Sentences with phrase «between film medium»

What distinguishes Catherine Wheatley's work from other scholarship on Haneke is her close examination of spectatorship and the consideration of the connection between film medium and self - awareness.

Not exact matches

Heat a generous film (about 1 / 8 - inch) of oil in a large sauté pan over medium - high heat and fry the meatballs in batches, adding additional oil as needed between batches, turning the meatballs to brown evenly, until they reach an internal temperature of 165 ˚F, 2 to 3 minutes.
The flat tips of the diamond anvils are less than half a millimeter in diameter, and the metal film (gray), ruby sphere (red), and pressure medium (blue fluid) are sealed between the diamonds by a metal gasket (solid purple).
But every artist must work in his medium, and the medium of film does not exist unless there is an audience between the projector and the screen.
A film adaptation of Morgan's own stage play that was itself very much about the powers of television, the relationship between text, medium and audience has shifted in ways I'm not sure the film's makers have fully accounted for.
Medium jumps are never an easy thing to do, whether it's today's commonplace practice of remaking an old television series as a film residing between homage and parody, or as in the case of The Muppet Movie, simply bringing characters who found popularity on TV to a cinema audience.
A film adaptation of Morgan's own stage play that was itself very much about the powers of television, the relationship between text, medium and audience has shifted in ways I'm not sure the -LSB-...]
As much as the gap between them narrows, film and television remains two different mediums.
Of course, film and books offer different types of entertainment, and there's more diversity within each medium than perhaps even the average difference between a book and a movie, so direct equivalence is difficult and super-subjective.
Forgotton Anne aims to blend video games with animated films and for the most part, does a good job in finding a balance between the two mediums.
Alongside great storylines that can be anywhere between 30 — 100 hours of gameplay and celebrity actors that bolster any game, I think the medium will shift towards game makers taking the film and TV industries markets or will start to get heavily involved soon enough.
The Death Stranding creator also gave his thoughts on the relationship between the mediums of film and games, acknowledging the difficulty in sparking certain emotional reactions in interactive entertainment.
Over the years a major debate has raged between fans of traditional entertainment mediums such as films and TV, and fans of video games, namely over the artistic value of a game when compared to a movie, book, or TV show.
Over the years a major debate has raged between fans of traditional entertainment mediums such as films and TV, and fans of
Her book, Vanishing Women: Magic, Film and Feminism (Duke UP, 2003), examines the relationship between the elusive female body and the medium of film.
During the last couple of years Leander Djønne has been engaged in an art practice that moves between multiple mediumsfilm, video, text, performance, installation, photography and teaching.
Based between Berlin, Oslo and Paris, Khalili's work explores the broad topics of migration and displacement through the mediums of film, video, installation, photography and prints.
medium to emphasize the slippage between painting, film, photography, pictorial space, and performative space.
Inspired by the spoken, written, and performed introductions Conrad regularly used to help frame screenings and presentations of his works, many of which are incorporated into the exhibition itself, it shows Conrad to be an unparalleled innovator in the mediums of painting, sculpture, film, video, performance, and installation, tenaciously working to challenge the boundaries between artistic categories.
At the talk on the day of the press preview, Bajac spoke about the parallels between the Post-Internet age and the cinematic culture of Germany in the 1920s and»30s, the context in which the early film critic Siegfried Kracauer called still photography an «outmoded medium
Her work explores the potential of the film medium, weaving an intricate web of references — between film and theater, painting and poetry, fiction and documentary.
As art historian Patrick Murphy has noted, her works can be seen as investigations, a series of corollaries between truth and fiction, video and film, subject and medium, drawing and idea, science and art.
The advanced preview will be followed by a talk between Rowlson - Hall and the Iranian artist Shirin Neshat, who herself is a master in the medium of film.
Extending from the late 1970s to today, this selection of work reaches beyond the limitations of medium to emphasize the slippage between painting, film, photography, pictorial space, and performative space.
Therefore alongside a heavy use of film, which Rosenthal highlights as «a good medium to cross the border between fiction, fact and documentary» there is a great deal of performance — be this in the form of single musical events or ongoing actions — and analogue media as well.
In addition, the volume contains an essay by the artist in which he examines the various possibilities and forms of representation offered by the video medium, and draws the boundaries between these and representational spaces in television, film, or architecture.The book also offers contributions by Michael Asher and Dara Birnbaum, as well as an annex with a biography and bibliography.
Through a variety of mediums including film, painting and sculpture, like · ness offers an aesthetic overview of social pressures, the human body and the correlation between vanity, insecurity, and self - obsession.
Known for his interdisciplinary and inquisitive approach to art making, Graham delves into modes of critical thinking and human existence through photography, film, and performance — often times blurring the distinctions between these mediums.
the mutual fascination between practitioners of the fine arts and film in the early days of the new medium.
Throughout her practice, in sculpture, print, drawing, and film, Lucy Skaer mines the conceptual possibilities of each in order to examine the shifts between dimensions, to explore the gap between object and image, and to represent the gradations between these mediums.
More recently, Dean has addressed the relationship between theatre and film — notably in Event for a Stage (2015), a collaboration with the actor Stephen Dillane, which began as a series of live performances — opening up a new front in her challenge to conventional hierarchies of narrative, medium and genre.
Addressing the structure of the medium, the nature of the cinematic experience, the relationship between still and moving image, the quality of illusion, the power of narrative, the live act and its representation, Wallinger's film and video works have explored an astonishing thematic range with great intelligence and originality.
Martin's films also often explore the differences and similarities between other artistic mediums including painting, performance, dance, and sculpture.
Featuring a major new sound and video installation and a large - scale drawing project by Anri Sala, the exhibition Take Over addresses central themes in Anri Sala's oeuvre, exploring the relationships between music and narrative, architecture and film and interleaving qualities of different media in both complex and intuitive ways to produce works in which one medium takes on the qualities of another.
London - based artist Mark Lewis distills complex ruminations — on film as a medium; on the social and economic character of specific places; on the relationship between observer and observed — into deceptively simple films that marry Hollywood's high - end production values to Andy Warhol's dazed gaze.
The residual aesthetics of Sietsema's art practice result from the translation of visual information between mediums — for instance, his sculptures and paintings appear on film rather than in their original media.
As West said it, «I want to be that bridge that's somewhere between art and film and movies, flipping the production and reception of these mediums around.
Featuring a major new sound and video installation and a large - scale drawing project, the exhibition addresses central themes in Anri Sala's oeuvre, exploring the relationships between music and narrative, architecture and film and interleaving qualities of different media in both complex and intuitive ways to produce works in which one medium takes on the qualities of another.
Through the mediums of photography, paint, film, sculpture or installation, Elk confidently switches between classic themes of art history and more radical and witty ideas.
The Black Film Series, a sequence of seven films made between 1965 - 69, is a primitive, sensory exploration of the medium, which ranges from total abstraction to the assassination of Bobby Kennedy, the Vietnam War, and black teenagers in Coney Island.
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