Sentences with phrase «between high ocean»

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At high southern latitudes, a regional water ocean is shown sandwiched between an icy outer shell and a low density, rocky core.

Greater acidity also «impairs their ability to discriminate between the smell of kin and not, and of predators and not,» according Philip Munday, a professor and research fellow at the Coral Reef Studies center at James Cook University in Australia, who conducted the experiments and presented results at a symposium here this week called The Ocean in a High - CO2 World.

The die - off is due to a combination of rising sea surface temperatures and decreased ocean circulation between the higher and lower layers, Boyce says.

It is possible, he adds, that these persistent high - pressure zones may be produced by two well - known oceanographic patterns: La Nina and El Nino in the Pacific Ocean (which mark alterations in warmer and cooler conditions between that ocean's eastern and western equatorial waters) and the North Atlantic Oscillation (which results from weather patterns between Iceland and the AzoOcean (which mark alterations in warmer and cooler conditions between that ocean's eastern and western equatorial waters) and the North Atlantic Oscillation (which results from weather patterns between Iceland and the Azoocean's eastern and western equatorial waters) and the North Atlantic Oscillation (which results from weather patterns between Iceland and the Azores).

«This paper is significant because it identifies a link between ocean conditions and the magnitude of the toxic bloom in 2015 that resulted in the highest levels of domoic acid contamination in the food web ever recorded for many species,» said co-author Kathi Lefebvre, a marine biologist at NOAA's Northwest Fisheries Science Center.

The high October temperature was driven by warmth across the globe over both the land and ocean surfaces and was fairly evenly distributed between the Northern and Southern Hemispheres.

«At first, tropical ocean temperature contrast between Pacific and Atlantic causes slow climate variability due to its large thermodynamical inertia, and then affects the atmospheric high - pressure ridge off the California coast via global teleconnections.

The ozone measurements, taken between 2 and 6 miles in altitude (3 - 10 kilometers) over a large part of the eastern Indian Ocean, were as high as 80 parts per billion - levels similar to a polluted day in a U.S. city and several times more than normal.

The high - decibel dispute between Shell and Greenpeace earlier this summer about the state of the deep ocean off western Scotland, where Shell wanted to dump the redundant oil storage rig, has set off a fascinating debate about the deep ocean.

Russia has been far more active developing and flying spacecraft powered by small fission reactors, including 30 Radar Ocean Reconnaissance Satellites, or RORSAT, which flew between 1967 and 1988, and higher - powered TOPAZ systems.

Mean MHW duration between the 1982 — 1998 and 2000 — 2016 periods increased across 84 % of the global ocean, with significant increases of up to 20 days in the mid - and high - latitude regions of all ocean basis, up to 30 + days in the central tropical Pacific Ocean and northeastern Pacific Ocean, and decreases in the eastern tropical Pacific Ocean and the high latitudes of the Southern Ocean (Fig.ocean, with significant increases of up to 20 days in the mid - and high - latitude regions of all ocean basis, up to 30 + days in the central tropical Pacific Ocean and northeastern Pacific Ocean, and decreases in the eastern tropical Pacific Ocean and the high latitudes of the Southern Ocean (Fig.ocean basis, up to 30 + days in the central tropical Pacific Ocean and northeastern Pacific Ocean, and decreases in the eastern tropical Pacific Ocean and the high latitudes of the Southern Ocean (Fig.Ocean and northeastern Pacific Ocean, and decreases in the eastern tropical Pacific Ocean and the high latitudes of the Southern Ocean (Fig.Ocean, and decreases in the eastern tropical Pacific Ocean and the high latitudes of the Southern Ocean (Fig.Ocean and the high latitudes of the Southern Ocean (Fig.Ocean (Fig. 1h).

The melting of Snowball Earth glaciers apparently released phosphates ground off continental rocks into the oceans between 750 and 620 million years ago, causing levels of this vital nutrient to rise to levels higher than experienced before or since, and feeding oxygen - producing life which eventually supported the rise of newly developing oxygen - consuming «metazoans,» or animals (staff, New Scientist, October 27, 2010; and Planavsky et al, 2010).

Possible mechanisms include (iv) fertilization of phytoplankton growth in the Southern Ocean by increased deposition of iron - containing dust from the atmosphere after being carried by winds from colder, drier continental areas, and a subsequent redistribution of limiting nutrients; (v) an increase in the whole ocean nutrient content (e.g., through input of material exposed on shelves or nitrogen fixation); and (vi) an increase in the ratio between carbon and other nutrients assimilated in organic material, resulting in a higher carbon export per unit of limiting nutrient expoOcean by increased deposition of iron - containing dust from the atmosphere after being carried by winds from colder, drier continental areas, and a subsequent redistribution of limiting nutrients; (v) an increase in the whole ocean nutrient content (e.g., through input of material exposed on shelves or nitrogen fixation); and (vi) an increase in the ratio between carbon and other nutrients assimilated in organic material, resulting in a higher carbon export per unit of limiting nutrient expoocean nutrient content (e.g., through input of material exposed on shelves or nitrogen fixation); and (vi) an increase in the ratio between carbon and other nutrients assimilated in organic material, resulting in a higher carbon export per unit of limiting nutrient exported.

Increased high pressure due to cooler high - latitude ocean (Fig. 20) can make blocking situations more extreme, with a steeper pressure gradient between the storm's low - pressure center and the blocking high, thus driving stronger North Atlantic storms.

During glaciation, water was taken from the oceans to form the ice at high latitudes, thus global sea level drops by about 120 meters, exposing the continental shelves and forming land - bridges between land - masses for animals to migrate.

Derek Cianfrance is a lovely filmmaker, an artist of high repute, and his The Light Between Oceans has been begging to hit cinemas for over a year now.

The director Derek Cianfrances» new film The Light Between Oceans stars another high - profile couple, Michael Fassbender and Alicia Vikander.

Related Reviews: Now in Theaters: Sully • Hell or High Water • Snowden • Blair Witch • The Light Between Oceans • Storks Directed by Antoine Fuqua: Southpaw • The Equalizer • Olympus Has Fallen • Brooklyn's Finest • Shooter • King Arthur Denzel Washington: Virtuosity • Remember the Titans • Unstoppable • The Taking of Pelham 1 2 3 • Deja Vu • He Got Game Chris Pratt: Jurassic World • Guardians of the Galaxy • Zero Dark Thirty Ethan Hawke: The Phenom • Boyhood • Maggie's Plan • Regression • Good Kill • Predestination • Getaway Westerns: The Hateful Eight • True Grit (2010) • Django Unchained

-- B + (Review) The Handmaiden — A -(Review) Hell or High Water — C Hello, My Name is Doris — C + (Review) Henry Gamble's Birthday Party — C + Hidden Figures — B High - Rise — C - How to Be Single — C Hunt for the Wilderpeople — B - I Am Not Your Negro — A - Indignation — B + The Intervention — B - The Invitation — B (Review — The Film Experience) Jackie — A The Jungle Book — C + Kate Plays Christine — B (Review) Keanu — C + Knight of Cups — B - Krisha — A (Review) La La Land — A -(Review) The Light Between Oceans — B Lion — B - Little Men — A (Review) The Lobster — A - Lolo — C Love & Friendship — B + Loving — B -(Review) Maggie's Plan — B - The Magnificent Seven — C -(Review — The Film Experience) A Man Called Ove — D + Manchester By The Sea — B + (Review) Me Before You — D + (Review — The Film Experience) The Meddler — B + (Review — The Film Experience) Midnight Special — B -(Review) Miles Ahead — C - Miss Sloane — B (Review) Miss Stevens — B Moana — B + Money Monster — C A Monster Calls — C Moonlight — A (Review) Morris From America — B My Big Fat Greek Wedding 2 — B - Neighbors 2: Sorority Rising — B (Review) The Neon Demon — B -(Review) The Nice Guys — C Nocturnal Animals — D (Review) Other People — B (Review — The Film Experience) Paris 05:59 — C (Review — The Film Experience) Pete's Dragon — B (Review — The Film Experience) Queen of Katwe — A -(Review) Race — D Rogue One — A Star Wars Story — B (Review — The Film Experience) Rules Don't Apply — D -(Review) The Salesman — A - The Sea of Trees — D The Shallows — C Silence — A - Sing Street — A -(Review) Southside With You — B Spa Night — B - Star Trek Beyond — B Sully — D -(Review) Swiss Army Man — B + (Review) Tanna — B - Things to Come — A - Toni Erdmann — B + Triple 9 — C - Under the Shadow — B Viva — C Weiner — B + Whiskey Tango Foxtrot — C The Witch — A -(Review) Women Who Kill — B + Zoolander 2 — D + Zootopia — B

Fatih Akin — «In the Fade,» «The Edge of Heaven» Adolfo Aristarain — «Common Places,» «A Place in the World» David Ayer — «Suicide Squad,» «Fury» Nabil Ayouch — «Horses of God,» «Ali Zaoua» Siddiq Barmak * — «Opium War,» «Osama» Aida Begić * — «Children of Sarajevo,» «Snow» Emmanuelle Bercot — «Standing Tall,» «On My Way» Martin Butler — «Tanna,» «Contact» Patricia Cardoso — «Real Women Have Curves,» «The Water Carrier» Peter Ho - Sun Chan — «Dragon,» «Perhaps Love» Derek Cianfrance — «The Light between Oceans,» «Blue Valentine» Pedro Costa — «Horse Money,» «Blood» Garth Davis — «Lion» Bentley Dean — «Tanna,» «Contact» Lav Diaz * — «A Lullaby to the Sorrowful Mystery,» «Norte, the End of History» Carlos Diegues — «Orfeu,» «Bye Bye Brazil» Nelson Pereira dos Santos * — «How Tasty Was My Little Frenchman,» «Barren Lives» Nana Dzhordzhadze — «27 Missing Kisses,» «A Chef in Love» Ildikó Enyedi * — «Simon Magus,» «My Twentieth Century» Amat Escalante — «The Untamed,» «Heli» Safi Faye * — «Mossane,» «Lettre Paysanne» Tom Ford — «Nocturnal Animals,» «A Single Man» Goutam Ghose * — «Dekha,» «Paar» Jessica Hausner — «Amour Fou,» «Lourdes» Joanna Hogg — «Archipelago,» «Exhibition» Hannes Holm — «A Man Called Ove,» «Behind Blue Skies» Ann Hui — «A Simple Life,» «Summer Snow» Christine Jeffs — «Sunshine Cleaning,» «Sylvia» Barry Jenkins * — «Moonlight,» «Medicine for Melancholy» Alejandro Jodorowsky * — «The Holy Mountain,» «El Topo» Kim Ki - duk * — «3 - Iron,» «Spring, Summer, Fall, Winter... and Spring» Zacharias Kunuk — «Searchers,» «The Fast Runner (Atanarjuat)» Mohammed Lakhdar - Hamina * — «Chronicle of the Years of Embers,» «The Winds of the Aures» David Mackenzie — «Hell or High Water,» «Starred Up» Sharon Maguire — «Incendiary,» «Bridget Jones's Diary» Theodore Melfi — «Hidden Figures,» «St. Vincent» Kleber Mendonça Filho — «Aquarius,» «Neighboring Sounds» Brillante Mendoza — «Thy Womb,» «Kinatay» Márta Mészáros * — «Diary for My Children,» «Adoption» Takashi Miike — «13 Assassins,» «Ichi the Killer» Orlando Montiel — «The Son of No One,» «A Guide to Recognizing Your Saints» Jocelyn Moorhouse — «The Dressmaker,» «Proof» Kira Muratova — «The Tuner,» «The Asthenic Syndrome» Héctor Olivera — «El Mural,» «Funny Dirty Little War» Idrissa Ouedraogo * — «Tilaï,» «Yaaba» Jordan Peele * — «Get Out» Mohammad Rasoulof * — «Manuscripts Don't Burn,» «Goodbye» Eran Riklis * — «The Human Resources Manager,» «Lemon Tree» Arturo Ripstein — «Deep Crimson,» «The Beginning and the End» Guy Ritchie — «Sherlock Holmes,» «Lock, Stock and Two Smoking Barrels» Anthony Russo — «Captain America: Civil War,» «Captain America: The Winter Soldier» Joseph Russo — «Captain America: Civil War,» «Captain America: The Winter Soldier» Mrinal Sen * — «The Case Is Closed,» «In Search of Famine» Cate Shortland — «Lore,» «Somersault» Peter Sollett — «Freeheld,» «Raising Victor Vargas» Juan Carlos Tabío — «Guantanamera,» «Strawberry and Chocolate» Rawson Marshall Thurber — «Central Intelligence,» «Dodgeball: A True Underdog Story» Johnnie To — «Election,» «Exiled» Tran Anh Hung * — «Norwegian Wood,» «The Scent of Green Papaya» Pablo Trapero — «The Clan,» «Lion's Den» Athina Rachel Tsangari — «Chevalier,» «Attenberg» Paula van der Oest — «Black Butterflies,» «Zus & Zo» Susanna White — «Our Kind of Traitor,» «Nanny McPhee Returns» Martin Zandvliet * — «Land of Mine,» «A Funny Man»

Ocean rowers, like high altitude mountaineers, need to consume between 4,000 and 5,000 calories a day to avoid losing muscle mass.

We think Ocean Beach, in between Point Reyes and Half Moon Bay, has high ecological value for shorebirds.»

The high - profile pair has kept their three - year relationship largely under wraps, which began in late 2014 after they met and fell in love while filming The Light Between Oceans.

You can choose between Garden Pool Suite, Ocean Hill Pool Suite (high up on a hillock with lofty views of treetops and ocean) and the Ocean Pool Suite (much closer to the beOcean Hill Pool Suite (high up on a hillock with lofty views of treetops and ocean) and the Ocean Pool Suite (much closer to the beocean) and the Ocean Pool Suite (much closer to the beOcean Pool Suite (much closer to the beach).

On the other hand, during those periods between widespread glaciation, the water had melted from the ice sheets and polar areas, flowed, back into the oceans and sea level was as high or higher than now.

Why sail across the Drake if in just three hours you can be standing with both feet on the Last Continent, safe and well.No fifteen metres high waves that make the stretch of ocean between the tip of South America and the Antarctic Peninsula so notorious.

Flight 261 impacted the Pacific Ocean at high speed between the coastal city of Port Hueneme, California, and Anacapa Island, a few seconds before 16:22.

The difference between ocean and air temperature also tends to create heavy morning fog during the summer months, known as the marine layer, driven by an onshore wind created by the local high pressure sunny portions of the Salinas Valley, which extend north and south from Salinas and the Bay.

Nestled between the warm ocean waters and high mountain ranges, this is a sanctuary on which to reconnect with nature.

Average low / high for Kahului in winter: 65 ° / 82 °F Average low / high for Kahului in summer: 70 ° / 87 °F Ocean temperature in winter: 75 °F Ocean temperature in summer: 80 °F Since Central Maui is the isthmus between Haleakala Mountain and the West Maui Mountains, it has beaches on both sides.

I also spent time swimming in the large infinity pool, which is situated between the ocean and the imposing 3241m high «Mount Agung» a truly amazing vista no matter which direction you look, and the pool bar offers a variety of mocktails as well as alcoholic drinks for those of us who might like to indulge.

Our side of Maui has spacious, soft sand beaches, few high rises & most condo resorts are 2 stories interspersed along the ocean between luxury hotels.

Kalani Hawaii Private Lodging is located in a quiet area in front of «Rocky Point», a mere hundred yards from the beach and located in between... Read more world famous Sunset Beach and Banzai Pipeline, known for the International surfing championships during the months of October through March, with incredibly high surf and explosive ocean vistas.

We aren't fans of resort fees (period) but at least here it includes high - speed internet, yoga classes, valet parking, a very nice fitness center overlooking the ocean and room service between 6:00 a.m. and 11 p.m.

Atmos Sala Alcalá 31, Madrid (catalogue) Hemispheres and Continents Matthew Marks Gallery, New York 2012 All Things Pass Galerie Max Hetzler, Berlin (catalogue) Patricia Low Contemporary, Gstaad Fullmoon and Night + Fog Domaine de Chaumont - sur - Loire, Chaumont - sur - Loire 2011 Landscape with Path The High Line, New York Xippas, Montevideo L'Abbaye de la Chaise Dieu, Chaise Dieu Nocturne Villa Merkel, Esslingen (catalogue)... between here and the surface of the moon FRAC Auvergne, Clermont Ferrand; traveled to: FRAC Haute - Normandie, Sotteville - lès - Rouen 2010 As it is Alfonso Artiaco, Naples The Principle of Moments Whitecube, London Fullmoon@Eifel Weidingen, Eifel Matthew Marks Gallery, New York PKM Trinity Gallery, Seoul 2009 Sommer Gallery, Tel Aviv Xippas Gallery, Athens Sometimestill Galerie Max Hetzler, Berlin 2008 Nail to Nail David Patton, Los Angeles SCAI The Bathhouse, Tokyo In The Between Eye of Gyre, Omotesando Substitute Galleri K, Oslo Fire under snow Parasol unit, London (catalogue) Moons of the Iapetus Ocean White Cube, London (catalogue) 2007 Galleria Alfonso Artiaco, Naples Day Return Castle Ujazdowski — Center for Contemporary Art, Warsaw (catalogue) Night + Fog Galerie Max Hetzler, Berlin (catalogue) In the Between Musée d'art contemporain, Montreal SITE Santa Fe, Santa Fe Matthew Marks Gallery, New York 2006 Day Return Museum Folkwang, Essen (catalogue) Darren Almond and Janice Kerbel: Impossible Landscapes The Horticultural Society of New York, New York If I had you Domus Artium 2002 — Center for Contemporary Art, Salamanca Darren Almond / Albert Oehlen: Time 2 Kill Galerie Max Hetzler, Berlin 2005 Take Me Home Matthew Marks Gallery, New York Alfonso Artiaco, Naples Isolation K21 - Kunstsammmlung Nordrhein - Westfalen, Düsseldorf Only Sound Needs Echo and Dreads its Lack Galerie Chantal Crousel, Paris 2004 Live Sentence Lentos Kunstmuseum Linz, Linz (catalogue) If I Had You Galerie Max Hetzler, St. Johannes Evangelist Church, Berlin 2003 11 miles... from Safety White Cube, London (catalogue) If I Had You Fondazione Nicola Trussardi, Palazzo della Ragione, Milan Mine, A Galleri K, Oslo A Galerie Max Hetzler, Berlin Full Moon Sommer Contemporary Art, Tel - Aviv 2002 A National Theatre, London; Yorkshire Sculpture Park, commissioned by Public Art Development Trust, London at speed (with Sarah Morris) Galerie Max Hetzler, Berlin 2001 Coming up for air Matthew Marks Gallery, New York Kunsthalle Zürich, Zurich (catalogue) Night as Day Tate Britain, London (catalogue) De Appel Foundation - Center for Contemporary Art, Amsterdam Galerie Max Hetzler, E-Werk, Abspannwerk Buchhändlerhof, Berlin 2000 Mean Time Matthew Marks Gallery, New York Geisterbahn The Approach, London Traction Chisenhale Gallery, London 1999 Galerie Max Hetzler, Berlin The Renaissance Society, University of Chicago, Chicago 1997 ICA - Institute of Contemporary Arts, comissioned by Toshiba Art & Innovation, London Fan White Cube, London 1995 KN120 Great Western Studios, London 1991 Crawford Art Collegbetween here and the surface of the moon FRAC Auvergne, Clermont Ferrand; traveled to: FRAC Haute - Normandie, Sotteville - lès - Rouen 2010 As it is Alfonso Artiaco, Naples The Principle of Moments Whitecube, London Fullmoon@Eifel Weidingen, Eifel Matthew Marks Gallery, New York PKM Trinity Gallery, Seoul 2009 Sommer Gallery, Tel Aviv Xippas Gallery, Athens Sometimestill Galerie Max Hetzler, Berlin 2008 Nail to Nail David Patton, Los Angeles SCAI The Bathhouse, Tokyo In The Between Eye of Gyre, Omotesando Substitute Galleri K, Oslo Fire under snow Parasol unit, London (catalogue) Moons of the Iapetus Ocean White Cube, London (catalogue) 2007 Galleria Alfonso Artiaco, Naples Day Return Castle Ujazdowski — Center for Contemporary Art, Warsaw (catalogue) Night + Fog Galerie Max Hetzler, Berlin (catalogue) In the Between Musée d'art contemporain, Montreal SITE Santa Fe, Santa Fe Matthew Marks Gallery, New York 2006 Day Return Museum Folkwang, Essen (catalogue) Darren Almond and Janice Kerbel: Impossible Landscapes The Horticultural Society of New York, New York If I had you Domus Artium 2002 — Center for Contemporary Art, Salamanca Darren Almond / Albert Oehlen: Time 2 Kill Galerie Max Hetzler, Berlin 2005 Take Me Home Matthew Marks Gallery, New York Alfonso Artiaco, Naples Isolation K21 - Kunstsammmlung Nordrhein - Westfalen, Düsseldorf Only Sound Needs Echo and Dreads its Lack Galerie Chantal Crousel, Paris 2004 Live Sentence Lentos Kunstmuseum Linz, Linz (catalogue) If I Had You Galerie Max Hetzler, St. Johannes Evangelist Church, Berlin 2003 11 miles... from Safety White Cube, London (catalogue) If I Had You Fondazione Nicola Trussardi, Palazzo della Ragione, Milan Mine, A Galleri K, Oslo A Galerie Max Hetzler, Berlin Full Moon Sommer Contemporary Art, Tel - Aviv 2002 A National Theatre, London; Yorkshire Sculpture Park, commissioned by Public Art Development Trust, London at speed (with Sarah Morris) Galerie Max Hetzler, Berlin 2001 Coming up for air Matthew Marks Gallery, New York Kunsthalle Zürich, Zurich (catalogue) Night as Day Tate Britain, London (catalogue) De Appel Foundation - Center for Contemporary Art, Amsterdam Galerie Max Hetzler, E-Werk, Abspannwerk Buchhändlerhof, Berlin 2000 Mean Time Matthew Marks Gallery, New York Geisterbahn The Approach, London Traction Chisenhale Gallery, London 1999 Galerie Max Hetzler, Berlin The Renaissance Society, University of Chicago, Chicago 1997 ICA - Institute of Contemporary Arts, comissioned by Toshiba Art & Innovation, London Fan White Cube, London 1995 KN120 Great Western Studios, London 1991 Crawford Art CollegBetween Eye of Gyre, Omotesando Substitute Galleri K, Oslo Fire under snow Parasol unit, London (catalogue) Moons of the Iapetus Ocean White Cube, London (catalogue) 2007 Galleria Alfonso Artiaco, Naples Day Return Castle Ujazdowski — Center for Contemporary Art, Warsaw (catalogue) Night + Fog Galerie Max Hetzler, Berlin (catalogue) In the Between Musée d'art contemporain, Montreal SITE Santa Fe, Santa Fe Matthew Marks Gallery, New York 2006 Day Return Museum Folkwang, Essen (catalogue) Darren Almond and Janice Kerbel: Impossible Landscapes The Horticultural Society of New York, New York If I had you Domus Artium 2002 — Center for Contemporary Art, Salamanca Darren Almond / Albert Oehlen: Time 2 Kill Galerie Max Hetzler, Berlin 2005 Take Me Home Matthew Marks Gallery, New York Alfonso Artiaco, Naples Isolation K21 - Kunstsammmlung Nordrhein - Westfalen, Düsseldorf Only Sound Needs Echo and Dreads its Lack Galerie Chantal Crousel, Paris 2004 Live Sentence Lentos Kunstmuseum Linz, Linz (catalogue) If I Had You Galerie Max Hetzler, St. Johannes Evangelist Church, Berlin 2003 11 miles... from Safety White Cube, London (catalogue) If I Had You Fondazione Nicola Trussardi, Palazzo della Ragione, Milan Mine, A Galleri K, Oslo A Galerie Max Hetzler, Berlin Full Moon Sommer Contemporary Art, Tel - Aviv 2002 A National Theatre, London; Yorkshire Sculpture Park, commissioned by Public Art Development Trust, London at speed (with Sarah Morris) Galerie Max Hetzler, Berlin 2001 Coming up for air Matthew Marks Gallery, New York Kunsthalle Zürich, Zurich (catalogue) Night as Day Tate Britain, London (catalogue) De Appel Foundation - Center for Contemporary Art, Amsterdam Galerie Max Hetzler, E-Werk, Abspannwerk Buchhändlerhof, Berlin 2000 Mean Time Matthew Marks Gallery, New York Geisterbahn The Approach, London Traction Chisenhale Gallery, London 1999 Galerie Max Hetzler, Berlin The Renaissance Society, University of Chicago, Chicago 1997 ICA - Institute of Contemporary Arts, comissioned by Toshiba Art & Innovation, London Fan White Cube, London 1995 KN120 Great Western Studios, London 1991 Crawford Art CollegBetween Musée d'art contemporain, Montreal SITE Santa Fe, Santa Fe Matthew Marks Gallery, New York 2006 Day Return Museum Folkwang, Essen (catalogue) Darren Almond and Janice Kerbel: Impossible Landscapes The Horticultural Society of New York, New York If I had you Domus Artium 2002 — Center for Contemporary Art, Salamanca Darren Almond / Albert Oehlen: Time 2 Kill Galerie Max Hetzler, Berlin 2005 Take Me Home Matthew Marks Gallery, New York Alfonso Artiaco, Naples Isolation K21 - Kunstsammmlung Nordrhein - Westfalen, Düsseldorf Only Sound Needs Echo and Dreads its Lack Galerie Chantal Crousel, Paris 2004 Live Sentence Lentos Kunstmuseum Linz, Linz (catalogue) If I Had You Galerie Max Hetzler, St. Johannes Evangelist Church, Berlin 2003 11 miles... from Safety White Cube, London (catalogue) If I Had You Fondazione Nicola Trussardi, Palazzo della Ragione, Milan Mine, A Galleri K, Oslo A Galerie Max Hetzler, Berlin Full Moon Sommer Contemporary Art, Tel - Aviv 2002 A National Theatre, London; Yorkshire Sculpture Park, commissioned by Public Art Development Trust, London at speed (with Sarah Morris) Galerie Max Hetzler, Berlin 2001 Coming up for air Matthew Marks Gallery, New York Kunsthalle Zürich, Zurich (catalogue) Night as Day Tate Britain, London (catalogue) De Appel Foundation - Center for Contemporary Art, Amsterdam Galerie Max Hetzler, E-Werk, Abspannwerk Buchhändlerhof, Berlin 2000 Mean Time Matthew Marks Gallery, New York Geisterbahn The Approach, London Traction Chisenhale Gallery, London 1999 Galerie Max Hetzler, Berlin The Renaissance Society, University of Chicago, Chicago 1997 ICA - Institute of Contemporary Arts, comissioned by Toshiba Art & Innovation, London Fan White Cube, London 1995 KN120 Great Western Studios, London 1991 Crawford Art College, Cork

Ocean warming dominates the increase in energy stored in the climate system, accounting for more than 90 % of the energy accumulated between 1971 and 2010 (high confidence).

And if you plot the differential between NH ocean & land temperature, the warming since 1970 has been indeed higher on land than at sea, conforming with what should be there with this candidate BNO (P).

land described as the Great Ocean Road region, being land within five kilometres of the high water mark of the coast between the Surf Coast Highway in the east and Warrnambool in the west in the Warrnambool, Moyne, Corangamite, Colac Otway, Surf Coast and Greater Geelong planning schemes

In 2005, during the hottest average decade on record, 8 low - wind conditions known as «the doldrums» combined with very high ocean temperatures to cause massive coral bleaching in the Virgin Islands.9 This was followed by a particularly severe outbreak of at least five coral diseases in the Virgin Islands, resulting in a decline in coral cover of about 60 percent.9 There is some indication that higher ocean temperatures — between 86 and 95 degrees Fahrenheit (30 to 35 degrees Celsius)-- promote optimal growth of several coral pathogens.9 Other research showed that elkhorn coral post-bleaching had larger disease lesions than unbleached specimens, suggesting that bleaching may increase the corals» susceptibility to disease.9, 10

Further, cause to show direct relationship between magnetism, gravity, and ocean churn, provides plausible reason to believe there could be a causal relationship producing more carbon at higher temperature because of increased bacterial ocean life.

That is, depending on the study, if memory serves me well, the lag times between solar variation and response in global temperature is said to range between 5 - 7 years on the low end to a couple of decades on the high end due to the thermal inertia of the oceans.

Where I am, the «moment when the rise of the oceans began to slow» was this morning, just between low and high tide.

Between two systems not at thermodynamic equilibrium, NET energy transfer can only be in one direction — from the system of higher energy to the system of lower energy, in this case, FROM the oceans, TO the atmosphere.

As scientists solidify the links between climate change and health issues like tropical ailments that infect Americans on the backs of whipping winds and warming ocean tides, top medical associations are becoming a high - profile lobbying force for climate regulations.

Tidal range is the difference in ocean level between high - tide and low - tide

The observation of a historically high level of TSI from 1961 to 2001 tends to fit with the theories set out in my other articles about the real cause of recent warming and the real link between solar energy, ocean cycles and global temperatures.

Forced Rossby waves occur as a response of the midtroposhere and high - troposphere atmospheric circulation to the external diabatic and orographic forcing (25, 39, 40), which arises, e.g., from the thermal contrast between land and oceans as well as from mountain ranges.

Ice significantly reduces the heat flux between ocean and atmosphere; through its high albedo it has a strong influence on the radiation budget of the entire Arctic.

Over ocean stretches with a positive SST anomaly air convection is higher (as the temperature difference between the warm sea surface and the cool air higher up in the troposphere is greater), so a higher likelihood for the formation of depressions exists and more precipitation is to be expected.

Precipitation increases between the mid Pacific and Chile as the ocean warms, weakening the high pressure zone in the east from below.