Let's first break down the relationship
between editors and agents.
Not exact matches
But up until the early 1990s, book deals
between editors and writers were often done across a dinner table with a handshake, with the
agent left to handle the calls with the contract department later.
Not many of us are honestly concerned with the standard of the publishing industry because the publishing industry is a sham,
between the prerequisites of literary
agents,
editors,
and prepaid marketing
agents the only difference
between me
and a published author is how much I paid to publish.
We have a level of trust
and confidence
between our companies that should allow us to overcome the inevitable language barrier by letting Rosinante's
editors select, present,
and recommend the right books for these non-Danish speaking
agents to work with.
There's always a strong bond formed
between junior
agents and editors as they climb the ladder together.
ThrillerFest VI took place at New York City's Grand Hyatt Hotel
between July 6th
and 9th, but those few days were nothing compared to the year - long preparation for the event, as well as the far reaching results of throwing authors,
agents,
editors, publishers,
and all - around master craftsmen in the same venue for four days.
ThrillerFest VI took place at New York City's Grand Hyatt Hotel
between July 6th
and 9th, but those few days were nothing compared to the year - long preparation for the event, as well as the far reaching results of throwing authors,
agents,
editors, publishers,
and all - around master craftsmen in the same venue for four... [Read more...]
If an
agent offers to represent you but says your manuscript needs editing
and says they know a freelance
editor you can hire, check to see what sort of relationship might exist
between the
agent and editor.
As part of the 2012 Missouri Writers Guild conference faculty, I did a Q&A for their conference blog that discusses many topics, including: How I got started with social media The difference
between marketing objectives, strategies, tactics,
and tools How perfect your manuscript must be before submitting to an
agent or
editor
Working with a developmental
editor can be the difference
between a «heck yes»
and a «maybe next time» from
agents, publishers,
and readers.
Ultimately, however, it's your
agent who will decide who to sell your manuscript to, how much it's going to be worth, what the terms are going to be for royalties,
and will serve as the go -
between you
and the
editor.
Most disputes are handled with a phone call
between agent and editor, on behalf of the author.
But what I really want to comment on is your description of the
agent's role after she has helped not only to sell but to first refine that first manuscript: «It's her job to... foster a relationship
between the author
and the
editor and in turn the
editor's publicity
and marketing department...,» etcetera.
It's an exercise in trust
between you
and your
agent,
and your
agent and the
editors he or she is subbing to.
The traditional publishing model where there are several layers
between the author
and the readers, such as
agents,
editors,
and publishers, is really stripped down to just a relationship
between the author
and the reader.