What distinguishes Catherine Wheatley's work from other scholarship on Haneke is her close examination of spectatorship and the consideration of the connection
between film medium and self - awareness.
Not exact matches
Heat a generous
film (about 1 / 8 - inch) of oil in a large sauté pan over
medium - high heat and fry the meatballs in batches, adding additional oil as needed
between batches, turning the meatballs to brown evenly, until they reach an internal temperature of 165 ˚F, 2 to 3 minutes.
The flat tips of the diamond anvils are less than half a millimeter in diameter, and the metal
film (gray), ruby sphere (red), and pressure
medium (blue fluid) are sealed
between the diamonds by a metal gasket (solid purple).
But every artist must work in his
medium, and the
medium of
film does not exist unless there is an audience
between the projector and the screen.
A
film adaptation of Morgan's own stage play that was itself very much about the powers of television, the relationship
between text,
medium and audience has shifted in ways I'm not sure the
film's makers have fully accounted for.
Medium jumps are never an easy thing to do, whether it's today's commonplace practice of remaking an old television series as a
film residing
between homage and parody, or as in the case of The Muppet Movie, simply bringing characters who found popularity on TV to a cinema audience.
A
film adaptation of Morgan's own stage play that was itself very much about the powers of television, the relationship
between text,
medium and audience has shifted in ways I'm not sure the -LSB-...]
As much as the gap
between them narrows,
film and television remains two different
mediums.
Of course,
film and books offer different types of entertainment, and there's more diversity within each
medium than perhaps even the average difference
between a book and a movie, so direct equivalence is difficult and super-subjective.
Forgotton Anne aims to blend video games with animated
films and for the most part, does a good job in finding a balance
between the two
mediums.
Alongside great storylines that can be anywhere
between 30 — 100 hours of gameplay and celebrity actors that bolster any game, I think the
medium will shift towards game makers taking the
film and TV industries markets or will start to get heavily involved soon enough.
The Death Stranding creator also gave his thoughts on the relationship
between the
mediums of
film and games, acknowledging the difficulty in sparking certain emotional reactions in interactive entertainment.
Over the years a major debate has raged
between fans of traditional entertainment
mediums such as
films and TV, and fans of video games, namely over the artistic value of a game when compared to a movie, book, or TV show.
Over the years a major debate has raged
between fans of traditional entertainment
mediums such as
films and TV, and fans of
Her book, Vanishing Women: Magic,
Film and Feminism (Duke UP, 2003), examines the relationship
between the elusive female body and the
medium of
film.
During the last couple of years Leander Djønne has been engaged in an art practice that moves
between multiple
mediums —
film, video, text, performance, installation, photography and teaching.
Based
between Berlin, Oslo and Paris, Khalili's work explores the broad topics of migration and displacement through the
mediums of
film, video, installation, photography and prints.
medium to emphasize the slippage
between painting,
film, photography, pictorial space, and performative space.
Inspired by the spoken, written, and performed introductions Conrad regularly used to help frame screenings and presentations of his works, many of which are incorporated into the exhibition itself, it shows Conrad to be an unparalleled innovator in the
mediums of painting, sculpture,
film, video, performance, and installation, tenaciously working to challenge the boundaries
between artistic categories.
At the talk on the day of the press preview, Bajac spoke about the parallels
between the Post-Internet age and the cinematic culture of Germany in the 1920s and»30s, the context in which the early
film critic Siegfried Kracauer called still photography an «outmoded
medium.»
Her work explores the potential of the
film medium, weaving an intricate web of references —
between film and theater, painting and poetry, fiction and documentary.
As art historian Patrick Murphy has noted, her works can be seen as investigations, a series of corollaries
between truth and fiction, video and
film, subject and
medium, drawing and idea, science and art.
The advanced preview will be followed by a talk
between Rowlson - Hall and the Iranian artist Shirin Neshat, who herself is a master in the
medium of
film.
Extending from the late 1970s to today, this selection of work reaches beyond the limitations of
medium to emphasize the slippage
between painting,
film, photography, pictorial space, and performative space.
Therefore alongside a heavy use of
film, which Rosenthal highlights as «a good
medium to cross the border
between fiction, fact and documentary» there is a great deal of performance — be this in the form of single musical events or ongoing actions — and analogue media as well.
In addition, the volume contains an essay by the artist in which he examines the various possibilities and forms of representation offered by the video
medium, and draws the boundaries
between these and representational spaces in television,
film, or architecture.The book also offers contributions by Michael Asher and Dara Birnbaum, as well as an annex with a biography and bibliography.
Through a variety of
mediums including
film, painting and sculpture, like · ness offers an aesthetic overview of social pressures, the human body and the correlation
between vanity, insecurity, and self - obsession.
Known for his interdisciplinary and inquisitive approach to art making, Graham delves into modes of critical thinking and human existence through photography,
film, and performance — often times blurring the distinctions
between these
mediums.
the mutual fascination
between practitioners of the fine arts and
film in the early days of the new
medium.
Throughout her practice, in sculpture, print, drawing, and
film, Lucy Skaer mines the conceptual possibilities of each in order to examine the shifts
between dimensions, to explore the gap
between object and image, and to represent the gradations
between these
mediums.
More recently, Dean has addressed the relationship
between theatre and
film — notably in Event for a Stage (2015), a collaboration with the actor Stephen Dillane, which began as a series of live performances — opening up a new front in her challenge to conventional hierarchies of narrative,
medium and genre.
Addressing the structure of the
medium, the nature of the cinematic experience, the relationship
between still and moving image, the quality of illusion, the power of narrative, the live act and its representation, Wallinger's
film and video works have explored an astonishing thematic range with great intelligence and originality.
Martin's
films also often explore the differences and similarities
between other artistic
mediums including painting, performance, dance, and sculpture.
Featuring a major new sound and video installation and a large - scale drawing project by Anri Sala, the exhibition Take Over addresses central themes in Anri Sala's oeuvre, exploring the relationships
between music and narrative, architecture and
film and interleaving qualities of different media in both complex and intuitive ways to produce works in which one
medium takes on the qualities of another.
London - based artist Mark Lewis distills complex ruminations — on
film as a
medium; on the social and economic character of specific places; on the relationship
between observer and observed — into deceptively simple
films that marry Hollywood's high - end production values to Andy Warhol's dazed gaze.
The residual aesthetics of Sietsema's art practice result from the translation of visual information
between mediums — for instance, his sculptures and paintings appear on
film rather than in their original media.
As West said it, «I want to be that bridge that's somewhere
between art and
film and movies, flipping the production and reception of these
mediums around.
Featuring a major new sound and video installation and a large - scale drawing project, the exhibition addresses central themes in Anri Sala's oeuvre, exploring the relationships
between music and narrative, architecture and
film and interleaving qualities of different media in both complex and intuitive ways to produce works in which one
medium takes on the qualities of another.
Through the
mediums of photography, paint,
film, sculpture or installation, Elk confidently switches
between classic themes of art history and more radical and witty ideas.
The Black Film Series, a sequence of seven
films made
between 1965 - 69, is a primitive, sensory exploration of the
medium, which ranges from total abstraction to the assassination of Bobby Kennedy, the Vietnam War, and black teenagers in Coney Island.