Sentences with phrase «between image production»
Not exact matches
Woods excels at creating images that inspire notions of high production values, with images that are shot between shows on an iPhone.
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Continuous liquid interface production is achieved with an oxygen - permeable window below the ultraviolet image projection plane, which creates a «dead zone» (persistent liquid interface) where photopolymerization is inhibited between the window and the polymerizing part.
«Bassaler's doc covers The Misfits and Capa with great aplomb: the film is nicely divided between still and moving images, propelled by interviews with photographers and others involved with the great productions that were documented... For lovers of great visual art, whether in film or photography» — Marc Glassman, POV Magazine
The seller notes a couples differences between the prototype and other Vectrex displays he's seen: the images of games have been laminated or plasticized; and the body of the stand appears to be around three times thicker than normal production Vectrex kiosks, which he says makes this «far stronger and also much heavier.»
All of the artists have started making their mature work, if not lived their entire lives since the advent of Postmodernism; the interaction between the history of images and present production is ingrained in how they approach the canvas.»
«His productions oscillate between sound and image, discreet activism and natural humbleness, inventive collaborations and concentrated singleness.
«It's the perfect moment to revisit Rauschenberg's career, given that his impact continues to gain momentum as more and more contemporary artists pay homage to, and are influenced by, various facets of his creative practice and artistic production — from his technology - based artworks and the reuse of images to international collaborations that demonstrated the power of art to spark dialogues between various cultures,» stated Christy MacLear, CEO of the Rauschenberg Foundation.
Throughout Kodak, Dean's footage oscillates between documentary - style images of workers attending to the factory's operations and abstracted images of the celluloid production and factory space.
They all bear witness to the artist's exploration of the effects of technology on the world, and the connections between labor and image production.
In analyzing the production and consumption of images, Farocki's works confront relationships between technology, politics, and violence.
Together these texts appear as a parallel production to Beshty's artistic work: they reflect on the conditions of the realization and circulation of images, undermining distinctions between media, abstraction and figuration, and proposing new aesthetic criteria for the works examined.
Her projects examine the evolving relationship between memory in contemporary culture and the technologies of photographic image production.
Points of reference include the production of images influenced by new technologies and the relationship between painting, photography and the moving image.
Works in the exhibition address changing relationships between media, subject and cliché in contemporary image production by inhabiting familiar — and thus commercial — forms.
Lucy Raven's work focuses on the marginal spaces at the edges of image production, what happens behind the camera or between the frames of a film or animation.
Artist Massimiliano Bomba produced a video for the fair that touches on these notions in image and text, through a root analogy of beekeeping and nudges to the link between production and global destruction in «Octagon» (2016): «Sunday, sabbath, rest.
Bader appropriates film, music, text, digital images, and found objects, creating complicated hierarchies of cultural production that mine the intersection between the real and the fictive, and frequently employ double - entendres and wordplay.
Her work often deals with collaborative aspects of production as well as the process of accumulation, the (re)- ordering of information as well as the relation between language, word, and image.
For this exhibition, Alejo highlights his methods of image production by representing objects in an ambiguous space, between the artistic practice and the catalog execution or the editorial photography.
These images portray the coastline and wildlife of the Sea of Cortez, the location for the Hollywood version of Joseph Heller's satirical war novel, as it stood on the brink between isolation and urban development brought on by production of the film.
The Prussian Blue series, developed between 2010 and 2012, is paired with efforts undertaken by painters such as Gerhard Richter, Luc Tuymans, Peter Doig, and Marlene Dumas, who previously worked with genocide images inflicted by trauma and collective memory in which photography mediated the production of history through appropriation.
When a production of documents is received it may include any combination of images, extracted text, OCR, native files, extracted metadata fields, fields of data from e-mail files, along with a load file to define document breaks and relationships between emails and attachments.
With this mode, users are able to choose between Studio, Contour, Stage and Stage Light Mono, changing the image's lighting either while shooting the photo, or in post production.