Sentences with phrase «between early video»

Comprising two evenings of presentations and screenings, Surrounded by Me interlaces clinical practice and critique, through an encounter between early video art, video psychotherapy, and the work of contemporary artists and scholars.

Not exact matches

This was already apparent earlier this week when Vine announced, ahead of the Instagram upgrade, several updates of its own — including the ability to save drafts and create multiple posts at the same time, full screen videos and the ability to send private messages between users.

Tensions between the Portuguese international and the ex-Liverpool and Chelsea boss appeared to have reached boiling point when Ronaldo was captured on video reacting angrily during a training session, which came on the back of an awkward moment between the two just a week earlier.

It also shows the differences between Romo earlier in the video, and dak later, in how it effected Dez's game.

A video captures early moments of contact between an isolated Amazon tribe and people from the outside world

As reported yesterday, legendary video game designer and director Hideo Kojima allegedly left Konami, a video game developer and publisher, earlier this month, apparently confirming rumors that the Metal Gear creator would be moving on from the Japanese firm following the controversy between the company and the Kojima brand.

Carried over from the earlier DVD edition are two commentary tracks (one by co-writer Jean Gruault, Truffaut collaborator Suzanne Schiffman, editor Claudine Bouche, and Truffaut scholar Annette Insdorf, the other featuring actress Jeanne Moreau and Truffaut biographer Serge Toubiana), excerpts from the 1985 documentary The Key to Jules and Jim about the author Henri - Pierre Roche, an episode of Cineaste de notre temps from 1965 dedicated to Truffaut, and a segment from the series L'Invitie du Dimanche from 1969 with Truffaut, Moreau, and filmmaker Jean Renoir, footage of Truffaut interviewed by Richard Roud at the 1977 New York Film Festival, excerpts from Truffaut's presentation at a 1979 American Film Institute «Dialogue on Film,» a 1980 archival audio interview with Truffaut conducted by Claude - Jean Philippe, video interviews with cinematographer Raoul Coutard and co-writer Jean Gruault, and a video conversation between scholars Robert Stam and Dudley Andrew.

Top candidates for this transition to scalability include a video coaching model designed to enhance serve and return interactions between young children and their caregivers, a short - term, computer - based strategy for reducing parental anxiety, and a light - touch, text based model for increasing parents» motivation to participate in early childhood programs.

This video shows a restorative conversation between a student and her ELA teacher to address an incident a few weeks earlier that escalated to the point of the student leaving the

A unique collaboration project between Team NINJA and comcept founder Keiji Inafune and published by Tecmo Koei America, YAIBA: NINJA GAIDEN Z will be available for the PlayStation ® 3 computer entertainment system, the Xbox 360 ® video game and entertainment system from Microsoft and Steam (PC) in early 2014.

Between the poor video quality / frame rate and early release build, it's hard to tell.

Its been in Early Access on Steam and while I haven't personally played the PC version (I'm interested in and have been following this, but am already occupied with games like Portal Knights and the awesome Dragon Quest Builders to hop into another crafting game at the moment), from people who HAVE posted gameplay videos of that version on Youtube, you can see them hopping between First - Person and Third - Person views a bunch:)

Between night shoots in South Africa, director Roar Uthaug agreed to an exclusive early interview about his adaptation of the popular video game franchise.

Pointed out by Kotaku earlier today, the video below shows a stark contrast between the Japanese and dubbed versions of the Pokémon anime.

Stoic, an independent game development company, and Versus Evil, one of the leading independent video game publishers announced that the launch of Banner Saga 2 on consoles would happen much earlier than expected thanks to a collaborative effort between the developers and first party partners Sony and Microsoft.

It feels solid and whilst it did take me a little while to notice the difference between mindlessly pressing Square actually being a little more coordinated (as the video above demonstrates), once it clicks it becomes second nature and you'll wonder how on earth you got through those early levels without it.

Check out the video, as it lists all (or some) of the Nindies Coming to Nintendo Switch between September and Early 2018.

In early July, one Dan Diebold posted a YouTube video showing an apparently functional prototype of the SNES CD, an aborted update of the famed Super Nintendo Entertainment System built in partnership between Nintendo and Sony.

Those intervals may start to look something more like the ones between smartphone refreshes, rather than video game hardware, based on earlier comments by Xbox's Phil Spencer.

From early figurative paintings, through collages and video installations, to her radical work in dance and performance, Ms. Schneemann has consistently — insistently — made the personal political, bridging divides between eras and cultures, even species.

The early video art represented includes many titles from the Castelli - Sonnabend collection, the first and most prominent collection of video art assembled in the United States, produced between 1968 and 1980.

Other thematically unrelated but visually cohesive works include a trio of Early Modernist knockoffs from the mid-1980s by Sherrie Levine, which remain conceptually irritating but here look refreshingly, crisply graphic; a 45 - minute video from 1994 by Gary Hill; a 2009 color photograph of a child in a white Levi's t - shirt by Josephine Pryde; some bundled pseudo-newspapers by Robert Gober (1992) and, in a collaboration between Gober and Christopher Wool, a photograph of a girl's dress hanging in a tree (the dress presumably Gober's handiwork; the photograph, Wool's), near one of the latter's enamel - on - aluminum pattern paintings.

Ranging from photography to drawing to installation, the more than four dozen works in the exhibition include: critically acclaimed videos by Marilyn Minter (Green Pink Caviar, 2009) and Kate Gilmore (Between a Hard Place, 2008), who credits Minter for teaching her to «be bold, honest and to never, ever relax»; a new large - scale sculpture by Marianne Vitale (Double Decker Outhouse, 2011), who says seeing Hungarian flimmaker Bela Tarr's 7 - hour epic Sátántángó confirmed her need to be an artist early in her career; and the latest project from Lisa Kirk (Backyard Adversaries (Ashes to Ashes), 2011), who sees a «sublime level of alchemy, the act of making work that is not only inspiring, but is revolutionary» in David Hammons» Fly Jar (1996).

If early efforts by video pioneers such as Nam June Paik, Bruce Nauman and David Hall took the definition of an art object beyond its conventional parameters as a static entity produced for visual consumption, perhaps the greatest strength of video art triumphed in this show is the unprecedented potential of experiential interactivity between artist, installation and spectator.

, was shown in three parts between 2003 and 2006, and outlined a detailed history of video practices in Israel in relation to early and parallel developments abroad.

In the early 1990s, the cinema theorist Raymond Bellour coined the expression «between - images,» using the term to approach the hybrid images between photography, film and video.

9 September to 7 November 2010 Wednesday to Sunday 11 am — 6 pm John Adams, Ian Bourn, Ian Breakwell, Marc Camille Chaimowicz, David Critchley, Catherine Elwes, Roberta Graham, Steve Hawley, Susan Hiller, Stuart Marshall, Cordelia Swann and Graham Young «Polytechnic» is an exhibition of video, installation and tape / slide works made between the late seventies and early eighties by -LSB-...]

This companion volume to the artist's largest exhibition to date is a feast taken from countless visual documents of Kelley's early formation, such as his involvement with the experimental band Destroy All Monsters (DAM), which also featured Jim Shaw, Cary Loren, and Niagara (born Lynn Rovner) in 1973 while Kelly and Shaw were students at the University of Michigan in Ann Arbor; early performative sculptures and objects; drawings; paintings; handmade dolls and stuffed animal sculptures; photography; videos; and endless inventive installations in various forms and shapes that explore and deal with the themes of self - destruction, repression, class relations, sexuality, religion, politics, and whatever else lies between the grotesque and the sublime, the sacred and the profane.

In the early 1990s, the cinema theorist Raymond Bellour coined the expression «entre - images» or «between - images», using the term to approach these hybrid images between photography, film and video.

Since 1998 Hargrave has produced a compelling, deeply personal body of work incorporating painting, drawing, sculpture and video that explore the dynamics between race, sexuality and religion in relation to his upbringing in the south and early adulthood as an African American gay male coming to terms with racial and sexual identity.

Early that evening the crowds convened inside the exclusive English - style club Círculo del Liceo to see video works by Francis Alÿs, Emily Jacir, and Bruce Nauman, among others, and to partake in the talk between curator Carles Guerra and collectors Emilio Pi and Helena Fernandino.

My current work explores the visual connection between minimalism and early video games.

This in - between quality of Benning's current work reflects decades of enquiry into the operation and influence of cultural material, beginning with Benning's earliest video works made in 1989 and subsequent explorations in drawing, painting and music production.

Projected across a range of screens and deceptively complex abstract objects that recall the basic geometric shapes of early - stage animations, the videos tell the story of a generational clash between two chikhas.

Gianfranco Baruchello's solo exhibition «Incidents of Lesser Account» presents works made between 1959 and this year, including large early canvases, paintings on layered acrylic sheets and on aluminium, boxed assemblages, and a selection of film and video.

Even in the exhibition, there's a telling chronological gap between the Hairy Who (active from 1966 to «69) and the most recent of the show's groups, Forcefield (1996 to 2003), which emerged during the early days of net art and echoed some of it in their digressive, identity - shifting videos and performances.

Moving away from the subcultural narratives of his (rightly) celebrated work of the early 2000s, Leckey's more recent videos, installations, and performative lectures have adopted a freewheeling, associative approach that conjures up connections between radically distinct cultural and scientific phenomena.

Tracing in reverse chronology the connections between his recent production — including videos, sculptures, installations, and lecture performances — and his earliest works from the mid and the late 1990s, this publication reveals the persistent centrality of popular culture, music and technology to Leckey's influential oeuvre.

The exhibition Films and Video Sculptures, 1972 - 1981 will be shown in the gallery's 201 Chrystie Street location and represents an integral, transitional link between the artists» early art and their later, more widely known large - scale pictures.

This particular exhibition will focus on Morgan's early film, video and photographic works, produced between 1969 and 1973.

We see a lone puppet, one of scores used by the Egyptian artist Wael Shawky in his «Crusades Cabaret,» a brilliant two - video marionette - musical consideration of early contact between the Arab and European cultures.

From early June, we will host major exhibitions between our Johannesburg and Cape Town galleries featuring significant work, installations, interventions, performances, a video and talks programmes.

The video report (on YouTube here) includes insights from two early analysts of nuclear winter, Michael MacCracken, who was at Lawrence Livermore National Laboratory in the early 1980s, and Alan Robock of Rutgers, who continues to study the concept and has published on how even a small nuclear exchange between, say, Pakistan and India, could have big impacts on agricultural yields.

Between it and the Paul Pearson video earlier this week, I'm starting to think that Canadian lawyers may be born with a natural talent for this social media stuff.

Earlier today, President Donald Trump met with game industry executives and their critics to talk about the link between video games and violence, a topic many of us got sick of discussing years ago.

The differences between the earlier images and the version in the video don't necessarily mean that the video is a fake; it could simply be indicative of Microsoft's ongoing development of the OS, with changes being made as new builds are completed.

Language acquisition is a critical developmental task in early childhood that is promoted by certain activities, including interacting with adults.7 - 9 In a prior study, we found an association between infant television or video viewing and delayed language development.10 What factors might mediate this association is not entirely clear, however.

It includes real - time updates, photo and video sharing and two - way communications between families and early childhood educators.

To investigate possible links between the sensitivity to peers» actions and the recruitment of these neural systems during the observation of others, we scanned early adolescents while they watched video clips of hand or face movements.

This tablescape video is to help with the transitional period between early and full fledged autumn.