Sentences with phrase «between elements of color»

Each artist embraces the transformative tension between elements of color, structure, and form.

Not exact matches

The group's elements, which appear as yellow disks in this image, are arranged at the vertices of a truncated icosahedron, shown here in stereographic projection, while the group's generators, of orders 2 and 5, correspond to the regions between the disks, colored red and blue, respectively.
Different types of atoms, or elements, have different gaps between their energy levels, which causes them to make light of different colors when they're burned and lose that energy.
The main difference between this type of salt and the others mentioned in its unusual color, but it has also been found to contain trace elements of calcium, magnesium and potassium, and it also has a slightly lower sodium count that other varieties.
There, you get to pick between several pre-built and already available themes, change the color of interface elements, such as the header or the background, and even save your changes as a new theme.
For all that schools continue expanding Euro - awareness of the value of indigenous culture and the culture of people of color; for the cultural expansion towards equitable roles between women and men; for the upsurging awareness of the equal rights of GBLTQQ folks; we're missing a key element in these conversations, and that's the cultural shoehorn known as children and youth.
Those looking for a bit of exclusivity can choose between trim elements in Black Piano Lacquer or a variety of woods, as well as five leather upholstery color combos in Black, Ginger Beige / Espresso Brown, Saddle Brown / Black, Crystal Grey / Black, or Ginger Beige / Black.
A bright chrome Lincoln star rests prominently on the body color separation between the elements of the double wing grille.
The color contrast between elements of your cover should be great enough that your cover is recognizable in thumbnail, because that is how people browsing an online store are going to first see it.
Between the two elements, it is the creation of unique colors that captivates even more than the forms born of self - reflection that appear to occupy the surface or are emerging to rise from a deep lake of color.
Like Fitzgerald, who flipped between flappers and philosophers, it has all the raucous elements of the color - mad paintings, but also interjects an elevating and welcome note of doubt, the kind of momentary struggle with the material qualities of color that makes Cezanne or Diebenkorn so admirable under similar conditions.
In all his works here we see the back and forth between what the eye gleans from this world of light, shadow, color, form, people, trees, skies, water and all the elements of objective reality, and what the artist asserts of his feelings, as revealed by gestures, color and movements of paint through actions that depict the artist's inner world.
The line is blurred between the material elements of painting (texture, color, form) and the physicality and movement of ballet and theater.
Containing both animate and lifeless elements with their vibrant colors and demised components, these sculptures capture the fluid interconnectedness of existence that stands between life and death or reality and illusion.
The continuous interest in intense relations between pictorial elements, the very perception of a painterly surface, color and forms, suggest the artist's desire to explore different layers of meanings and emotions.
Each evolves out of an interpretive dialogue between color, form and texture — a progressive interlocking and merging of non-representational elements that begin with a base and build to a crescendo as each new layer, juxtaposition or stroke is chosen.
While motifs are shared between the drawings and gouaches, the two bodies of work exist in distinct domains, one furrowed and creased, a progression of elements roughly scored onto the paper, the other a set of color - infused structures residing on the Apollonian sheen of the painted surface.
Realized by Color Field artist Sam Gilliam, this unique painted work layers color, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composiColor Field artist Sam Gilliam, this unique painted work layers color, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composicolor, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composition.
Simeti's works exist not as single entities but as an active experience of color and shape, and ultimately a capturing of the dynamism that exists between these two aesthetic elements.
Foregoing color entirely, 3.3.5 Acrylic Shapes uses the variable dimensions of each piece to suggest relational interactions between the individual elements.
His architectonic approach utilizes a deliberately restrained scale and a limited color pallet to enhance the viewer's awareness of the interplay between compositional elements as well as the sense of space suggested by the reflection vs. absorption of light by his canvas's pigments.
A honeycomb of color, numbers, and symbols, the elements alternate between light and dark, with each square bearing an abstract marker.
Realized by Color Field artist Sam Gilliam, this lithograph with intaglio and relief layers color, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composiColor Field artist Sam Gilliam, this lithograph with intaglio and relief layers color, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composicolor, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composition.
Realized by Color Field artist Sam Gilliam, this relief monoprint layers color, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composiColor Field artist Sam Gilliam, this relief monoprint layers color, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composicolor, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composition.
Her subdued colors and frequent changes in perspective, with their suggested landscape elements and gestures reminiscent of calligraphy, create a balance between Western and East Asian painting traditions without one outweighing the other.
-- Layout Characteristics The network graph's layout elements like color, the distance between nodes, or diameter of nodes is used to interpret specific attributes related to a node.
By exploring the relationship between the flat plane of a canvas and the basics elements of artwork and sculpture — color, shape and composition — Frank Stella created his Black Paintings.
The figures, forms, architectural elements, and space, which are constituted by layers of overlapping imagery that exist between abstraction and representation, remain active on the picture plane with their seemingly melting colors.
Amenoff's keen colors vitalize the movements between these elements, imparting an abrupt depth to the pools of water and a rambling spaciousness to the reds of the «desert.»
Pastel colors, use of large icons instead of small elements, and the lack of an app drawer are all shared between them.
Styling elements should be kept to a minimum, with a line break between the name / contact section and body of the resume or a line running vertically separating subheadings are the two most common applications of stylized color.
The smooth stone pops against the white walls and molding because of the stark difference in texture and color between the two elements.
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