Sentences with phrase «between figurative forms»

Not exact matches

Kalm notes: «This presentation focuses on a select group of figurative artists who formed connections both personally and aesthetically between post war Paris and New York.

In the next decade, dark and ominous forms crowded his painting, forming a visual language somewhere between abstract and figurative.

Featuring more than 100 works spanning from the early 1980s to the present, including a number of new and never - before - seen pieces, the exhibition juxtaposes graphic patterns with abstracted, figurative paintings, creating a fully immersive environment that underscores the artist's systematic dismantling of the hierarchy between design and fine art, and between three - dimensional form and two - dimensional representation.

Ignoring the traditional distinction between naturalistically depicted and abstracted figures, the sensuous color and bold, sinuous contours of these elusive and lyrical paintings play on the tension between figurative references and abstract forms.

His work oscillates between figurative and abstract elements, and embodies his lifelong research about the interactions between form, content and critical thought.

Allowing the work to flow through her and onto the canvas, the series floats between figurative and abstract works but tend to be dominated by familiar dots that form eyes and portraits of women — some laughing, some weeping.

The works incorporate both the language of abstraction, and that of figurative painting to form a relationship between the two; these are amalgams of both painting and video possessing the quality of both forms.

As you spend more time looking at his full range of shapes and forms, you'll soon begin to recognize clear connections between his figurative and abstract sculptures.

It is worth pointing out that if it hadn't been for teaching, the tight circle of friendships between Park, Diebenkorn and Bischoff that led to the Bay Area Figurative style would have never been formed.

Szymczyk's Documenta has been constructed according to the same idea that motivated, for example, Massimiliano Gioni, the artistic director of the 2013 Venice Biennale: to create an exhibition, one with numerous sites for viewing the art, that «blurs the line between professional artists and amateurs, insiders and outsiders, reuniting artworks with other forms of figurative expression — both to release art from the prison of its supposed autonomy, and to remind us of its capacity to express a vision of the world.»

Already, we see the young artist negotiating between the abstract and figurative, reducing organic forms into geometric configurations and using the branches of trees as a way to frame or delineate space.

By breaking boundaries between classic forms and contours, he creates figurative and abstract landscape images using symbolic and geo shapes.

These large, vibrant, figurative paintings explore the relationship between subject and environment, ultimately the variables that form us as individuals.