Not exact matches
For
purposes of brevity, let us simply take up the problem of medieval painting and sculpture, and ask if God - images here play a significant role, and, more particularly, ask if we can here discover a significant relation
between God - images and Christ - images, a relation reflecting a uniquely Christian apprehension of the evolutionary movement and transformation of the
divine process.
But again, and even with the possible implication of
divine judgment in the death of Rachel, we see the repeated motif of the Jacob cycle: the tension
between sin and
divine grace, the expression of faith that Jacob - Israel is saved and redeemed only by the will and
purpose of God (35:5), and finally the repetition of the promise and the blessing, and the second account of the changing of Jacob's name to Israel.
It is a tension
between human perversity and
divine purpose,
between human sin and
divine grace.
The primacy of practical reason and of the summu bonum or supreme aim or
purpose, has some validity, but should not be allowed to belittle theoretical reason, nor should the relations
between human and
divine values be allowed to reduce God to a mere means for the production of human good.