Sentences with phrase «between losing an object»

Not exact matches

Since we routinely use the framework of abstract three dimensional geometry to describe, measure, predict and position real world objects the distinction between the conceptual and the actual gets lost.

In 2012 the lines between the sacred and the profane will get even more blurry: Scientists will religiously maintain their search for the elusive God particle (they won't find it); evangelical sports superhero and Denver Bronco quarterback Tim Tebow will continue to be both an inspiration to the faithful and an object of scorn to skeptics (he will be watching, not playing in, the Super Bowl); at least one well - known religious leader or leading religious politician will be brought down by a sex scandal (let's hope all our leaders have learned a lesson from former Rep. Anthony Weiner and stay away from sexting); and the «nones» - those who don't identify with one religion - will grow even more numerous and find religious meanings in unexpected places (what TV show will become this season's «Lost»?)

There are a short various things to consider when you are trying to locate a date, and learning how to properly present yourself to the object of your affection will make the difference between winning and losing a date.

Distant objects in darker scenes were lost in blacks, and it was tough to focus on the witty banter between Jonah Hill and James Franco through the distracting glare.

Her independent curatorial projects focus on the visions, colors, histories and ideas shared between authors and artists, while her writing searches for what is lost and gained between text, image and object.

Bove describes the work as allowing the viewer to alternate between a Gestalt (formal) and psychedelic approach, whereby the latter only ever allows you to look at an object partially, causing you to get lost in it, whereas the former assesses the object as a whole.

Weaving together a larger narrative about the distance between us and the objects of our desire, the catalogue includes an essay by Courtenay Finn, an excerpt from Rebecca Solnit's A Field Guide to Getting Lost and a new piece by Anne Carson.

The Chilean artist duo, known for their unpolished and dark stop - motion animations, now bring together works that find themselves between archaeological remains of a lost empire, voodoo objects and waste.

The Lost Object is an artist who works with discarded and abandoned materials, creating — you guessed it — «Lost Objects», a kind of collaboration between the artist and time and nature itself, incorporating the materials flaws and physical history into the work, creating something fresh and new.

The film is lost, but his published notes stated: «I paint about communication», explaining that in making painting derived from everyday contemporary objects, he sought to establish common ground between the modern spectator and high art.

For conduction, which occurs via molecular (or electronic) collisions, you will have collisions between molecules... and the molecules will have a range of velocities but ON AVERAGE, those coming from the hotter side of the object will have slightly higher speeds than those coming from the cooler side and so, in a large number of collisions, the molecules from the cooler side will gain speed on average and those from the hotter side will lose speed on average in the collisions.