Moving
between illusionism and surface, the space seems to expand and contract.
However, irregularities in the paintings» surfaces create a tension
between the illusionism of the patterns and the physicality of the built - up surfaces.
Not exact matches
Refuting Noël Carroll's statement that the semiotic theory of illusion overestimates the power of representations, Wheatley follows the arguments of Baudry, Richard Allen's projective
illusionism and Gregory Currie's impersonal imagining to argue that, while watching a film, the spectator is unaware of their actual relationship
between the cinematic apparatus and their position as a viewer unless the film forces them to be aware of it.
In a three - question interview with her published by Half, she explains the difference
between two painting styles that have influenced her work: Bad Painting and Abstract
Illusionism.
The volume, published on the occasion of the solo exhibitions held at Passerelle Centre d'art contemporain in Brest and Villa Croce Museo d'arte contemporanea in Genova, collects the images of the works produced in the last two years on the relationship
between the activities of the intelligence agencies and the practices of magic and
illusionism in the Cold War era.
Inspired by Hans Hoffmann (who taught Loving's mentor Al Mullen), Loving concentrated on the tension
between flatness and spatial
illusionism.
The exhibition work highlights the artist's exploration of the relationship
between color, structure, and abstract
illusionism, beginning with his paintings of the early «60s and «70s.
Rejecting the
illusionism of painting and seeking an aesthetic freed from metaphorical associations, Judd sought to explore the relationship
between art object, viewer and surrounding space with his so - called «specific objects.»