Sentences with phrase «between documentary photography»
Monument Maschine presents a selection of six series in which Ribalta explores the relations between documentary photography, cultural heritage, and nationalism.
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Through the seemingly fictional quality of these spaces, the purposes of which are as often as not ill - defined, Cohen creates a cross between documentary photography and artifice, sense and nonsense, the ordinary and dream - like.
Experimental and interdisciplinary, she has moved between documentary photography and contemporary art in order to explore ideas on photography and narration.
Not exact matches
I love the moments in documentary photography: the revealing and in - between bits flesh out the story of the day or the characterization in the stories the photographs tell.
I love the moments in documentary photography: the revealing and in - between bits flesh out the story of the day or the characterization in the stories the photographs tell.
I love the moments in documentary photography: the revealing and in - between bits flesh out the story of the day or the characterization in the stories the photographs tell.
I love the moments in documentary photography: the revealing and in - between bits flesh out the story of the day or the characterization in the stories the photographs tell.
The Undocument questions the documentary character of photography, exploring the boundaries between fact and fabrication.
For the FotoFocus Biennial 2016, participating venues are invited to propose exhibitions that examine the wide sphere of activity between photography's documentary tradition and such challenged notions as «objectivity,» or «authenticity;» to photography as a means of questioning «realism» and «reality;» to photography as a medium easily capable of fictions of fabrications.
Pairs have been chosen for the dynamic interplay between the two selected works, and based on similar or contrasting themes, formal motifs, or geographic interests, as well as topics endemic to photography's discretely defined history: social documentary, performative, and formal modes will be explored within the expanded discourse of film and video.
The American photography show at PACE Gallery is a highly considered examination of the tension between the documentary photograph and the symbolic image, all the more pertinent today.
Including photography, film, text, sound and archival material, this project blurs the lines between fiction and documentary, exploring how images inform our understanding of myth and reality.
Philip - Lorca diCorcia, known for creating images poised between documentary and theatrically staged photography, has had a dynamic career with acclaimed international exhibitions, including a major survey of» his work organized by the Schirn Kunsthalle Frankfurt in 2013 that traveled to the De Pont Museum in Tilburg, Netherlands, and The Hepworth Wakefield in England.
By the use of digital photography and animation, he collects a documentary material of hundreds of photos and film clips that he dissects and reconstruct into large still - or moving images that can be placed between document and fiction.
The American photography show is a highly considered examination of the tension between the documentary photograph and the symbolic image, all the more pertinent today.
Photojournalism and documentary photography also have strong legacies here, and the boundaries between them and more «fine art» forms are often nebulous, if accepted at all.
Jiang uses video, painting, photography, installation, writing and other mediums, blurring the boundaries between fictional documentary, mediated images and private narratives to reveal the intersections and segmentations between the body, desire and emotion of different individual and its representation or imagination in contemporary society.
One of the most influential photographers working today, diCorcia is known for creating images that balance precariously between documentary and staged photography, fact and fiction.
David's photographic practice stands between street photography, documentary and fine art.
Wolfgang Tillmans» work, which engages with contemporary culture, was noted for the way he challenges the boundaries between art and photography and between the genres of portraiture, documentary and still life.
Through photography, video, and sculpture, they present an aesthetically rich installation that questions boundaries between art and religion, aesthetic and documentary practice, and folk and fine art.
A debut curatorial collaboration between Red Hook Labs and global media platform Nataal, the show encompasses documentary, fashion and portrait photography.
Photography that toes a line between documentary work and fine art may intrinsically contain half - truths, but that does not strip it of its sincerity, nor of its power.
In doing so, Ewald challenged fundamental distinctions between conceptual art and documentary photography, between photographer and subject, and between teacher and student.
The artists in New Photography 2013 explore dialectical reversals between abstraction and representation, documentary and conceptual processes, the uniquely handmade and the mechanically reproducible, and analog and digital techniques, underscoring the idea that there has never been just one type of pPhotography 2013 explore dialectical reversals between abstraction and representation, documentary and conceptual processes, the uniquely handmade and the mechanically reproducible, and analog and digital techniques, underscoring the idea that there has never been just one type of photographyphotography.
His work explores the ambiguities between illusion and fact as well as the role photography has traditionally played as an objective, documentary medium.
After successful editions of 2012 and 2014, this year's theme will be Photography, the Undocument, gathering works of art that question the documentary character of photography and exploring the boundaries between facts and faPhotography, the Undocument, gathering works of art that question the documentary character of photography and exploring the boundaries between facts and faphotography and exploring the boundaries between facts and fabrications.
About Alinka Echeverria Alinka Echeverría is a Mexican visual artist whose photography and video work lies at the crossroads between documentary and fine art.
Chong Kwan works with photography, video, sound, installation, and performance and weaves together documentary and fantastical approaches to explore ideas of collective and individual memory, history and expanded notions of and frustration between the senses.
Known for collaborating with remote or marginal communities such as blue - collar workers in the twenty - first century, acclaimed video artist and photographer Sharon Lockhart blurs the line between photography, video art, and documentary.
2008 «Character Project» — USA Network Commission Honored Educator, The Society for Photographic Education, Cleveland, OH Oxbow School, Napa, CA — Visiting Artist Residency 2007 Addison Gallery of American Art, Andover, MA - Edward E. Elson Artist - in - Residence 2006 Studio Museum in Harlem, New York, NY - Artist in Residence, «Expanding the Walls: Making Connections Between Photography, History, and Community» 2005 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence San Francisco Arts Education, San Francisco, CA - Artist - in - Residence 2003 Detroit Institute of Arts, Detroit, MI - Artist - in - Residence California State University, Monterey Bay, CA - Artist - in - Residence, The Reclamation Project 2002 John Simon Guggenheim Memorial Foundation Fellowship - Fellow in Photography David and Alfred Smart Museum of Art, The University of Chicago - Artist - in - Residence 2000 Federal Reserve Bank, Chicago, IL - Commission 1999 International Artist's Studio Program in Sweden (IASPIS), Stockholm, Sweden - Artist - in - Residence Percent for Art Commission, Chicago Department of Cultural Affairs - Midway Airport Center for Documentary Sudies at Duke University - «Idivisible» / A National Documentary Project Parrish Art Museum, Southampton, NY - Artist - in - Residence Yale University Art Gallery, New Haven, CT - Artist - in - Residence 1998 National Portrait Gallery, London - Artist - in - Residence 1997 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence Cleveland Center for Contemporary Art, OH - Artist - in Residence 1996 High Museum of Art, Atlanta, GA, «Picturing the South: The Commission Project» Wadsworth Atheneum, Hartford, CT, Residency Project Committee for Public Art Commission, Cleveland Public Library Virginia Beach Center for the Arts, VA / Colonial Boys and Girls Club, Norfolk, VA - Residency Workshop 1995 Walker Art Center, Minneapolis, MN - Artist - in - Residence Wexner Center for the Arts, Columbus, OH - Artist - in - Residence 1994 Percent for Art Commission, Chicago Department of Cultural Affairs - Mabel Manning Near West Side Branch Library 1993 The Museum of Modern Art, New York, MoMA Life Trustees Portrait Commission The George Gund Foundation, Cleveland, OH, Commissioned Project The Museum of Contemporary Photography, Columbia College and Providence - St.
This expanded documentary is a dialogue between photography and video.
I love the moments in documentary photography: the revealing and in - between bits flesh out the story of the day or the characterization in the stories the photographs tell.