Sentences with phrase «between kids movies»

It stands in that awkward area between kids movies and adult movies, that's right the teen movie area.

Not exact matches

ShareThere was a space between having kids and blogging full time that I lost touch with movies (and sleep) but before I was a total movie fanatic.

We were able to keep the kids warm enough for the grand finale of the party: we made a movie screen out of a white sheet we hung between two trees, had the kids spread out their beach towels to sit on, and we used our projector to have a showing of Finding Nemo.

The morning began as a typical morning; I poured a cup of coffee, rushed to make breakfast, rushed to get kids ready, tried to remember to get myself ready (to avoid that horrible dream about driving to school in my pj's), and there was a minor scuffle between the kids about whose turn it was to choose the movie for movie night.

Am a mother of two kids seeking a man between the age of 35 to70 i need someone who will love me and spoil me and love my kids as well i love going to restaurant and movies if you are that one contact me please..

Great animated movies, of course, obliterate the distinction between adult and kids» movies: think of Pixar's brilliant «Toy Story» movies, Miyazaki's peerless «Spirited Away,» the «Wallace and Gromit» shorts or the sassy and ebullient first «Shrek» — all of them marketed to kids, but only adults can savor them on all levels.

There inevitably reaches a point, however, at which the filmmakers» excessively kid - friendly tendencies become impossible to ignore, as the movie is slowly - but - surely suffused with tedious, needlessly drawn - out comedic sequences that are exacerbated by Levy's penchant for indulging his actors» improvisational impulses (with an excruciatingly prolonged argument between Larry and Kahmunrah surely the most egregious example of this).

Genre exercises, moral parables, inter-generational dramas, naturalist kid movies — all have had as their theme the gap between working and upper classes, the benefits of opportunity and the toll of its absence.

Despite trying to play more grown - up roles in recent years, Shia LaBeouf reverts back to the fast - talking smart - mouthed kid we met in the first movie, and the relationship stuff between Sam and his girlfriend Carly not only is unbelievable but it's also mostly unbearable, partially because Huntington - Whitely can't act.

Relationships between grandparents and their grandchildren are depicted in these movies: Spy Kids 3 - D: Game Over, Little John and Whale Rider.

There isn't a G or PG - rated movie out between «Born in China» (Apr. 21) and «Captain Underpants» (June 2), so this fourth «Wimpy Kid» might actually top the other three.

The Book Of Henry is a very bizarre affair, stuck in treacherous waters between kids» movie, terminal illness melodrama and hardboiled film noir.

Faxon and Rash continue to prove their award - worthy writing talents here, as the movie is full of unforgettable characters and sharp, hilarious dialogue — even between the kids that hang around the water park.

Cons: - Development of the kids individually, and their «unique» personalities, was poor - Weak storyline between the feuding fathers - The second half of the movie turns into Cloverfield 2.

There are exchanges in this movie between kids that will have you falling out («Don't be a loser!»

Unlike the book (which shifts between the story of these children and their adult selves), the movie focuses on the kids — giving the story time to build up these respective characters.

However, despite earning the film a higher rating, this waffling between hammy kid - movie moments and a few brutal human - on - human fights will only cause some audience members to roll their eyes on occasion and isn't likely to detract from any enjoyment the film has to offer - especially given the tongue - in - cheek premise and execution of the plot.

Best Actress: Annette Bening — Kids Are All Right — stern, intelligent yet moving and likeable — it takes a real pro to accomplish that with such style and verve Nicole Kidman — Rabbit Hole — heartbreaking but resilient — a perfect balance between broken and fixed — it is so joyful to watch a character so succinctly communicated Lesley Manville — Another Year — heartbreaking with closeup after closeup of vulnerability and grasping hope — truly a fragile and pulsating performance Julianne Moore — Kids Are All Right — courageous and oh so human — sexy and vulnerable in an earthy way — her struggles with herself are the heart of the movie and she carries it magnificently and warmly Natalie Portman — Black Swan — the tour de force this year — the crazy, emotionally volatile core of a crazy, emotionally volatile film — some wonder if it might be «easer» to play such big emotions but the incredibly thin wire she has to traverse in such an extreme environment is daunting and she makes it work and gives us believability and solicits true sympathy in the middle of a fright fest — a truly accomplished achievement

The scenes between the Russian (Whip Hubley) and the kids are the best part of the movie, partly because the kids are so well cast.

The movie is going to tell us about what happened between A.A. and his kid, Robin.

3D Movie (Paul Sharits, 1975/2015) 88:88 (Isiah Medina, 2015) About 11 Minutes (Madison Brookshire, 2015) La academia de las musas (L'accademia delle muse / Academy of the Muses, José Luis Guerín, 2015) Actua 1 (Philippe Garrel, 1968/2015) Balikbayan # 1 Memories of Overdevelopment Redux III (Kidlat Tahimik, 2015) Bella e perduta (Lost and Beautiful, Pietro Marcello, 2015) Blackhat (Michael Mann, 2015) Boi Neon (Neon Bull, Gabriel Mascaro, 2015) Branco Sai, Preto Fica (White Out, Black In, Adirley Queirós, 2014) La calle de la amargura (Bleak Street, Arturo Ripstein, 2015) Chevalier (Athina Rachel Tsangari, 2015) Color Correction (Margaret Honda, 2015) Comoara (The Treasure, Corneliu Porumboiu, 2015) Cosmos (Andrzej Żuławski, 2015) Engram of Returning (Daïchi Saïto, 2015) The Exquisite Corpus (Peter Tscherkassky, 2015) Field Niggas (Khalik Allah, 2014) The Forbidden Room (Guy Maddin and Evan Johnson, 2015) Fort Buchanan (Benjamin Crotty, 2014) Garoto (Kid, Julio Bressane, 2015) Greetings to the Ancestors (Ben Russell, 2015) Happy Hour (Ryusuke Hamaguchi, 2015) Hua li shang ban zu (Office, Johnnie To, 2015) I, Dalio (Mark Rappaport, 2015) Iec Long (João Pedro Rodrigues and João Rui Guerra da Mata, 2015) In Jackson Heights (Frederick Wiseman, 2015) Invention (Mark Lewis, 2015) Ji - geum - eun - mat - go - geu - ddae - neun - teul - li - da (Right Now, Wrong Then, Hong Sang - soo, 2015) Juke: Passages from the Films of Spencer Williams (Thom Andersen, 2015) Losing Ground (Kathleen Collins, 1982/2015) Lost Landscapes of Los Angeles (Rick Prelinger, 2015) Mercuriales (Virgil Vernier, 2014) As Mil e uma Noites (Arabian Nights, Miguel Gomes, 2015) Minotauro (Minotaur, Nicolás Pereda, 2015) Na ri xia wu (Afternoon, Tsai Ming - liang, 2015) Navigator (Björn Kämmerer, 2015) Nie yin niang (The Assassin, Hou Hsiao - hsien, 2015) No Home Movie (Chantal Akerman, 2015) Noite Sem Distância (Night Without Distance, Lois Patiño, 2015) L'Ombre des femmes (In the Shadow of Women, Philippe Garrel, 2015) Le paradis (Paradise, Alain Cavalier, 2014) Park Lanes (Kevin Jerome Everson, 2015) A Poem Is a Naked Person (Les Blank, 1974/2015) Queen of Earth (Alex Ross Perry, 2015) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) The Royal Road (Jenni Olson, 2015) Sangue del mio sangue (Blood of My Blood, Marco Bellochio, 2015) Secteur IX B (Sector IX B, Mathieu Kleyebe Abonnenc, 2015) Sin Dios ni Santa María (Neither God Nor Santa Maria, Samuel M. Delgado and Helena Girón, 2015) The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers, 2015) Snakeskin (Daniel Hui, 2014) Something Between Us (Jodie Mack, 2015) The Thoughts That Once We Had (Thom Andersen, 2015) Traces / Legacy (Scott Stark, 2015) Trois souvenirs de ma jeunesse (My Golden Days, Arnaud Desplechin, 2015) The Two Sights (Katherine McInnis, 2015) Un etaj mai jos (One Floor Below, Radu Muntean, 2015) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) Western (Bill Ross and Turner Ross, 2015)

In this case, Lin serves up a piping - hot Supreme with everything on it: There are classic car races; spy movie accoutrements; an ecclesiastical devotion to the ever - growing family (the fam's 10 - deep at this point, not counting Brian's new kid); the»70s fantasy of Luke Evans» Owen Shaw and his grungy, car - flipping Formula 1 racer; Letty's soap - opera return from the grave; her vicious smackdown with Gina Carano; that giant set - piece between Vin Diesel and a tank; and the other giant set - piece between Vin Diesel and a jumbo jet — Furious 6 doesn't stop.

While the movie as a whole doesn't work, when Arnie's with the kids, it's fun and charming in its own fashion, and that's almost enough to make it palatable in between the bookended action build - up and climax.

It's hard to believe, between Pierce and Kristen Dunst (the kids in the movie), Dunst is the one who still acts professionally.

«Original» would seem the last word one should use to describe a current kids» movie about the friendship between a boy and his dragon that is both a remake and a sort of «E.T.» clone, but it is what it is.

No parent would put a pair of preadolescent characters through this kind of torture, and precious few audiences with kids will take the kind of enjoyment Watts and co-writer Christopher Ford («Robot & Frank») intended from the second half of the movie, when the fun and games are through and the two boys find themselves locked in the rear, trapped directly in the crossfire between a dirty cop and a desperate con.

In the interview, Pete talks about some of his favorite movies he recommends to friends, the evolution of the project over the years, how he got involved as a director, his vision behind the stark contrast between the beautiful, almost photo realistic backgrounds and the cartoony characters, a scene from the film that I felt was a homage to Jaws, the 1400 kid search for the main star of this film, how directing the voice actors for the English version of Miyazaki's Ponyo helped him in making this film, and find out who directs Peter Sohn when he performs in his own film.

Between the web, movies, games, music and books, there are limitless opportunities for kids to see things they shouldn't.

From screenings of kid - friendly movies to fun activities, drop in at the TIFF Bell Lightbox in Toronto between 10 a.m. and 4 p.m. for some free family bonding time.

They decided to rotate every other Friday between a dinner date night out and a pizza and movie night in with the kids.