Sentences with phrase «between heist»

Directed by Ron Howard, who stepped in after the original directors, Chris Miller and Phil Lord, were fired midway through production, the film is a cross between a heist movie and a space western, chronicling Solo's first encounters with his Wookiee sidekick, Chewbacca, the Millennium Falcon and his stalwart frenemy, the smooth - talking gambler Lando Calrissian, who was introduced in 1980's «The Empire Strikes Back» by Billy Dee Williams and who is played in «Solo» by actor - writer - musician Donald Glover.

Including the odd Mexican stand - off, the action bounds along, jumping between heist scenarios constructed with a clever sense of humour.

Somewhere in the future past, The Man in the Black Hat hides out between heists at an old stagecoach stop with Jail Time, the Particle Kid, and an odd band of outlaws».

They are in and out like clockwork, leaving no evidence behind and laying low in between heists.

Not exact matches

Things begin with a roller - coaster ride (almost literally) of a bank heist and end with the expected effects - rich battle of all battles between the forces of good and evil, much of it at Hogwarts, which feels fittingly circular and looks spectacular.

Yes, the events leading up to the heist definitely have their moments, but the amount of banter and comedy between the characters throughout the heist works so well, that I feel like I'm rewatching that sequences play out in my head, long after I witnessed it in theatres.

In episode 305, Tommy tries to charm Declan into sharing information about his corruption probe; Rose learns the truth about her health; tension builds between Michael and Colin as they help Freddie plan a heist.

The star - studded heist caper «Widows,» from director Steve McQueen and set to begin filming in Chicago this month, is looking to hire two sets of twin infants — one set biracial (unspecified), the other white — who are between the ages of 3 months and 6 months, according to a flyer posted by 4 Star Casting, which specializes in background actors, aka extras.

The unbelievable but mostly true story of four young men who mistook their lives for a movie and attempted one of the most audacious heists in US history; American Animals takes the thrill of the heist genre and turns it inside out, blurring the line between truth and fiction in a wild story of money, movies and the search for meaning.

The data heist resembles a more concrete version of Inception's dream thievery, and it is just one of many layers in play between the two fundamentally different worlds.

Director Nick Park brings a love of heist flicks and Alfred Hitchcock thrillers to this tale of a deadpan penguin who drives a wedge between man and dog as part of a nefarious plot that includes a robotic pair of pants and the most hilariously peculiar train chase in movie history.

The inevitable clash between an unbeatable crew addicted to heists and an elite unit of Los Angeles detectives comes to a head as the outlaws plan a seemingly impossible heist on the Federal Reserve Bank.

Den of Thieves: The inevitable clash between an unbeatable crew addicted to heists and an elite unit of Los Angeles detectives comes to a head as the outlaws plan a seemingly impossible heist on the Federal Reserve Bank.

Analysis: Nestled between the end of «Revenge of the Sith» and the beginning of the original «Star Wars,» a new set of heroes executes a heist of the plans for the Death Star to ensure the explosive finale in the 1977 film.

Purportedly a heist film — we know almost immediately that the story is headed in this direction — the movie surprisingly has most of its dramatic tension in the first half, during the scenes between Gal and Logan.

The worst I would accuse Damon of giving us are Ocean's Twelve, a disappointing sequel sandwiched between a great and a good heist comedy;

At times, the shifts between melodrama and heist caper recall Argo, but Trumbo's stakes are lower, its goals are more diffuse, and its comic elements aren't as separated.

The only threat to the romance between thief Gino (Matthias Schoenaerts) and race car driver Bénédicte is the lure of his next heist, in this latest crime - thriller from Belgian director Michaël R. Roskam (Bullhead, The Drop).

The film becomes a biting critique of American culture in 1960s, a heist picture, a tale of Cold War - era espionage, a monster movie, a fairy tale, and, perhaps above all else, a tender love story between two unlikely lovers.

Just as Jordan «doubled» the number of heists at the climax, so too does he multiply the analytical distance Melville previously placed between his movie's world and that of the American pulpsters like Asphalt Jungle and They Live by Night he so carefully admired.

Between doing the Guild Jobs and Heists you'll always have something to do, not to mention main story quest for the Thieves Guild and the side quests that partake in Hew's Bane.

Just as Michael Mann's Heat was a film about three separate man - woman relationships masquerading as a heist movie, so the core of Frankenheimer's film was not the lavish racetrack footage but the interaction between Yves Montand and Eve Marie Saint, James Garner and Jessica Walter, and Françoise Hardy and Antonio Sabato.

Rob Cohen, the director behind such early 2000s guilty pleasures as The Skulls, The Fast And The Furious, and xXx, delivers a credible throwback to the mid-budget action - thriller programmers of his heyday with The Hurricane Heist — but though his widescreen competence has aged well (it almost seems classical now), the wind - machine - assisted B - movie thrills are few and far between.

Eager to win her back, Ocean plays a fine line between rekindling the romance and putting the entire heist (and his fellow felons) in jeopardy.

In the Tarantino film, the heist is a minor part of the story, it's the interactions between characters that's of interest.

Ocean's Eleven could be seen as a romantic heist movie centering on the tug - of - war between Danny Ocean and Terry Benedict for the heart of Tess (Julia Roberts, Closer), but with Danny and Tess now married, that angle is out.

Lodged somewhere between Ben Kingsley's prestige projects and his penchant for crude comedy, Sexy Beast casts the veteran actor as Don Logan, a bona fide sociopath who ultimately forces retired ex-con Gal (Ray Winstone) to take part in a sketchy London heist.

In keeping with Marvel's tradition of exploring different genres with each new movie, «Ant - Man» is primarily a heist film that strikes a nice balance between comedy, action and drama.

Coerced into a series of heists by Kevin Spacey's crime boss, Baby, as he's known, is torn between the gang (Jamie Foxx, Jon Hamm, and Jon Bernthal among them) and an honest life with the girl of his dreams (Lily James).

You'll also find storyboard - to - scene splitscreen comparisons for the «Bank Heist» and «Potter's Field» sequences (note how unlike the storyboard panels the finished shots are), as well as a «producing workshop» with Arnold and Anne Kopelson that's genuinely informative in that they distinguish between the various types of producers credited at the beginning of every motion picture.

Funny, and at times inventive, Peyton Reed's film deftly walked the tightrope between spoof and genre mash - up, combining heist films with Marvel, a brand that wrote and then rewrote the playbook of superhero movies.

While «Payday: the heist» had this too I found that all the skill trees just blended together and it was difficult to understand the difference between the classes.

Whilst SteamWorld Dig mixed elements of Minecraft and Metroid together to offer a great platforming experience, SteamWorld Heist instead brings a whole new genre to the game with a new focus on tactical battles between Space Scavengers.

Each heist has a dynamic touch to it too, with some aspects of your objectives slightly altering between each playthrough to ensure everything always stays fresh.

Each heist is comprised of a series of tasks, generally split between defending a position or traveling from one point to another, but these objectives fit so well into the heist that they feel fresh and enjoyable.

Its retrofuturistic world is so unique, so evocative, so different from anywhere else you've visited — and between the hacking - based heist missions, Brendon's built more of the best - in - business environmental storytelling scenes that he proved himself a master of with 30 Flights — moments that will surprise you, draw you in, where you're free to roam and explore and find details, discovering the stories of who these people are that you're in a girl gang with, what this surreal - but - familiar world is all about, and what your place is in it... and it all wraps up with an unexpectedly heart - tugging coda that I didn't see coming, and has really stuck with me.

Starting with many of your abilities from the first game, and able to play Bentley and Murray this time, each heist has you in a specific open world area, having to first take reconnaissance photos of your targets, then completing missions, frequently switching between characters at the hideout.

Take a heist, for example; in the game you'd switch between Michael, Trevor and Franklin, performing different roles to complete the heist successfully.

A perfect example is in one of the game's earlier missions, Three's Company, a cinematic heist that requires players to switch between Michael, Franklin and Trevor.

Completing a heist rewards you with experience, and with each level you gain skill points to divide as you wish between four skill trees.

While «Payday: the heist» had this too I found that all the skill trees just blended together and it was difficult to understand the difference between the classes.

Taking place between the first game and SteamWorld Heist, SteamWorld Dig 2 aims to improve a proven formula with key additions such as the ability to reassign cogs used to upgrade various gear, more fluid movements, more meaningful boss battles, and more.

The game would have told a heist story - «Star Wars meets Ocean's Eleven,» according to Kotaku - set between A New Hope and The Empire Strikes Back.

The combat in Heist takes the side - scrolling feel of its predecessor and implements a system of turn - based, strategic firefights between your crew and an enemy team.

In a choice I very much like, Heist opts for a compromise between the ``!

In Monaco, many of your heists take place across a multi-tiered map, and are filled with various traps, guards and alarms standing between you and a set of diamonds or priceless art.

If you've played Payday: The Heist, then you can expect a similar gameplay in the heist mode but this does bring up the question whether there would be an option to select between the good guys (S.W.A.T / Police) and the bad guys (Thieves) giving each faction a variety of different weapons and access to vehiHeist, then you can expect a similar gameplay in the heist mode but this does bring up the question whether there would be an option to select between the good guys (S.W.A.T / Police) and the bad guys (Thieves) giving each faction a variety of different weapons and access to vehiheist mode but this does bring up the question whether there would be an option to select between the good guys (S.W.A.T / Police) and the bad guys (Thieves) giving each faction a variety of different weapons and access to vehicles.

Eric Heist is an artist who works in multiple media exploring the effects of power upon individuals and the contradictions that exist between group and individual interests.