Sentences with phrase «between graffiti»

As for the pieces featured and their relationship to one another, it may be difficult to find a connecting thread between the graffiti and LED signage but it's rarely more complex than the presence of words.

While there is a complicated, yet fascinating line between graffiti and fine art, the collective has made a seamless transition into the art world in a tasteful way that does not categorize the work as simply «graffiti,» yet sustains the collective's distinct styles and energy within a gallery setting.

MadC is not only challenging the line between graffiti and fine art, but is also charging forth as a female artist in an art form that is primarily male - dominated.

Known for his particular style that can be positioned in between Graffiti and Pollock's Abstract Expressionism, JonOne's work derives from the combination of three fundamental elements: calligraphy, colour and painting texture exhaling an extraordinary vitality that reflects his vision and understanding of the city.

In the first one we find six works where the artist focuses on the female figure and the relationship between graffiti and modern figurative art, whilst in the second part of the show we find a collaborative body of work with Fabiano Zanino, fusing a deconstructed animal world with graffiti.

The work of Jakub Jochym, born in 1990 in Slovakia Republic, ranges between graffiti, videos and drawings employing acrylics, charcoal, ink, pencil and pastel.

We have always tried to showcase some of the more visionary graffiti artists as they walk the line between graffiti and Art.

The simplistic line - art designs look like a cross between graffiti and tattoo art.

Not exact matches

Close examination of the frescoed parts of the walls reveals some interesting paleo - Christian graffiti, evidence of a Christian presence in the passageway between the 3rd and 5th centuries AD, when clandestine (or at least private) gatherings may have been held here.

Many American denominations have lived during the past ten years somewhere between Rainer Maria Rilke's «To Survive Is All» and the graffito «If we don't survive, we also won't do anything else.»

Ever the scientist begging for data on this point, I'd say that another equally valid conclusion from the article linked here is that perhaps the improvement in kids» behavior from improved food and drink is like the link between crime and graffiti.

But as the history of graffiti art has shown, there's a fine line between sophisticated public art and irritating public nuisance.

Bound to be compared to Say Anything and American Graffiti, James Ponsoldt's third feature film is a tender, affectionate, and very honest look at young love between two soon - to - be graduating seniors, Sutter Keely (Miles Teller) and Aimee Finicky (Shailene Woodley).

Santiago Rizzo A non-romantic true love story between a humble teacher who believes there is no such thing as a bad kid, only a bad situation, and an abused 12 years old graffiti addict who has lost faith in integrity.

In - between main story beats, you can explore various locales of Arcadia Bay with Chloe and interact with several side characters, examine various environmental objects for amusing cynical Chloe Price commentary (and added lore) and tag several spots with graffiti, which acts as Before the Storm's optional collectibles system.

Including rap lyrics in a unit on poetry, or graffiti as a jumping off point to talk about the history of art establishes a bridge between youth culture and academic pursuits.

Go to the end to take a picture of the biggest graffiti in the city, painted between 1989 and 1992, reflects the history of the city and part of the Andean cosmovision.

In between stage events, we had Gregory, a well - known street artist in LA, come and make this graffiti piece live on stage.

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

Today, he continues to probe cultural mythologies and archetypes in various media, appropriating imagery from animated films, mail - order catalogues, modernist abstraction, and street graffiti to create an artistic lexicon that insistently collapses the boundaries between high and low.

At ICA, artist Erika Vogt staged a live collaboration with Performa 15; at his El Fresco showspace in Little Havana, graffiti artist Daniel Fila painted before everyone who paid a $ 24 entrance fee; and at Locust Projects» home gallery, artist Martha Friedman worked with 1,000 lb (453 kg) of liquid rubber to explore the biomorphic substructure of western medicine and, in a collaborative performance with the dancer Silas Riener, to explore the tension between stillness and movement.

The exhibition presents a selection of large scale street art, created at May Lane between 2005 and 2009 by legendary Australian graffiti artists and celebrated international street artists.

A member of the so - called Mission School in San Francisco together with such artists as Barry McGee and Chris Johanson, Alicia McCarthy makes paintings that blur the line between street art and gallery work, using found wood as canvases and often imprinting them with the same intricate rainbow motif that she graffitis on her city's walls.

But then spray painting, between mist and graffiti, is and is not a kind of writing.

After spending ten years between 1984 and 1994 working as a graffiti artists, Lloyd began exhibiting in the UK and internationally.

Influenced by both Urban Art and Abstract Contemporary, we present works from a group of artists who merge the way between these styles focusing the energy and rawness of classical graffiti with abstract expressionism.

His dynamic narratives set up a dialogue between high art and popular culture, incorporating references to graffiti, art history, and recent political and social events.

The power of words — slogans, graffiti, signs, newspaper stories — and the interpretive space opened up between their transmission and reception are explored in works such as Homage to the Walls of Athens 1941 - 19..., 1959, by Vlassis Caniaris (1928 - 2011), a palimpsest of sacking, wax and cloth saturated with whitewash plaster in which we see fragmentary hand - painted letters — including the letter E, for Eleftheria (freedom), for Ellás (Greece), for EAM, the National Liberation Front, the main movement of the Greek Resistance during the Axis occupation during World War II.

The results of this contested partnership between public expressions like graffiti and their subsequent redaction allude to the deep history of negotiating urban space.

GRAFFITI THERAPY with recent works TILT Smash137, Yaze and PRO176, 4 talents from the graffiti, 4 styles defined between abstraction and figuration explosive leGRAFFITI THERAPY with recent works TILT Smash137, Yaze and PRO176, 4 talents from the graffiti, 4 styles defined between abstraction and figuration explosive legraffiti, 4 styles defined between abstraction and figuration explosive lettering.

4 artists who go over the battle between figuration and abstraction in graffiti to join the urban contemporary world.».

Originally curated in 1984 by Jeffrey Deitch (Director, Museum of Contemporary Art, Los Angeles) at Leila Heller's former uptown gallery, Calligraffiti explored a myriad of possible connections shared between the seemingly disparate styles of select mid-century abstract, U.S. graffiti, and calligraphic artists from the Middle East and its diaspora.

Originally curated by Jeffrey Deitch in 1984 and mounted at Heller's former uptown space, this revived group exhibition tracks the connections between seemingly disparate traditions of graffiti, Modernism, and Middle - Eastern calligraphy.

Hooked: Hooked is a street art blog established in 2005 as a place to share street art, ephemeral art, graffiti, stencils, zines, tags, screen printing, illustration and everything and anything in - between.

Crossing boundaries between fashion, craft, sculpture and fine art, his work has ranged from graffiti in icing sugar to knitted sculptures.

Mr. Twombly painted vast canvases marked by smears of paint, half - erased graffiti, random scratches and occasional lines of poetry that evoked a connection between the world of classical mythology and the vibrant street culture of modern life.

The exhibition represents a rich encounter between three different styles and expressions that travel with self - confidence from walls to the studio, between classic pieces of graffiti and more delicate and dynamic abstract work.

The muscularity of his lines echoes his experience as a graffiti artist, and he walks a path between drawing and painting pioneered by Cy Twombly.

Striking a delicate balance between contemporary abstract design, calligraphy and traditional graffiti letterform, JURNE's artwork is a seamless combination of timeless and modern.

The film is a collaborative work between JURNE and Lea Bruno, an accomplished Bay Area videographer who has worked alongside JURNE for the past few years, and created films featuring some of the world's premier graffiti artists.

With layers upon layers of paint, Poesia is able to build a deep dialogue between fine art and graffiti.

In 2007 Shoe presented the world with new art form he called Calligraffiti, a unique amalgamation between calligraphy and graffiti.

The Graffuturists could be classified as a High Style New Millennium movement, consisting of a dialogue and cross-pollination between advanced graffiti and fine art techniques, practices and theory.

The one - of - a-kind exhibition Fuck the King, Long Live the Kings in Vroom & Varossieau, Look for Art Gallery is a battle of different graffiti styles and a duel between American, British and European urban art.

By merging a refined selection of graffiti and mixed media techniques, Soto continues to bridge the gap between street art and pop surrealism.

Nestled somewhere between Early Netherlandish painting and the graffiti work of Keith Haring, Matt Marello's new paintings and drawings are whimsical pseudo-iconography for a non-existent religion.

There also exists in graffiti and street art a deeper anti-establishment trend in its attempt to beautify and reclaim the urban environment, and blur the line between the elite art gallery systems and the «outside» world of the streets.

In the underground world of street art, one artistic debate is between the styles of graffiti vs. stencils, and each showcases a... Continue reading «Street Fight!»

As an adolescent growing up between New York and London, Sadkin was drawn to 90s cartoons and the vibrant street graffiti scenes in both cities, leading to her approach to composition.

Meanwhile in New York graffiti grew from a form of visual communication between gangs into street art of unprecedented quality, whose best exponents, such as Jean - Michel Basquiat (1960 - 1988) and Rammellzee (1960 - 2010), abandoned the street for highly successful «serious» art careers [fig.].