Sentences with phrase «between everyday experiences»

The artwork demonstrates that pop art shattered the division between everyday experience and high culture, not only through subject and process but also by enticing the senses.

Not exact matches

This bond between world and occasion, Whitehead immediately admits, is a «baffling antithetical relation»; but for him, when we examine our everyday experience of the world, or when we inquire into the presuppositions of common practice, or into the presuppositions of the natural sciences, or into the presuppositions of basic epistemic claims, we run again and again into this paradoxical relation of mutual immanence (MT 218f).

Although the formulation of the question was not always precise, the everyday experience of black suffering, arising from black people's encounter with the sociopolitical structures controlled by whites, created in my consciousness a radical conflict between the claims of faith on the one hand and the reality of the world on the other.

From its outset, quantum mechanics has been a source of intrigue; the picture it presents of the microscopic world being so different to that of everyday experience gained from normal - sized entities, between the atomic scale and the vast spaces of the cosmos.

In most everyday experiences, the relationship between these two forms of practical reason is that between problem solving and goal setting.

She also suggests that each circumcised experience has the potential to buildup negative memory imprints so that over time, repeated sexual encounters with the same partner may lead to negative feelings between the two that carry over into everyday life.

Racking up a wealth of experience in makeup artistry, buying and photography between them, Delilah brings an abundance of English sensibility to your stunning everyday makeup.

As a relationship coach, Devon shares his natural gift of creating deeper, shared experiences between everyday people.

Indeed, though it doesn't lean on a particular ideology, this is a fiercely political film in which the stakes of politics are the everyday lived experience: dollar bills exchanged between hands, a blank form waiting to be filled, or the aisle of a supermarket where shoppers do mental arithmetic to figure out what they can go without this week.

As part of self - reflection, students should learn to make connections between what they are doing with technology tools and their everyday experiences.

Many seem to have an intuitive feel for them through everyday experience but don't necessarily understand the difference between metric and imperial units.

Participating for the first time in the Design Challenge, Infiniti designers from its San Diego studio looked toward the future in which augmented reality, 3D hologram and wearable technologies may be a part of the everyday driving experience, creating a seamless interaction between man and machine.

Infiniti added designers from its San Diego studio looked toward the future in which augmented reality, 3D hologram and wearable technologies may be a part of the everyday driving experience, creating a seamless interaction between man and machine.

His works highlight the stark differences between how we experience gesture in the everyday world versus a gallery or museum context.

By culling images and materials from the world around him, Rauschenberg has blurred the distinctions between artforms and has broken down the boundaries between art and everyday experience.

Using photography to dislocate the collected object from a sense of time or origin, Chu's surreal vignettes will transform the everyday into a moment abstracted from reality, coaxing the viewer's experience of perception to the space between foreign and familiar.

To separate the art institution from other aspects of our daily experience — be it education or medicine, marriage or war, parenting or advertising — would be to reinscribe arbitrary and false divisions between art and its contexts, between our aesthetic lives and our everyday lives.

From the perspective of the so - called post-internet generation, his sculptures, films and online projects — often arranged as installations — are concerned with the relationship between real and virtual everyday worlds, that is, with life and experience in the internet age and the effects this has on social reality.

Taken as a whole, his work defies a singular style, and in his drawings, paintings, and sculptures, Aldrich is able to move effortlessly between figuration, abstraction, and representation — often combining imagery variously inspired by people and places close to him, visual artists, writers, and musicians whom he finds interesting, and experiences drawn from his everyday life.

Their objective is to challenge one's unimpeded perception of reality, by framing a single detail — the sunrise — in order to induce a dislocated condition which forces a shift in our relationship between time and perceived space, as well as to experience of our everyday environment in all of its splendid beauty — to find slowness in chaos.

Sarah Braman, widely recognized for her large - scale sculptures that serve as monuments to everyday life, is interested in the interplay between sensory experience and emotional resonance.

Suffused with humor, this work undermines the myth of the artist's self - importance, and absurdly blurs the distinctions between the creative process and an everyday Israeli experience.

Informed by the conceptual strategies of Surrealism, and echoing their simple, direct methods for constructing dream - like experiences, the videos in Betwixt & Between speak to notions of authority, alienation, and desire embedded in everyday objects and occurrences.

All works focus on analysis of the relationship between the work and the observer, which is one of the central themes of their research, defined as a sort of «abstract narrative» constructed by reworking characters, situations, and circumstances gleaned from everyday experiences.»

He is consumed with temporality — most importantly, the experience of time in everyday life and how we account for peculiar instances of dissonance between chronological and episodic passages of time.

The works on view take up themes of bodies in transformation, negotiating the liminal space between everyday and otherworldly experience.

As we encounter these hybrids between sculptural objects, and products familiar to our everyday experience, their separation from their defining brand offers clues to the objects «true» function.

This attempt to annihilate the artistic ego as well as the distinction between art and everyday experience was unprecedented and in direct contrast to the posture of his contemporaries in the New York School.

No Everything, his third solo exhibition at Whatiftheworld, «utilized mixed media sculpture and found objects in order to examine the tension between South Africa's past and present in relation to shifting class identities, globalized economy, and the experience of the everyday.»

While utopias and powerful rhetoric can express and reveal themselves through architecture, it is only in everyday life and the lived experience that boundaries and spaces between the self and the other, between the individual and the community, can be defined and thus become tangible.

Inspired by his own experiences living between the Netherlands and Benin, his birthplace in West Africa, the artist's work questions codes of identity and value by playfully restructuring relationships between «first» and «third» worlds, the local and the global, art and the everyday.

While utopias and powerful rhetoric can express and reveal themselves through architecture, it is only in everyday life and the lived experience that boundaries and spaces between the self and the other, between the individual and the community, can be de ned and thus become tangible.

In this group show, culturally - expanded artists perform an external and internal exchange between cultures and media to make a type of art that speaks to the audiences» everyday experience, and pushes it to become culturally fluid.

They point to the links between art institutions and the other organizations that make up our society, asserting that to separate art from aspects of our daily experience — whether education or medicine, marriage or war, parenting or advertising — is to reinscribe arbitrary and false divisions between art and society, between our aesthetic lives and our everyday lives.

Combining familiar yet unlikely materials in order to reconfigure everyday experiences, his work vacillates between painting, drawing, and sculpture.

On the outside, it may seem pretty straightforward in illustrating the links between climate change and our everyday lives: where we live, how we eat, and what weather we experience.

It switched between everyday tasks without a problem, responded well to all our demands and the only time we experienced a slight sign of lag was when swiping to type on the keyboard.

Think about everyday things you're longing to do together, big life experiences you'd love to do together, and everything in between.

Jo's academic, vocational and life experience has equipped her to help clients understand their psychological difficulties, making connections between cutting - edge theories and everyday living, while being motivated to make the changes necessary for healing and improving their overall well - being.

There is also evidence showing that EC plays an important role in the development of conscience, which involves the interplay between experiencing moral emotions (i.e., guilt / shame or discomfort following transgressions) and behaving morally, in a way that is compatible with rules and social norms.8 Besides, children who are high in EC appear to be more able to display empathy toward other's emotional states and pro-social behaviour.4 EC is thought to provide the attentional flexibility required to link emotional reactions (both positive and negative) in oneself and others with internalized social norms and action in everyday situations.