basic knowledge of the enforcement system in the European Banking Union and of prudential banking regulations, it manages to demonstrate the difficult balancing acts, for example,
between broad administrative provisions on the one hand and the
different aspects of the legality principle on the other hand and
between administrative enforcement on the one hand and the principle of the separation
between investigatory and adjudicatory powers on the other hand.