Sentences with phrase «between historical works»

In our case we chose to create — or suggest — a dialogue between historical works on paper, abstracts from 1968 to 1988 by Eugene James Martin (1938 - 2005), and bring them into a conversation with small - scale paintings by three abstract painters, Clayton Colvin, Odili Donald Odita, and Leslie Smith III, all of which have a profound drawing quality in their work.

DEGAM was the first museum in Italy to focus on the relationship between historical works and contemporary works.

«Our program is devoted to establishing dialogue between historical work and contemporary practices,» says Parker, and that approach is very much in evidence at their stellar booth of fired works at NADA New York this year.

Not exact matches

The very arrangement of the biblical books in the Hebrew canon of scripture presupposes this definition of prophetism.1 Between the first division of the Law and the third division of the Writings, the central category of the Prophets embraces not only the books of the prophets Isaiah, Jeremiah, Ezekiel, and the twelve prophets from Hosea to Malachi (all together termed «Latter Prophets») but also the historical writings of Joshua, Judges, and the books of Samuel and Kings («Former Prophets») In this way the Hebrew Bible formally and appropriately acknowledges that prophetism is more than the prophet and his work, that it is also a way of looking at, understanding, and interpreting history.

What Bultmann means is that the difference between the mythological language of the New Testament and ecclesiastical dogma on the one hand and his own interpretation on the other is that the former presents us with a «miraculous, supernatural event», whereas the right interpretation is one which suggests «an historical event wrought out in time and space».

My students are mostly Jewish and Christian, since the relationship between these two traditions is the center of my work, but we have given much thought to the relation of our traditions to the others, especially to Islam, which stands in a special relationship to ours for both historical and theological reasons.

He is also a powerful novelist whose works of historical fiction» The First Circle, August 1914, Cancer Ward, One Day in the Life of Ivan Denisovich» depict the enduring struggles between good and evil in the human heart.

In 1892 the liberal movement was at its height, Schweitzer's work was still fourteen years in the future, and the discussion was between, on the one hand, an orthodoxy still claiming the gospels as historical documents and the Christ of the Church's faith as a historical figure, and, on the other hand, a liberalism claiming the gospels as non-historical in their present form, but as capable of being used as historical sources, sources for the reconstruction of a historical Jesus to be distinguished from the Christ of the gospels.

The decline of white men as the dominant class in society surely plays a significant role in the success of racist strongmen in election, but it can't be denied that the current economic order of things simply isn't working, or the historical correlation between economic downturns and an increase in xenophobic nationalism.

For the first year of the child's life, she split her working time between home, where she wrote papers and grant applications, and the university's herbarium, where she restored historical plant specimens.

The work is supported through DOE environmental management and is a collaboration between the National Historical Museums and Luleå University in Sweden, PNNL, WSU and the Smithsonian Institution's Museum Conservation Institute.

Between 1962 and his death in 1977, Rossellini was to make forty - two hours of historical films, treating topics as diverse as the Acts of the Apostles and the life of the seventeenth - century French philosopher Descartes, and at his death he was working on further historical projects, including one on Marx.

Adam Driver believes there's a «weirdly paternal» relationship that develops between actors and directors, something which he experienced when working with one of his heroes, Martin Scorsese.Driver worked with Scorsese on historical drama Silence and...

Drawing on numerous film historical references, from Hitchcock to the director's own earlier Movida era work, Almodóvar's twentieth feature, adapted from three short stories by Alice Munro («Chance,» «Soon,» and «Silence»), is a haunting drama that oscillates between disenchanted darkness and visual opulence.

A special Unit of work in Art & design with lesson plans This pack provides teachers with a unique and readily accessible toolkit to engage students in the historical and cultural links between Jamaica and Britain; it can also be used as a relevant blue print for teaching about other cultures in context.

It has meant narrowing historical differences between people, cultures, races, civilizations, histories, technologies, politics and lifestyles in order to create bridges where people and organizations with a common good can see the need to work together and that hopeless people can also dream and work hard to leave their vulnerabilities which in many instances is not their making.

From Lorrie Moore's earliest reviews of novels by Margaret Atwood and Nora Ephron, to an essay on Ezra Edelman's 2016 O.J. Simpson documentary, and in between: Moore on the writing of fiction (the work of V. S. Pritchett, Don DeLillo, Philip Roth, Joyce Carol Oates, Alice Munro, Stanley Elkin, Dawn Powell, Nicholson Baker, et al.)... on the continuing unequal state of race in America... on the shock of the shocking GOP... on the dangers (and cruel truths) of celebrity marriages and love affairs... on the wilds of television (The Wire, Friday Night Lights, Into the Abyss, Girls, Homeland, True Detective, Making a Murderer)... on the (d) evolving environment... on terrorism, the historical imagination, and the world's newest form of novelist... on the lesser (and larger) lives of biography and the midwifery between art and life (Anaïs Nin, Marilyn Monroe, John Cheever, Edna St. Vincent Millay, Eudora Welty, Bernard Malamud, among others)... and on the high art of being Helen Gurley Brown... and much, much more.

Shakespeare's work features some of the most memorable stories and characters ever created, yet for too many curious readers the combination of ultra-dense dialogue and unfamiliar historical settings make tackling the Bard's work something between a tedious chore and a confusing mess of bird - bolts and quondam carpet - mongers.

Diversification strategies only work if the historical relationships between investments continue in the future; the DRS was designed to address market risk directly.

The Funk Zone is Santa Barbara's unique arts, business, and industrial district that resides between State St. and Garden St., and Montecito St. to Cabrillo Blvd.. This amalgamation of historical marine structures, industrial lots, and old houses gives the zone it's face, while it's occupants that reside and work there give it the soul, supporting a mixture of creative uses.

He's interested in examining the exchange between artist and viewer; his reviews provide readers with the intellectual and historical context that informs both the artist and the work.

I don't know what's «industry standard practice» for fine art galleries these days, regarding pricing works on paper vs. works on canvas, but my suspicion is that the reason for the * historical * difference between the two is that works on paper are perceived to be less «serious» (after all, watercolor started out as a quick way for oil painters to sketch out drafts), and less long - lasting (historically, a lot of watercolors were fugitive, and tended to fade with time, unlike varnished oil paintings).

Questioning the distinctions between high and low art, Ceramics presents new works that are an appropriation and celebration of the cultural and historical vernacular traditions of her native Poland and a wider European context.

In it, Guilbaut points out the historical parallels between van Velde's work and the emerging Abstract Expressionist esthetic and the missed opportunities for a dialog between two esthetics so fundamentally close to each other, but separated by their ideological contexts.

For the past decade Gilsdorf has worked in a range of mediums to explore relationships between historical accounts, emblems of authority, and media representations that influence our perception of current events.

They also show her flaunting art - historical tradition, playing with the boundaries between painting and collage, using materials unexpectedly, and infusing her work with her a sense of alchemy.

Kiaer's works often reference the interaction between the external world and obscure idealistic historical figures or movements.

Interstitial seeks to answer this question through the examination of new and recently - created free - standing sculptures by contemporary Los Angeles - based object makers whose work exists in the interstices, the spaces between the historical genres of the decorative arts, still life, and abstraction.

Oscillating between modernism and postmodernism, the term metamodernism represents contemporary work concerned with modes of self - expression while reviving historical principals and techniques.

He typically finds the sources for his work within the materials, advertising, and packaging produced by technology and media companies, and often deploys graphic interfaces borrowed from commercial display to highlight connections between the utopian goals of the new media economy and those of historical modernism.

As a part of the Amon Carter's ongoing exploration of the relationship between historical and contemporary art, Surls will speak about his work, how he started as a sculptor, and the process and materials he uses while displaying images of his work and process.»

Painted from historical photographs taken from old magazines, family albums and the propagandist publications distributed by the government during the Cultural Revolution, At a time of immense and rapid socio - economic change in China, these works look back at its past, marking a fragile line with delicate layers of ash between individual memory and official historical record.

Her work is easy to consider in art historical terms as we see direct parallels between the amorphous monochromes of the more atmospheric photograms and Helen Frankenthaler's color field paintings.

Working with appropriated images and texts, Gilsdorf creates sculptures and performances that delve into the relationship between historical narratives, the iconography of authority, and the ways in which representations influence our perception of cultural values.

Her works move between film and theatre, fact and fiction, historical models and subjective adaptations.

Curated by Andrea Lissoni in the «Shed» space, the exhibition offers a selection of Condorelli's most significant works, which reveal her ability to work with the relationships between art and architecture, space and socio - historical contexts.

Meet the artist / curator: Ashley Jude Jonas By Eva Buttacavoli Photo: Ashley Jude Jonas, «Buffalo Husband» As artistic practices have expanded beyond the boundaries of the production of objects, often incorporating historical context, editing and interpretation — work typically associated with the curator — we are seeing a blurring of the boundaries between the artist and -LSB-...]

Visitors are encouraged to make both technical and thematic comparisons between the artworks, study historical documentation that places Still's family in 1920s Alberta where the artwork may have been painted, and draw conclusions about the authorship of this work.

The featured works, all made between 1970 and 1979, reflect the historical, socio - political and cultural landscapes of the decade.

Influenced by historical American painters and adventurers, but echoing video games and digital animation, her works demonstrate the current literal and metaphorical distance between entertainment and reality.

Allowing the viewer to see the works through visual cues and historical connections, looking at the image within the photograph as well as relationships between photographs, this exhibition seeks to engender new «ways of looking.»

In 1979, Chase - Riboud published her first novel, «Sally Hemings,» a work of historical fiction based on the complex relationship between Thomas Jefferson and Hemings, his slave, with whom he had several children.

This exhibition takes Nevelson as a point of inspiration and further explores the visual and historical connections between her wooden sculpture Untitled (ca. 1976 — 78) and other works from the Kemper Museum Permanent Collection.

I had not realized how direct and historical the connection was between what had been called lyrical or formalist painting and subsequent feminist work.

While the work emphasizes the fraught historical ties between Northern Europe and Sub-Saharan Africa, it also probes recent — and ongoing — experiences of displacement, indigeneity and human trafficking that persist on both continents.

The mission of the museum includes «weaving a continuous exchange between its own historical works and today's cultural debate, and setting a close relationship for its exhibition program between contemporary and historical collections.»

A tribute to the technical nature of Albers» Bauhaus influence — in addition to Dávila's own architectural background — the work also comments on the hierarchical relationship between artist and artisan, canvas and craft, particularly considering the social and art historical importance of ceramic tile in Mexican culture.

The artists» shared exhibition history, with Peláez showing her work alongside the new abstract generation in the 1950s, challenges the art historical narrative of a rupture between the early

The exhibition will feature large - scale vitrines, mirror wall panels and photographic works that reveal a historical link between contemporary consumer display forms and their early 20th century precursors.

Their current work explores the relationship between contemporary art making practices and the historical tradition of romantic landscape painting.