Conlon captures the herky - jerky nature of a policeman's daily routine as it swings
between farce and tragedy, all the while detailing the way cops talk, joke, and stress.
It's a mazy, unexpected trajectory which zig - zags
between farce and seriousness in a way that never quite feels fully controlled.
Niall Heery's film treads a fine line
between farce and pathos, looks very nice and is full of fine acting.
Not exact matches
If we can regroup after the international break with Mustafi, Welbeck and Ospina back in contention for first team places and our winning streak at the Emirates we'll close the gap
between top to what it was before this
farce of a match ever happened.
To me, I think, what it does, it highlights just what a
farce it is to have these owners interpose
between the public and the teams.
There is no credible science that can, without descending into
farce, establish equivalences
between different job roles in different settings.
This energetic, anarchic and droll — it's full of great one - liners, especially from Alan («It's not illegal, it's frowned upon, like... masturbating on an airplane»)-- Vegas
farce benefits from a convincing chemistry
between the four men.
A climactic encounter in a swimming pool, underscored by «Total Eclipse of the Heart,» provides arguably the film's most iconic kill, while an exceptional, near - wordless scene
between Henderson and the Man in the Mask dances delightfully along the border
between dread and
farce.
Tom Vaughans
farce is a tonal misfire, its soft - focus satire marooned
between outdated, offensive British bawdiness and banal Californian self - help platitudes.
Fujimoto's shadowy visual sensibility was a unifying factor, and without it, «Ricki And The Flash» — which was shot by Declan Quinn, Demme's go - to cinematographer in recent years — swings wildly
between different conventional camera styles, turning into a small - club concert doc for The Flash's regular gigs at The Salt Well or into stagey, locked - down
farce during the restaurant scene that introduces Ricki and Pete's sons, Joshua (Sebastian Stan) and Adam (Nick Westrate).
Yet another ensemble comedy / drama from director Garry Marshall that is based around a holiday, Mother's Day alternates
between broadly obvious
farce and overly sappy melodrama with lumbering sloppiness.
The rapport
between Parham and St. Clair has been well developed over a decade - plus of working together, and even though the stories in «Playing House» rely on fairly typical domestic
farce, the quality of the dialogue and performances makes even the weaker episodes a treat.
Hytner's adaptation is a modest
farce generally concerned with the struggle
between two main characters as one fights for their right to be and the other fights for their right to be in peace.
Pin - balling
between tragedy and
farce so fast that it can be hard to follow, «Norman» unfolds like a Coen brothers comedy that has too much chutzpah and not enough charm.
Alas, Binder tries to tread the line
between philosophy and
farce, satire and slapstick, and with so many contrasting story devices, the imbalance of mood finally does the film in as a potentially intelligent piece of entertainment.
Perhaps if Mazursky could decide
between satire,
farce, or romantic comedy, things wouldn't prove as uneven as they do.
The timing playfully alternates
between expansive and manic, just as the comedy lurches from dumb puns to cinematic in - jokes to broad
farce.
It alternates awkwardly
between shrill, borderline misogynistic sex
farce and desperately gory, pun - rife creature feature.
The films he made
between these animated efforts — Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014)-- were among his better works, as the former evinced a real sense of poignant feeling that sometimes gets lost in his penchant for irony and pastiche, while the latter was a marvelous screwball
farce with a fantastic central performance by Ralph Fiennes.
If you re-read the final scenes
between Winston Smith and Julia from Nineteen Eighty - Four and then watch this scene, you can have your own version of Marx's dictum about history as tragedy, then
farce.
Another burgeoning romance
between Madame Emilie (Frances de la Tour) and Monsieur Frick (Richard Griffiths) is repeatedly stopped in its tracks by her dog, and the two ancillary love stories offer bits of whimsical
farce and screenwriter John Logan (adapting Brian Selznick's novel) the chance to flesh out the sense of kinship among the station's denizens.
[6] In this respect, Sullivan continually moves
between the extremes of theater's original excesses, tragedy and
farce, the orgiastic ritual and comedic feast, Aeschylus and Aristophanes.