Each artist embraces the transformative tension
between elements of color, structure, and form.
Not exact matches
The group's
elements, which appear as yellow disks in this image, are arranged at the vertices
of a truncated icosahedron, shown here in stereographic projection, while the group's generators,
of orders 2 and 5, correspond to the regions
between the disks,
colored red and blue, respectively.
Different types
of atoms, or
elements, have different gaps
between their energy levels, which causes them to make light
of different
colors when they're burned and lose that energy.
The main difference
between this type
of salt and the others mentioned in its unusual
color, but it has also been found to contain trace
elements of calcium, magnesium and potassium, and it also has a slightly lower sodium count that other varieties.
There, you get to pick
between several pre-built and already available themes, change the
color of interface
elements, such as the header or the background, and even save your changes as a new theme.
For all that schools continue expanding Euro - awareness
of the value
of indigenous culture and the culture
of people
of color; for the cultural expansion towards equitable roles
between women and men; for the upsurging awareness
of the equal rights
of GBLTQQ folks; we're missing a key
element in these conversations, and that's the cultural shoehorn known as children and youth.
Those looking for a bit
of exclusivity can choose
between trim
elements in Black Piano Lacquer or a variety
of woods, as well as five leather upholstery
color combos in Black, Ginger Beige / Espresso Brown, Saddle Brown / Black, Crystal Grey / Black, or Ginger Beige / Black.
A bright chrome Lincoln star rests prominently on the body
color separation
between the
elements of the double wing grille.
The
color contrast
between elements of your cover should be great enough that your cover is recognizable in thumbnail, because that is how people browsing an online store are going to first see it.
Between the two
elements, it is the creation
of unique
colors that captivates even more than the forms born
of self - reflection that appear to occupy the surface or are emerging to rise from a deep lake
of color.
Like Fitzgerald, who flipped
between flappers and philosophers, it has all the raucous
elements of the
color - mad paintings, but also interjects an elevating and welcome note
of doubt, the kind
of momentary struggle with the material qualities
of color that makes Cezanne or Diebenkorn so admirable under similar conditions.
In all his works here we see the back and forth
between what the eye gleans from this world
of light, shadow,
color, form, people, trees, skies, water and all the
elements of objective reality, and what the artist asserts
of his feelings, as revealed by gestures,
color and movements
of paint through actions that depict the artist's inner world.
The line is blurred
between the material
elements of painting (texture,
color, form) and the physicality and movement
of ballet and theater.
Containing both animate and lifeless
elements with their vibrant
colors and demised components, these sculptures capture the fluid interconnectedness
of existence that stands
between life and death or reality and illusion.
The continuous interest in intense relations
between pictorial
elements, the very perception
of a painterly surface,
color and forms, suggest the artist's desire to explore different layers
of meanings and emotions.
Each evolves out
of an interpretive dialogue
between color, form and texture — a progressive interlocking and merging
of non-representational
elements that begin with a base and build to a crescendo as each new layer, juxtaposition or stroke is chosen.
While motifs are shared
between the drawings and gouaches, the two bodies
of work exist in distinct domains, one furrowed and creased, a progression
of elements roughly scored onto the paper, the other a set
of color - infused structures residing on the Apollonian sheen
of the painted surface.
Realized by
Color Field artist Sam Gilliam, this unique painted work layers color, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composi
Color Field artist Sam Gilliam, this unique painted work layers
color, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composi
color, movement, and other abstract
elements — meditating on both the relationship
between shapes and
colors as well as
elements of a harmonious composition.
Simeti's works exist not as single entities but as an active experience
of color and shape, and ultimately a capturing
of the dynamism that exists
between these two aesthetic
elements.
Foregoing
color entirely, 3.3.5 Acrylic Shapes uses the variable dimensions
of each piece to suggest relational interactions
between the individual
elements.
His architectonic approach utilizes a deliberately restrained scale and a limited
color pallet to enhance the viewer's awareness
of the interplay
between compositional
elements as well as the sense
of space suggested by the reflection vs. absorption
of light by his canvas's pigments.
A honeycomb
of color, numbers, and symbols, the
elements alternate
between light and dark, with each square bearing an abstract marker.
Realized by
Color Field artist Sam Gilliam, this lithograph with intaglio and relief layers color, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composi
Color Field artist Sam Gilliam, this lithograph with intaglio and relief layers
color, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composi
color, movement, and other abstract
elements — meditating on both the relationship
between shapes and
colors as well as
elements of a harmonious composition.
Realized by
Color Field artist Sam Gilliam, this relief monoprint layers color, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composi
Color Field artist Sam Gilliam, this relief monoprint layers
color, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composi
color, movement, and other abstract
elements — meditating on both the relationship
between shapes and
colors as well as
elements of a harmonious composition.
Her subdued
colors and frequent changes in perspective, with their suggested landscape
elements and gestures reminiscent
of calligraphy, create a balance
between Western and East Asian painting traditions without one outweighing the other.
-- Layout Characteristics The network graph's layout
elements like
color, the distance
between nodes, or diameter
of nodes is used to interpret specific attributes related to a node.
By exploring the relationship
between the flat plane
of a canvas and the basics
elements of artwork and sculpture —
color, shape and composition — Frank Stella created his Black Paintings.
The figures, forms, architectural
elements, and space, which are constituted by layers
of overlapping imagery that exist
between abstraction and representation, remain active on the picture plane with their seemingly melting
colors.
Amenoff's keen
colors vitalize the movements
between these
elements, imparting an abrupt depth to the pools
of water and a rambling spaciousness to the reds
of the «desert.»
Pastel
colors, use
of large icons instead
of small
elements, and the lack
of an app drawer are all shared
between them.
Styling
elements should be kept to a minimum, with a line break
between the name / contact section and body
of the resume or a line running vertically separating subheadings are the two most common applications
of stylized
color.
The smooth stone pops against the white walls and molding because
of the stark difference in texture and
color between the two
elements.