Sentences with phrase «between illusionistic»

Both the gestural and literal carvings cut up the painting and further adds to the tension between illusionistic space and the reality of the paintings» physical surface.

Like many of Edge's earlier resin pieces, they are painterly yet have a three - dimensional quality that plays with the tension between illusionistic painting and literalness of sculpture.

Tracing the archaeology of the paintings in the sculptural formations that accrue on their edges creates a dynamic contrast between the illusionistic interior spaces opened up within the compositions and the frank materiality of the gesso boards as objects hanging on the wall.

Both renowned artists turned to the projected image in the seventies, highlighting the shifting awareness of spatial perception in the interaction between illusionistic filmed space and a physical location.

Not exact matches

Her works are displayed as site - specific projections that amplify the architectural setting by blurring the boundary between real and illusionistic space.

Various facets of his more recent white - primed rhomboids and diamonds are painted behind, or in front, in bright, saturated hues creating a fascinating play between literal and illusionistic depth.

Various facets of his new white - primed rhomboids and diamonds are painted behind, or in front, in bright, saturated hues creating a fascinating play between literal and illusionistic depth.

«When I work I move back and forth between the creation of illusionistic space and a fully non-representational relationship with the process, the surface of the picture, and even the formal considerations relating to its shape,» says Ms Adams.

Steinkamp's works interact between the actual space and illusionistic space resulting in environments where the lines between viewer and object blur.

Reinhardt had effectively reduced, by squeezing out, virtually all illusionistic, aerial light, shrinking and compressing the envelope of light between planes farther than any post-Cubist artist had yet accomplished.

Perceptually deceitful, or even illusionistic, solid material travels back and forth between sheer obscurity and physical presence: as with Kasten's photographic work, the scale and materiality are interchangeable and thus become co-dependent.

Between Spaces will include film, installation, photography, and sculpture that address themes of nostalgia, a preoccupation with materiality, and the creation of illusionistic and psychological shifts in space.

This exhibition consists of illusionistic compositions — rendered somewhere between meticulous staging techniques, analog processes and digital alterations — manipulate perceptions of space and reality to create photographs that appear as abstract paintings.

«Dimensions Variable» also features the artist's hand - constructed frames, suggesting a threshold for the subjects of the paintings to come forward, into «real life», as they visually oscillate between the foreground and background of the illusionistic painting.

On view in PC — G's Reilly Gallery, this group exhibition consists of illusionistic compositions — rendered somewhere between meticulous staging techniques, analog processes and digital alterations — manipulate perceptions of space and reality to create photographs that appear as abstract paintings.

Her digitally animated works make use of the interplay between actual space and illusionistic space, creating environments in which the roles of the viewer and the object become blurred.

A series of lithographs, like Pet Stains, 1990, hark back to Synthetic Cubism: puddles of black paint mark a stack of trompe l'oeil newspapers so as to create a tension between flat representation and illusionistic space.

He enclosed vast panoramas in abstract lines of color that created an oscillation between pure painting at the edges and moments of illusionistic space at the center of the work.

Her works interact between the actual space and illusionistic space resulting in environments where the lines between viewer and object blur.

Between the softness of colorful sweaters and the hard edges of corduroy jeans, illusionistic fields of pigments emerge between the creases and the folds to reveal a sublime rendering of our contemporary commercial landscape and its alluring, magnetiBetween the softness of colorful sweaters and the hard edges of corduroy jeans, illusionistic fields of pigments emerge between the creases and the folds to reveal a sublime rendering of our contemporary commercial landscape and its alluring, magnetibetween the creases and the folds to reveal a sublime rendering of our contemporary commercial landscape and its alluring, magnetic pull.

Moving back and forth between abstraction and figuration, he has depicted geometrical forms including dots, lines, triangles, square and ellipses, and rhythms of fresh and vivid colors on the pictorial plane, and has created unique, illusionistic worlds of painting wherein each motif influences and merges into each other while preserving a descriptive quality.

For this show, if I had to choose between 2 images, I chose the one that was more pictorial, sensational, illusionistic, glamorous, humanistic, funny, sexual, quarrelsome, violent, ugly, etc. etc..

In Rush's photo, there is a crisp tension between the flatness of the horizon line and the gate, both of which are parallel to the picture plane, and the illusionistic perspective of the pier itself, which leads our eye deep into the composition.This pictorial incongruence is to some extent reminiscent of the irrational juxtapositions in paintings by the popular Surrealist artist Rene Magritte (1898 - 1967).

This edgy painting hints at a bridge between two modes of painting declared by Clement Greenberg to be mutually exclusive — illusionistic cubism and flat, postpainterly abstraction.

His work defined a split between the visual automatism fostered by Masson and Miro (and originally with words by Breton) and a new form of illusionistic Surrealism practiced by the Spaniard Salvador Dali (1904 — 1989), the Belgian Paul Delvaux (1897 — 1994), and the French - American Yves Tanguy (1900 — 1955).

His abstract and figurative work alike is devoted to the delicate balance between surface modulation and illusionistic depth, between the establishment of structure and its dissolution in light and space.