Sentences with phrase «between dreaming big»

But how do we walk that thin line between dreaming big enough to meet the tremendous challenges our world faces, and still remaining grounded enough to recognize what is, and what is not, feasible?

It's a fine line between dreaming big of what we want vs being satisfied with what we have.

Not exact matches

For starters, building any business has to start with four key parts - the Dream, Vision, Purpose, and Mission and within those lie every goal your company will ever need to meet - the big ones, the small ones, and every one in between.

While it's wonderful to dream up big - picture ideas, strike a balance between the long - term and day - to - day aspects of your startup.

Finding the balance between ambition and contentment isn't easy, but it's part of living with big dreams.»

We'll see how this all plays out between the Wolverines and Patterson, who grew up dreaming about playing in the Big House.

For a time, a grand bargain between idealists and pragmatists allowed the party to flourish with a simple formula: Cantor and company could strategize and dream big while organized labor underwrote the movement with cash and bodies on the ground.

A recent summary report on the genetics of weight loss, developed by some of the leading experts in this field, finds that the biggest challenge to realizing this dream is the need for better analytical tools for discovering the relationships between genetics, behavior and weight - related diseases.

The Big Lebowski finds that middle ground between the most realistic depiction of life and the strangest dreams that sometimes we all have.

Like a romantic - comedy in which the female lead is forced to choose between a lifeless dolt and the man of her dreams, «First Match» is hurt by how it effectively makes Monique's biggest decision for her.

An adaptation of Patricia Highsmith «s «Carol» (also known as «The Price Of Salt «-RRB-, penned by Phyllis Nagy («Mrs. Harris «-RRB-, the»50s New York - set tale follows the story of two women — one a 20 - something girl working in a department store while harbouring bigger dreams, the other a middle - aged wife trapped in a money - driven, loveless marriage — and the relationship that brews between the two.

Saoirse Ronan's Lady Bird finds herself caught somewhere between being the kid her parents want her to be — accepting an ordinary life in Sacramento — and chasing an inner whirlwind of big dreams of big places, of people who pursue and achieve different things.

While Buck's uncouth antics are a hit with the younger children, Maizy (Hoffman, Field of Dreams) and Miles (Culkin), rebellious 15 - year - old Tia (Kelly, Mr. Holland's Opus) fights him every step of the way, as she sees him as the biggest obstacle between her and teenage happiness with her boyfriend, Bug.

Our City Dreams (Unrated) Female empowerment documentary profiles five flourishing New York artists between the ages of 30 and 80 who migrated to the Big Apple from Germany, Belgrade, Cairo, Cleveland and Florida.

The friendship that soon develops between these two wannabe thespians — one can't act, the other doesn't know he can't act — is an inherently poignant idea, as are all bonds between big - dreaming losers.

After all, musicals are all about the push - and - pull between reality and fantasy; the heroes of this film, because of their big dreams, are constantly poised on that edge.

The main difference between the two and the reason I will cease to compare them very soon is that My Big Fat Greek Wedding treated its characters as stereotypes and failed to succeed in comedy and sentiment; Bend It Like Beckham treats its characters as people and allows us become involved in their dreams, defeats, and difficulties.

Time has become the biggest roadblock standing between us and our dreams.

Minecraft: The Island by Max Brooks She Persisted: 13 American Women Who Changed the World by Chelsea Clinton and illustrator Alexandra Boiger It Takes a Village by Hillary Rodham Clinton and illustrator Marla Frazee Worlds Collide (The Land of Stories Series # 6)(Barnes & Noble Exclusive Edition) by Chris Colfer Rise of the Isle of the Lost (Descendants Series # 3)(Barnes & Noble Exclusive Edition) by Melissa de la Cruz Pete the Cat and the Cool Cat Boogie by James Dean Through Your Eyes: My Child's Gift to Me by Ainsley Earhardt and illustrator Ji - Hyuk Kim Everything is Mama by Jimmy Fallon Good Night Stories for Rebel Girls 2 by Elena Favilli and Francesca Cavallo Princesses Wear Pants by Savannah Guthrie, Allison Opphenheim and illustrator Eva Byrne The Elements Book (Barnes & Noble Exclusive Poster Edition) by Dorling Kindersley Publishing Staff Spy School Secret Service (Spy School Series # 5)(B&N Exclusive Edition) by Stuart Gibbs The Getaway (Diary of a Wimpy Kid Series # 12)(Barnes & Noble Exclusive Edition) by Jeff Kinney Uni the Unicorn and the Dream Come True by Amy Krouse Rosenthal and illustrator Brigette Barrager The Magic Misfits (The Magic Misfits Series # 1) by Neil Patrick Harris and illustrator Lissy Marlin We're All Wonders by R.J. Palacio Big Nate: What's a Little Noogie Between Friends?

The truly hilarious thing about this sentence is that if Leonard is right — that Amazon is starting a «class war» between authors, then Leonard is deliberately siding with the «one - percenters» of the publishing world — the Turows, Prestons, and Kings, rather than the ninety - nine percent of authors who can only dream of the volume of sales enjoyed by those big - name authors.

For most authors, there is such a gap between our big dreams and reality.

But there's a big difference between dreaming of a windfall, and depending on one to get you out of debt.

«The big thing is really to differentiate between your needs, your wants and your dreams,» says Lauren Locker, a financial planner in Little Falls, N.J., who also teaches a personal finance course to undergraduate students at William Paterson University.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

Thus, at MWC 2015, Huawei unveiled the new brand ideal, «Dreams Inspire Creativity», communicating internal spiritual motivations, the big ideaL of Huawei is a common spiritual value and connection between Huawei and its consumers.

There are people who only wish themselves to live a long happy life with their family, people that fall somewhere in between, and people like Sunil Tulsiani who dream big - not only for himself but for others as well

There is a big difference between buyers trying to «get a deal» and buyers trying to «get the home of their dreams».