Sentences with phrase «between minimalist sculpture»

Morris describes the relationship between Minimalist sculpture, the size and position of the artwork viewer, and the gallery's proportions — revealing how the interrelatedness of these three elements impacts individual interpretations of the work.

Not exact matches

He was struck by the contrast between the lavish marble sculpture of a youthful Newton, reclining regally beneath a gold - leafed globe, and Darwin's minimalist floor stone.

Even dedicated fans of his work have inevitably faltered at one or another of his forking paths over the past twenty years, while Bradley, on the other hand, shifts gears without pause: from starkly minimalist to gestural abstract paintings with stops in between, from discomfiting assemblage sculptures to boldly graphic silkscreens, and from jagged, sometimes comic drawings to obdurate geometric sculptures.

Chamberlain represents a unique link between the vivid colour palettes and frenetic energy of Abstract Expressionist painting and the truthfulness to material found in Minimalist sculpture.

Today is the occasion to bear in mind the American minimalist sculptor Richard Serra, (2/11/39 --RRB-, who is best known for his large - scale abstract steel sculptures, which emphasizes materiality and an engagement between the viewer, the site, and the work.

Regarded as one of the most influential Minimalist sculptors of his generation, he had created more than 50 large - scale and complex sculptures between 1960 and his death in 1980.

Drawing from biomorphism and minimalist sculpture, along with Neo-concretism and other Brazilian vanguard movements of the 1960s and»70s, Neto incorporates organic shapes and materials that engage all five senses, producing a new type of sensory perception that renegotiates boundaries between artwork and viewer; the organic and the manmade; and the natural, spiritual, and social worlds.

Like the minimalist artists that preceded him, Espírito Santo treats the floor as an integral element for his industrially produced sculptures, though he makes clear the distinction between his own work and minimalism.

While Minimalist artists such as Carl Andre, Donald Judd, and Dan Flavin were gaining ground with their work in New York, McCracken was experimenting in Los Angeles with a medium somewhere between sculpture and painting, in a parallel fashion.

They also surround a cross between a red - brick school building, Minimalist sculpture, and a NASA space capsule.

Fred Sandback: Renowned for his Minimalist, conceptual sculptures, Fred Sandback's best - known works were made using colored acrylic yarn, like his «leaning» series, which used lengths of yarn, extended between walls and floors, to alter the perception of a space.

Although she is often labeled a Minimalist, Truitt's integration of painting and sculpture, her use of color, and her dedication to the relationship between meaning and form differentiate her work from that movement.

His investigation of the body in space, in relation to viewers responded to Minimalist sculpture and what became known as the charged space between the viewer and the object.

By the mid-1960s, Sandback was taking an active part in the exchange of ideas between minimalists such as Robert Morris and Donald Judd, artists with whom he studied sculpture at Yale University School of Art and Architecture.

Rather, her dreamy rose and violet digital chromogenic prints and minimalist sculptures both compress and expand time, revealing formal lineages between ancient and modern forms.

The minimalist artists created objects that often blurred the boundaries between painting and sculpture (source).

Although Athanasios Argianas's «Song Machine» works possess a similar minimalist aesthetic — unlike Stamkopoulos's sculptures, which tackle the formal qualities of painting in three - dimensional space — Argianas's interest lies in the limit between material and immaterial structure i.e. information.

review as an artist who «makes Matisse look like a minimalist,» Gordon creates works that dissolve distinctions between collage, photography, and sculpture.

Whiting's work explores the relationships between the natural world and the artificial world of digital media along with two distinct visual styles: 8 - bit graphics — which have enjoyed a recent resurgence in games like Minecraft — and minimalist sculpture.

Toeing the line between modern expression and interior design, Zittel riffs on the dimensional possibility of Minimalist sculpture and the infinite customizability of contemporary consumer culture.

McMakin, who is also a furniture designer (again, the artist's bio requires a distinction between his trades), combines found objects of the minimalist and much celebrated Mid-Century Modern design traditions with his own sculpture work, essentially reassigning all components new roles, or stripping them entirely of their original intentions.

The work of Yve Laris Cohen moves between the worlds of visual art and dance, situated within genealogies that include Minimalist sculpture, Institutional Critique, postmodern dance, and classical ballet.

This show, his second in two years at McCaffrey, includes sculptures (many in response to the Minimalist cube), paintings and drawings completed between 1965 and» 73.

The sculpture has a strong visual affinity to Minimalist sculpture and shares Minimalism's preoccupation with the relationship between sculpture and the body of the spectator.

The artist's expressive semi-abstract paintings often revolve around themes of sedimentation and stratification, evoke biological forms, and present his observations on the natural world, and his sculptures range from minimalist brick structures that question the relationship between architecture and its surrounding landscape to his black - patinated bronze pieces.