Sentences with phrase «between film and television»

Speaking with Collider, Alex Kurtzman stated the new series will «blur the line» between film and television.
At roughly five - and - a-half hours in length, Red Riding occupies a strange netherworld between film and television.
She spent the next decade or so alternating between film and television before heading to Broadway, appearing in the musical «Applause,» for which she won the Tony Award as Best Actress.
Jason Sudeikis and Alison Brie have transitioned back and forth between film and television.

Not exact matches

But the CRTC's recent decision to press ahead with a so - called pick - and - pay approach to cable will force all the players in Canada's $ 20 - billion film and television industry to recognize that the mutually beneficial relationship between the broadcasters, specialty channels and the carriers may be coming to a close.
After upending television with acclaimed online series, Amazon and Netflix joined the ranks of the film industry's elites with four gold statuettes between them.
Overall, eight of the films and television shows received more than $ 10 million each from taxpayers between October and December, a report from Empire State Development showed.
Dr Tharp says: «The association between PTSD and military combat experience is frequently portrayed in film and television, and the current research supports the pervasive «traumatised veteran» stereotype.
Lowe would continue to alternate between television and film, and roles in Floating (1999) and the television series Popular found him increasingly busy.
After moving into directing with an episode of television's Law and Order: Special Victim's Unit, Lowe directed his Oscar - winning wife in the short films The Audition (2000) and The Space Between (2002).
Later alternating between television and film with features such as Trapped and roles on such high - profile series as Spin City and Malcolm in the Middle, her part opposite Brittany Murphy in the 2003 comedy Uptown Girls found the precocious youngster playing well off of her older co-star.
Yet another bad Ferrell film with its roots in television, Nora Ephron's reimagining of the»60s sitcom was hampered by an unnecessarily convoluted premise and a lack of on - screen chemistry between the comedian and his miscast co-star, Nicole Kidman.
Though she would first gain notice as the dutiful daughter of an Asian - American family attempting to bridge the gap between the past and the present in The Joy Luck Club, Tom had already been acting in film and television for over a decade — her career gradually gaining momentum thanks to bit parts in such films as Wall Street, Blue Steel, and Cadillac Man.
In the years that followed, he would frequently shift between film (Clean Slate) and television (The Louie Show) while supplementing his income with voice - over work for such popular anime series as Armitage III.
Basically, the crossovers between Marvel's films and television shows (there are so many now) are becoming increasingly complicated.
A film adaptation of Morgan's own stage play that was itself very much about the powers of television, the relationship between text, medium and audience has shifted in ways I'm not sure the film's makers have fully accounted for.
Medium jumps are never an easy thing to do, whether it's today's commonplace practice of remaking an old television series as a film residing between homage and parody, or as in the case of The Muppet Movie, simply bringing characters who found popularity on TV to a cinema audience.
Interestingly, DC's Extended Universe of films aren't connected to its slate of television shows (which is why TV's The Flash, Grant Gustin, was not cast), but don't rule out a crossover between the show and film versions just yet, as Kevin Smith revealed that «doors are being left open» should.
Looking over the impressive crop of nonfiction films this year, it seems like the most noteworthy ones were those that collapsed the boundaries between reality and fiction, or passive documentation and active storytelling, or cinema and television.
A film adaptation of Morgan's own stage play that was itself very much about the powers of television, the relationship between text, medium and audience has shifted in ways I'm not sure the -LSB-...]
Who should win and will win: For years between television and film, the alien makeup work on «Star Trek» properties has been revolutionary and memorable.
The chemistry between the two intellectuals resulted in some of the most compelling television of the 20th century, and this film's elegant mix of archival footage and talking - head commentary rivetingly retraces how one heated rivalry sparked an entire culture of punditry.
I hope that someday soon we won't have to choose between types of justice represented in film and television.
The surprise isn't that, of the three, the film falls somewhere between good and bad; it's that Chase has made a film that is so loudly and clearly screaming to be a television series rather than a feature film.
Without a word spoken, the first two shots in Thief, Michael Mann's groundbreaking 1981 feature debut, announce a simultaneously grim and dreamlike vision that seems, in retrospect, perfectly poised between the great urban crime films of the 1970s and the formal aesthetics of the 1980s — the «style decade» that Mann's subsequent cinema and television work did so much to help shape.
«Alfred Hitchcock's famous explanation about the real difference between surprise and suspense — a bomb exploding with no warning vs. being forewarned about the bomb in advance — lies at the heart of the difference between his film Psycho (based on the Robert Bloch novel) and the new A&E television series «Bates Motel,» which examines Norman Bates» upbringing and the events that will ultimately mold him into a cross-dressing murderer with dual personalities.»
«Cake» is the first film under a new deal between After Dark Films and Shenghua Entertainment, which produces Chinese television.
Jay is currently on Transparent, the smash hit series on Amazon Instant, and Mark continues to flit between television projects (The League, Togetherness) and indie films like The One I Love (TFF 2014).
They sat down with The Times to talk about the differences between television and film.
The story deals with the co-dependence between friends and how that disintegrates with the tensions of class and lineage — note how this topic seems fairly similar to another debut film from a famous television impresario who revealed himself to be completely tone deaf to cinematic storytelling.
Ron Howard and Akiva Goldsman came on board in 2010, casting Javier Bardem as gunslinger Roland Deschain and planning to deliver three films with two television series sandwiched between.
I still feel that the films would have been better off as a television series on MTV sandwiched between the reruns of The Real World All - Star Challenge and The Jersey Shore.
As much as the gap between them narrows, film and television remains two different mediums.
We see a documentary about the professional rivalry and growing friendship between Ebert and his late sparring partner Gene Siskel, whose nationally syndicated television show brought film criticism into many homes and inspired a few generations of film lovers — myself included — to watch movies with a critical but appreciating eye.
Irving Berlin's WHITE CHRISTMAS Diamond Anniversary Edition Blu - ray Combo Pack also includes new special features such as five classic Christmas television show appearances by Bing Crosby and Danny Kaye, including a virtual duet between Crosby and Michael Bublé, an optional sing - along subtitle track that accompanies the film's most popular songs, new photo galleries, and a Christmas CD with 12 songs featuring Bing Crosby, Danny Kaye, Rosemary Clooney, Ella Fitzgerald, Peggy Lee and Judy Garland, including EIGHT never - before - released tracks.
The «Learn, Create and Share» pedagogy includes a multi media / tech culture that includes digital links between the schools and homes, community television and film festivals and links to government agencies and local, national and international learning and business partnerships.
Most recently, No Time for Goodbye has been optioned for television in France, and in 2012, Trust Your Eyes was the object of a film rights bidding war between Universal and Warner Bros..
For the past two years he has been producing book trailers for publishers and authors around the U.S., and he truly believes that the synthesis between writing and film / television can be a powerful and inspirational combination.
As such, composing for film or television will often involve more dramatic ups and downs in the music to closely match the scene whereas in video games, the composer is usually composing music layers (ambient exploration music, combat music, tension music etc.) that will transition between one another,» he noted, adding, «Trailer music is unique in that the music needs to make a very immediate and direct impact on the audience in a short amount of time.
Influences from television, Internet, character design, animation film, music, fashion, and of course games, collide in their seminal action figure series Tofu Family reflecting the current frictions between an omnipresent global and a diversified local imagery, as well as presenting the weirdest universe you can possibly think of.
Over its three week - run, Performa 09's innovative program will break down the boundaries between visual art, music, dance, poetry, fashion, architecture, film, television, radio, graphic design, and the culinary arts, presenting over 110 events in collaboration with a consortium of more than 80 of the city's leading arts institutions, 40 curators from around the world, and a network of public and private venues throughout the city.
Yosef's brushwork here, in soft but commanding horizontal lines, reads less like a film still and more like the static of an early color television caught between channels, or one that has been redacted or blocked from non-subscribing viewers.
Investigating the inherent problems of representation within different media, it repeatedly underlines the complex and unpredictable transferences that occur between reality and its mediation in television, film, or, indeed, art.
In addition, the volume contains an essay by the artist in which he examines the various possibilities and forms of representation offered by the video medium, and draws the boundaries between these and representational spaces in television, film, or architecture.The book also offers contributions by Michael Asher and Dara Birnbaum, as well as an annex with a biography and bibliography.
A collection of film and video was presented with a curatorial nod to Jean Luc Godard's The Joy of Learning (Le Gai Savoir)(1969), in which two young people meet in a dark and empty television studio for «a series of dialogues during which they undertake a rigorous analysis of the relation between reality and film
Pulling from long - standing fascinations with film and television tropes, abstract sculpture, game ephemera, poetry, apocryphic histories, internet esoterica, and philosophies of being, Oneohtrix Point Never's myRiad is a hyperstitial «concertscape» imagined from the perspective of an alien intelligence that explores disorienting relationships between space and sound and mutates forms of live musical performance.
THR, Esq., The Hollywood Reporter's entertainment law blog, reports that a fight has broken out between the creator of the «MacGyver» television series and the producers of «MacGruber,» a parody film set to hit theaters in April.
Mediated and arbitrated disputes involving the financing, production, distribution, bonding, and insurance of film and television productions, and profit and licensing disputes between studios and talent
In addition, Frédéric has extensive experience with respect to collective labour relations between producers and artists and in collective bargaining negotiations, having served as both lead negotiator and external counsel in connection with numerous collective bargaining negotiations in a variety of industries, from film and television production, to the private education and industrial manufacturing sectors, at both the provincial and federal levels.
Astounding concept of the use of prosthetics and how to differentiate it's use between the different purpose which include magazines, films, television, fashion, among others
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