Sentences with phrase «between immortal beings»

Devised around the concept of regeneration, the exhibition brings to light partial connections between immortal beings, non-reproductive sexuality and healing.

Not exact matches

Apparently you just ignored the whole point that there is a difference between the concepts of «immortality», where everyone will be resurrected and become immortal no matter who you are since physical death came abut through Adam and the fall, and «eternal life», which is living with God or in other words it deals with the quality of that immortal life.

There is no causal or logical connection, thanks to degrees of relativity, between being objectively immortal and believing or accepting that we are so.

What connection, if any, is there between the immortal life of the dead and the mortal life of the living?

The contrast, which out of concern for the truth I have found it necessary to draw between the courageous and joyful primitive Christian hope of the resurrection of the dead and the serene philosophic expectation of the survival of the immortal soul, has displeased not only many sincere Christians in all Communions and of all theological outlooks, but also those whose convictions, while not outwardly alienated from Christianity, are more strongly moulded by philosophical considerations.

If so, what is the difference between it and any other belief in transcendental reality or immortal life?

Calvin maintained that God created man in His own image, that the image is in the soul, and that the soul is immortal and has the power to distinguish between good and evil and between justice and injustice.

The difference between being a March Madness immortal and a March Madness never was is often razor thin.

For many of these peoples, mummification preserved the perceived connection between the physical body and the immortal soul — just as they needed each other in life, so too were soul and body linked in the afterlife.

Making fat cells immortal might seem like a bad idea to most people, but for a team of University of Iowa scientists it was the ideal way to study how the interaction between bacteria and fat cells might contribute to diabetes.

Because of the immortal jellyfish, which is biologically immortal by swapping between premature and mature stages repeatedly, why don't people then realize that its possible sexual maturation increases aging?

A lot funnier than you remember it, Carol Reed's immortal 1949 film noir seems to exist in the space between two worlds: an earlier time when thrillers were mostly serious affairs, and a future one, when such supremely witty entertainments felt passé.

But it's striking that Ethan's monstrous power is the only one that doesn't inherently involve being trapped between mortal and immortal: the vampires are undead, Vanessa's possessions help her commune with the other side, Caliban (Rory Kinnear) has been reincarnated, and Dorian Grey (Reeve Carney) decays inside but not out.

Battles between nearly immortal characters are detailed and extended, and feature bodies being tossed around, smashed and crushed, or thrown through walls and windows.

In between his fights and Thor persuading everyone to save his home, Ragnarok keeps cutting back to a defeated Asgard where Thor's folks (are they immortal gods or just citizens?)

Little does he know he is about to find himself in the middle of a supernatural war between the immortal Seine and sea creatures that can control humans.

Let's check about the comparison between the Prime with the iPad 3: «Just like two gods going at each other in the heavens, they're immortal and can not be defeated — so yes, they stand equally to one another.

With the connection between the Belmonts and Dracula having been revealed in the first game, the ancient vampire is making a comeback: «Dracula returns once again, weakened and yearning for release from his immortal bonds.

Born 1977, Mexico City, Mexico Solo Exhibitions 2018 «Under the immortal skin», T293, Rome 2018 «Temazcal», Michael Benevento, Los Angeles 2017 «Works and Days», Atlantis, Chevalier Roze, Marseille 2016 «Retrospectiva», Lulu, Mexico City 2016 «Chambres aver vue sur le champ», Untilthen, Paris 2016 «Paradise», DREI, Cologne 2016 «Frenetic Gossamer», Palais de Tokyo, Paris 2016 «Huellas de la Revolución Industrial», Museo Pietro Canonica a Villa Borghese, Rome 2015 «La bella durmiente», Museo Universitario del Chopo, Mexico City 2015 «Caramel Huysmans», Proyectos Monclova, Mexico City 2015 «The Contemporary Comedy: Glossy Mist», Clifton Benevento, New York 2014 «Luster Butterfly», T293, Rome 2014 «All That I Never Was», Michael Benevento, Los Angeles 2013 «Mariposas Migratorias», Clifton Benevento, New York 2012 «I miss my thread», Karma International, Zurich 2012 «The Equation of Desire», Kunsthalle Winterthur 2012 «The Bright of the Whisper», Kunstraum, Innsbruck 2012 «La Alcoba Doble», T293, Rome / Naples 2010 «Martin Soto Climent — A bridge between two towers», Clifton Benevento, New York 2010 «A Long Chapter One», Sorcha Dallas, Glasgow 2009 «El Mago», Martin Van Zomeren, Amsterdam 2009 «Laberintome», T293, Naples 2009 «Impulsive Chorus», X Initiative, New York 2009 «The Intimate Revolt», Karma International, Zurich 2009 «For your eyes only», La Sala, Mexico City 2009 «Martin Soto Climent», Michael Benevento, Los Angeles 2008 «Hidden Symmetries», Broadway 1602, New York 2008» Parabolic Dust», Broadway 1602, New York 2008 «01.18.08», T293, Naples 2007 «Vacio Contenido», Museo de Arte Carrillo Gil, Mexico City 2006 «Checkmate», Broadway 1602, New York 2006 «Study Objects», Nina Menocal Gallery, Mexico City 2005 «Other Objects», The Other Gallery, The Banff Center, Alberta 2005 «Biotic Project», Subway Station Tacuba, Mexico City 2004 «Cotton Candy Doves», MUCA, Mexico City 2004 «Throw Balls», UNAM — The University Cultural Building, Mexico City 2003 «Curious objects vol1», Curious objects vol2», The space, Mexico City 2003 «03-03-03», installation in Jardín Hidalgo, Coyoacán, Mexico City 2002 «It was green», Museum Desierto de los Leones, Mexico City 2001 «Empty Spaces (Journey Sensations)», Casa de la Cultura Malinalxochitl, Malinalco, Mexico 2001 «One of so Many, Young Artist Collective», Sebastián Foundation, Mexico City Group exhibitions 2018 «Dwelling Poetically: Mexico City, a case study», ACCA, Australian Centre for Contemporary Art, Melbourne 2017 «DesWas», Michael Benevento, Los Angeles 2013 «Mariposas Migratorias», Clifton Benevento, New York 2012 «I miss my thread», Karma International, Zurich 2012 «The Equation of Desire», Kunsthalle Winterthur 2012 «The Bright of the Whisper», Kunstraum, Innsbruck 2012 «La Alcoba Doble», T293, Rome / Naples 2010 «Martin Soto Climent — A bridge between two towers», Clifton Benevento, New York 2010 «A Long Chapter One», Sorcha Dallas, Glasgow 2009 «El Mago», Martin Van Zomeren, Amsterdam 2009 «Laberintome», T293, Naples 2009 «Impulsive Chorus», X Initiative, New York 2009 «The Intimate Revolt», Karma International, Zurich 2009 «For your eyes only», La Sala, Mexico City 2009 «Martin Soto Climent», Michael Benevento, Los Angeles 2008 «Hidden Symmetries», Broadway 1602, New York 2008» Parabolic Dust», Broadway 1602, New York 2008 «01.18.08», T293, Naples 2007 «Vacio Contenido», Museo de Arte Carrillo Gil, Mexico City 2006 «Checkmate», Broadway 1602, New York 2006 «Study Objects», Nina Menocal Gallery, Mexico City 2005 «Other Objects», The Other Gallery, The Banff Center, Alberta 2005 «Biotic Project», Subway Station Tacuba, Mexico City 2004 «Cotton Candy Doves», MUCA, Mexico City 2004 «Throw Balls», UNAM — The University Cultural Building, Mexico City 2003 «Curious objects vol1», Curious objects vol2», The space, Mexico City 2003 «03-03-03», installation in Jardín Hidalgo, Coyoacán, Mexico City 2002 «It was green», Museum Desierto de los Leones, Mexico City 2001 «Empty Spaces (Journey Sensations)», Casa de la Cultura Malinalxochitl, Malinalco, Mexico 2001 «One of so Many, Young Artist Collective», Sebastián Foundation, Mexico City Group exhibitions 2018 «Dwelling Poetically: Mexico City, a case study», ACCA, Australian Centre for Contemporary Art, Melbourne 2017 «Deswas green», Museum Desierto de los Leones, Mexico City 2001 «Empty Spaces (Journey Sensations)», Casa de la Cultura Malinalxochitl, Malinalco, Mexico 2001 «One of so Many, Young Artist Collective», Sebastián Foundation, Mexico City Group exhibitions 2018 «Dwelling Poetically: Mexico City, a case study», ACCA, Australian Centre for Contemporary Art, Melbourne 2017 «Deseo.

Otto Rank (at one time a protege of Freud), broke with his master and posited that we are, rather, motivated by the undeniable conflict between our sense of ourselves as «immortal souls,» and our realization that we exist by virtue of our all - too - mortal bodies, that we are desperate to believe that we will, somehow, live beyond our bodies, and that, in order to do so, we pursue «immortality projects,» that we invest in our activities the promise of eternal life.

Although the two bodies doctrine would later be used to distinguish between the property monarchs held as the Sovereign opposed to a natural person, the original, and still essential, purpose of making the Crown a corporation sole was to fuse monarchical predecessors and successors into a single, immortal legal personality.