Sentences with phrase «between flat forms»

Not exact matches

Now take one part of the dough between your wet palms and form round and flat patty.

And while the data weren't in before this paper was written, the newest images of Pluto show land forms that suggest heat is rising beneath the surface, with troughs of dark matter either collecting, or bubbling up, between flat segments of crust, which could be related.

By allowing your Vomer bone (a thin, flat bone that forms the separation between the nasal passages) to move back and forth, thereby enabling an efficient drainage.

With the circle, block, or ball between your legs, and your feet flat on the floor, raise your butt until your back forms a straight line from knees to shoulders.

In the final position, the body should form a flat line between the knees and shoulders.

Accessorised with a pair of fiercely feminine platform heels and a gold - tipped leather belt, this outfit is the perfect compromise between sharp suiting and form flattering, offering a practical approach to contemporary dressing.

You're able to change between standard and «omega» stage forms — with the latter just being a flat platform to fight on, à la the «Final Destination» stage.

Nokia's E7 is a good return to form for the Communicator series, with the touch screen and Qwerty keyboard that are both great to use and comfortable to operate — either on a flat surface, or to hold between two hands.

With no voltage applied, the (colored) oil forms a flat film between the water and a hydrophobic (water - repellent) insulating coating of an electrode, resulting in a colored pixel.

Also included is a work from 1969 in which lengths of braided stainless steel wire form a horizontal sequence of five subtly - reflective squares, mounted flat against the wall; and Untitled (Eight - part Vertical Construction), 1992, a composition of black, gray, white, and red lengths of yarn stretched vertically between floor and ceiling in perpendicular and parallel configurations that relate to the surrounding walls of the gallery.

Also represented here is work by Rafael Soriano (1920 — 2015), whose style is generally characterised by a dynamic interplay between planes of colour and flat, angular, geometric forms.

The productive tensions between an abstract expressionist engagement with surface, paint, and gesture and a more decisive shift into the ambiguous terrain between painting, collage, and assemblage find their fullest expression in Untitled [black painting with portal form], specifically in the way the composition is structured around (and then decisively proceeds from) a tonal, monochromatic center: a flat, inky, double - truck sheet of newspaper.

Using digital screen interfaces, flat graphic patterns and geometric design forms to interrupt luminous, expansive and seductive depictions of landscape, Perkin's fractured compositions create stirring interactions between image and context, figure and ground, subject and content.

Early in 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this time.

In this group of small paintings, individual colors and their arrangements evoke particular emotional responses and provide a tipsy interplay between creation and destruction, linear and volumetric forms, flat and dimensional spaces.

Many of these clay forms feature flat planes marked with transferred drawings, situating them in an interstitial territory between sculpture and sketch.

Double Gray Scramble continues his exploration of the tension between the arrangement of color on the flat surface and the optical effect of the advancing and receding forms.

His gradient bands of color become uniform and flat, in some works forming a linear pattern, and the black and white grounds move fluidly between foreground and back.

The resulting forms, with their cold stainless steel and spills of fake blood, call to mind some transitional fantasy tech hybrid between a flat - screen television, a malfunctioning light box and a medical gurney — all devices before which (and on top of) human bodies come to rest, to look, or to die.

The spatial relationships that exist between these abstracted forms are exploited by the artist through her idiosyncratic use of bold planes of flat colour.

Assimilating a diverse range of forms and colours — whether of copper or concrete, steel or cloth — Costa also oscillates freely between miniature and monumental scales, suspended and earthbound formats, or flat and volumetric structures.

Maymon's work operates within the gaps between a real spatial presence, the flat photographic representation of that presence, and the potentially unlimited reproductions of that presence in the form of photographic prints.

Even so, they continued to be influenced by their original training, composing in terms of immense scale and heightening the tension between three - dimensional form and flat, geometric abstraction.»

The ideal situation for those who are bullish is for the price to consolidate between $ 19,700 and $ 13,500 and form a bullish pattern like a flat base, channel, cup with handle or triangle pattern.