However, they are not aware of the causal relationship
between early printing practice and the avoidance of subsequent reading problems.
Not exact matches
The battle
between traditional forms of media and their emerging, newer counterparts is hardly new, developing into a rather recurring phenomenon ever since radio first posed a threat to
print in the
early 20th century.
Comments received by the Department and media reports also indicate that many financial institutions already had completed or largely completed work to establish policies and procedures necessary to make the business structure and practice shifts required by the Impartial Conduct Standards
earlier this year (e.g., drafting and implementing training for staff, drafting client correspondence and explanations of revised product and service offerings, negotiating changes to agreements with product manufacturers as part of their approach to compliance with the PTEs, changing employee and agent compensation structures, and designing conflict - free product offerings), and the Department believes that financial institutions may use this compliance infrastructure to ensure that they meet the Impartial Conduct Standards after taking the additional Start
Printed Page 16910sixty days for an orderly transition
between June 9, 2017, and January 1, 2018.
Concept Marketing Group, a New York licensing agency, has announced a license
between Siscovers and Learning Linens for a collection of sheet sets and comforters
printed with preschool and
early elementary activities to help children learn to read.
Early childhood caries, a highly aggressive and painful form of tooth decay that frequently occurs in preschool children, especially from backgrounds of poverty, may result from a nefarious partnership
between a bacterium and a fungus, according to a paper published ahead of
print in the journal Infection and Immunity.
Running
between 600 and 800 pages (depending on the nationality of the
printing), the 2007 finale was one of Rowling's longest, and more than twice as long as
earlier installments.
Like «Mutiny on the Bounty,» the surviving
print shows some wear at times, and there's heavier grain and occasional dirt from the
early optical effects (namely the dissolves
between scenes), but it all becomes secondary once the story kicks into gear.
Outside of the recent research data by Scholastic and YouGov, parents are split
between having their kids read e-books during their
early years and some prefer to have them have
print.
Amazon says that its Kindle Singles, which launched
earlier this week, is designed for pieces that are
between 10,000 and 30,000 words — or
between 30 and 90
printed pages (about twice the length of an article in The New Yorker or several chapters of a book).
And while a purist among the digirati will argue that the e-world should not be forced to match the analog world, at this stage in the game, the more closely ebook procedures can reflect
print book procedures, the more progress is likely to be made in these
early days of disruptive unease
between your local library and your New York publisher.
They predict that sales of eBooks will overtake
print books
between 2015 and 2019 —
earlier in the U.S.
While Polke and Richter moved on from their
early concerns with mass media and the political implications of consumer culture, Brehmer remained fascinated by the relationship
between information,
printed matter and socio - political functions.
That instinct for finding common ground
between old and new, rarefied and popular mediums is also much in evidence at the Whitney show, which tracks Stella's career from those
early canvases into recent sculptural experiments with 3D
printing.
Many of the forms used to represent roads, buildings, and train tracks seem to derive from visual symbols used in contemporary
printed Japanese maps, an
early example of the interplay
between painting and popular visual language and
print media which is so important in contemporary Japanese work.
His body
prints and assemblage works accurately reflect the human condition during a time of media transition
between the late 20th and
early 21st centuries.
While my
early works were framed in drawings and paintings that borrowed forms from traditional
print media, I later began to blur the boundary
between my public and private «character» through social media, particularly Twitter.
At the front of the gallery, a group of 16 silver gelatine
prints by artist George Platt Lynes — who became American Ballet Theater's official photographer in 1934 — reveal the exhibition's most explicit interchange
between a clandestine visual language of homosexual erotics and the cool formalism of
early ballet photography.
Even
early on in his career his embrace of change marked him out, allowing him to break down all the existing divisions
between painting, sculpture,
printing, photography, dance, and forming endlessly inventive ways of forging them together.
Organised in collaboration with MoMA in New York, each chapter of Rauschenberg's long career will be represented by important works, among which will be a stellar selection of his legendary Combines — hybrids
between painting and sculpture — as well as his graphic screen
prints whose depiction of the assassinated US president John F Kennedy signal the artist's
early commitment to political activism.
Early in the weekend the
print swap began as an idea of exchanging work
between a small group of participating artists in room 145 that would take place on the final evening of reviews.
A series of
prints entitled Disasters of War, which he made during the conflict
between Spain and France in the
early 1800s, depicted the brutality and suffering of war so graphically that they were not published until after his death.
For the diptych Trails, previously exhibited
earlier this year in her inaugural solo exhibition at Whitespace, Dowda inserts a circular piece of convex black glass known as a Claude glass (or, more simply, a black mirror)
between two large
prints showing shadowy landscapes.
Printed on highly textured watercolour paper, the images offer dialogues
between contemporary photography and
early Japanese artwork, creating an aesthetic narrative that spans centuries and across continents.
Later works include a singular drawing of a club trefoil from 1980 (clubs and spades were recurring motifs in the
early»80s), two monotype
prints dating from 1988, as well as two monochrome works created
between 1988 - 1992 in Healdsburg, California, a country town in Sonoma County where the artist lived out his final days.
These works consist of a series of
printed, brightly colored forms held in place by stainless - steel tubing — a support system that also becomes part of the work, referencing the dialectic
between image and object broached by his
earliest works.
Originally exhibited
between the late 1940s &
early 1950s — and presented for the first time since — is a selection of vintage mounted exhibition
prints by Aaron Siskind.
In a series of
prints from the
early 2000s, «The Laws of Nature,» cartoonish S&M scenes
between a dominatrix and her lover - victim encapsulate her experience of love and marriage, an amalgam of pleasure, pain, succor, and abuse.
Those familiar with Serra's entire oeuvre will also make connections
between prints with a splattered affect and his
early installations in which he hurled molten lead at the wall, creating sculptures from the accumulation of the substance.
Earlier this month, a controversy erupted over a proposed deal
between Library and Archives Canada (LAC) and Canadiana.org, a not - for - profit partnership of major research libraries in Canada, to digitize the LAC's vast collections of
print and photographic material and make it available to the public via a new online portal.