Sentences with phrase «between modern and contemporary artists»

Not exact matches

2007 Weather Report, Centro Atlantico de Arte Morderno, Las Palmas de Gran Canaria Absent Without Leave, Victoria Miro Gallery, London, UK Unholy Truths, Initial Access, Frank Cohen Collection, Manchester, UK Effigies, Stuart Shave / Modern Art, London, UK Fractured Figure, Curated by Jeffrey Deitch, Deste Foundation, Athens, Greece Beyond the Zero, Peres Projects, Athens, Greece Destroy Athens, The First Athens Biennale, Athens, Greece Get Lost: Artists Map Downtown New York, The New Museum, New York, NY How Much Longer, Belkin Staellite, Vancouver, B.C., Canada Out of Art, Centrepasquart, Kunsthaus Centre D'art, Biel Bienne, Switzerland Sweet Bird of Youth, Curated by Hedi Slimane, Arndt & Partner, Berlin, Germany Chi Peng's Journey to the West, White Space, in association with Alexander Ochs Gallery, Beijing, China New York — States of Mind, Haus der Kulturen der Welt, Berlin, Germany Terence Koh and AA Bronson, Galerie Fredric Giroux, Paris, France Between Two Deaths, Zentrum Für Kunst and Medietechnologie, Karlsruhe, Germany Time Difference, Initial Access, Frank Cohen Collection, Wolverhampton, UK Body Politix, Witte De with Center for Contemporary Art, Rotterdam, Netherlands

The unfinished has been taken in entirely new directions by modern and contemporary artists, among them Janine Antoni, Lygia Clark, Jackson Pollock, and Robert Rauschenberg, who alternately blurred the distinction between making and unmaking, extended the boundaries of art into both space and time, and recruited viewers to complete the objects they had begun.

2001 Uncommon Threads: Contemporary Artists and Clothing, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York Between Earth and Heaven: New Classical Movements in the Art Today, Museum of Modern Art, Ostend, Belgium

Today, December 10th at n / a in Oakland is «doubt it / talk series,» presenting a conversation between 2012 SECA Award winning artist Josh Faught and Julia Bryan - Wilson, associate professor of modern and contemporary art...

It takes place alongside two other major UK presentations of Himid's work: Invisible Strategies, a solo exhibition at Modern Art Oxford and The Place is Here, a group show at Nottingham Contemporary which traces conversations between black artists, writers and thinkers in 1980s Britain.

Since Ritchie exhibited «The Universal Adversary» at Andrea Rosen Gallery in 2006, his work has been included in numerous exhibitions including: the Venice Architecture Biennale; the Seville Biennale; the Havana Bienal; «Matthew Ritchie, The Iron City,» St. Louis Art Museum; «Wunderkammern» Museum of Modern Art, New York; «The Guggenheim Collection,» Guggenheim Bilbao, Spain; «Not For Sale» PS1, New York; «Confines,» IVAM, Valencia, Spain; «The Shapes of Space,» Guggenheim Museum, New York; «Between Art and Life,» San Francisco Museum of Modern Art; «The Kaleidoscopic Eye,» Mori Art Museum, Tokyo; «In the Beginning: Artists Respond to Genesis,» Contemporary Jewish Museum, San Francisco; «Experimental Marathon Reykjavik, Reykjavik Art Museum; «The Last Scattering, Phase Two,» London, «To the Milky Way by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in Contemporary Art,» Museum of Contemporary Art, San Diego.

The relationship between drawing and sculpture is particularly interesting in contemporary art practice; Antony Gormley is one of the most eloquent artists when it comes to articulating ideas that pertain to individual perception, collective needs, intellectual processes, or the applications and development of a visual language to assuage the spiritual or emotional privations of the modern world.

A Dumpling with soup in it is a conversation between artist Davide Balula and Francesco Stocchi, curator of modern and contemporary art at Museum Boijmans Van Beuningen, Rotterdam.

In fluenced by western modern and contemporary art, Chinese artists start applying new concepts, such as symbolic elements and inspirations from everyday life to create unique works, which focus more on specific questions than the conceptual ones and keep shaping the relationships between art and reality.

The presentation aims to build bridges between different concepts of image - space relations, connecting an array classic modern and classic contemporary artists.

Join us on the rooftop for a conversation between artist Wangechi Mutu; Heather Pesanti, Senior Curator at The Contemporary Austin; and Kanitra Fletcher, Curatorial Assistant for Modern and Contemporary Art at the Museum of Fine Arts, Houston, where Mutu's art is also on view.

Andy Warhol / Ai Weiwei, developed by The Andy Warhol Museum in Pittsburgh, PA, and the National Gallery of Victoria, with the participation of Ai Weiwei, explores the significant influence of these two artists on modern and contemporary life, focusing on the parallels, intersections, and points of difference between their practices — Warhol representing 20th - century modernity and the «American century,» and Ai representing life in the 21st century and what has been called the «Chinese century» to come...

Join us on the rooftop for a conversation between artist Wangechi Mutu; Heather Pesanti, Senior Curator at The Contemporary Austin; and Kanitra Fletcher, Curatorial Assistant for Modern and Contemporary Art at the Museum of Fine Arts, Houston.

Madrid Abierto Public Sculpture Competition, Madrid, ES 2005 Go - Between, Magazin4 / Bregenzer Kunstverein, Curated by Dr. Wolfgang Fetz and Peter Lewis, Bregenz, AT 2005 Library, Librarie, Institute of Contemporary Art, Curated by IDEA London, UK 2005 New Economy, Columbia University Art Gallery, Curated by Eric Angles, New York, NY, US 2005 CAC TV, Contemporary Arts Center, Curated by Raimundas Malašauskas, Vilnius, LT 2004 Synesthesia, a Neuroaesthetics Exhibition, Institute of Contemporary Art, Curated by Chloe Vaitsou, London, UK 2004 Everything is Connected, He, He, He, Astrup Fearnley Museum of Modern Art, Curated by Gunnar Kvaran, Oslo, NO 2004 Silent: A State of Being, Madrid Abierto Public Sculpture Competition, Curated by Jorge Diaz, Madrid, ES 2003 Harlem Postcards, The Studio Museum in Harlem, Curated by Christine Kim, New York, NY, US 2003 Fröhliche Wissenschaft, Brandenburgischer Kunstverein, Curated by Wilfried Dickoff, Potsdam, DE 2001 Bitstreams, Whitney Museum of American Art, Curated by Larry Rinder, New York, NY, US 2001 Urban Pornography: Project Room, Artists Space, Curated by Lauri Firstenberg, New York, NY, US 2001 Optical Verve, Ottawa Art Gallery, Curated by Sylvie Fortin, Ottawa, CA 1997 Making It Real, Aldrich Museum of Art, Curated by Vik Muniz, Ridgefield, Colorado, US.

This relationship between contemporary and modern Brazilian artists is the subject of «Imagine Brazil,» an exhibition currently at the Astrup Fearnley Museet in Oslo.

• The publication of the first - ever catalogue raisonné on Kjærholm's oeuvre, researched and written by the leading Kjærholm scholar, Michael Sheridan, designed by award winning graphic artist Takaaki Matsumoto and published by premier art publisher Gregory R. Miller & Co. • Simultaneous exhibitions at Sean Kelly Gallery and R Gallery of the most important collection of Kjærholm works ever assembled, alongside significant modern and contemporary art works that, together, showcase a compelling dialogue between furniture, art and installation.

There are many comparisons to be drawn between Mertes - Frady and other modern as well as contemporary artists.

A pioneering artist in painting, film, photography, video art and performance, Indian artist Nalini Malani (born 1946) is a transition figure between the modern and contemporary art of her country.

Specializing in: • Developing exhibitions internationally, securing loans from institutions and private collections • Strategic planning and project management for museums and foundations • Site - specific installations by artists, designers and architects • Building and developing institutional and private collections of contemporary and modern art globally • Creating strategic partnerships between private funding sources, museums and cultural institutions • Initiate and oversee local and global fundraising projects • Collaborate and facilitate with partnering institutions • Serving as active board member in the private and public sector • Historic building preservation and conservation

Through focused comparisons between Italian masters and their modern and contemporary counterparts, The Brutal Line examines how artists have used drawn marks to express extreme physical or existential states.

Recent exhibitions include: And The Horizon Was Dying Over The Tourist, 2017, Republic Gallery London, I left Enough Room For Dancing, 2017, Seongbuk Art Commons, International Artists Residency Program, The National Museum of Modern and Contemporary Art Korea, 2017, Between You, Me and The Green, 2017, Hyangsadang Jeju, UCLG Culture Summit South Korea, The Place In The End, 2017, TAF - The Art Foundation, Athens, Ceramic Arts London, April 2017, Ace Hotel, LondAnd The Horizon Was Dying Over The Tourist, 2017, Republic Gallery London, I left Enough Room For Dancing, 2017, Seongbuk Art Commons, International Artists Residency Program, The National Museum of Modern and Contemporary Art Korea, 2017, Between You, Me and The Green, 2017, Hyangsadang Jeju, UCLG Culture Summit South Korea, The Place In The End, 2017, TAF - The Art Foundation, Athens, Ceramic Arts London, April 2017, Ace Hotel, Londand Contemporary Art Korea, 2017, Between You, Me and The Green, 2017, Hyangsadang Jeju, UCLG Culture Summit South Korea, The Place In The End, 2017, TAF - The Art Foundation, Athens, Ceramic Arts London, April 2017, Ace Hotel, Londand The Green, 2017, Hyangsadang Jeju, UCLG Culture Summit South Korea, The Place In The End, 2017, TAF - The Art Foundation, Athens, Ceramic Arts London, April 2017, Ace Hotel, London.

The program, a partnership between Art in Embassies, Tate Modern and US Embassy London, «bring the greatest living modern and contemporary American artists to the UK.&Modern and US Embassy London, «bring the greatest living modern and contemporary American artists to the UK.&modern and contemporary American artists to the UK.»

It takes place alongside two other major UK presentations of Himid's work: Invisible Strategies, a simultaneous solo exhibition at Modern Art Oxford and The Place is Here, a group show at Nottingham Contemporary which traces conversations between black artists, writers and thinkers in 1980s Britain.

But now a reunion, of sorts, of Modern Ruin will take place this Saturday in Fort Worth, in conjunction with the opening of a exhibition of a sculpture by British artist Angus Fairhurst, A Couple of Differences Between Thinking and Feeling, at Fort Worth Contemporary Arts.

What began as a dialogue regarding the undeniable aesthetic connections between John Wesley and the tradition of the Japanese erotic prints, morphed into the concept for an exhibition that would include a wide range of modern and contemporary artists as catalysts and / or touchstones for the very comparisons and contradictions that were under initial discussion.

The exhibition presents nine extraordinary modern and contemporary Mexican artists who produced work between 1912 to the present.

This show, a sculpture survey, seeks to explore the dialogue between Modern artists (with works by Marcel Duchamp and Alberto Giacometti) and contemporary artists (with works by Robert Gober, Marc Quinn and Kiki Smith) for whom the body is central to their work.

Recent group exhibitions include Between here and there: Modern and Contemporary Art in the Permanent Collection, Miami Art Museum, Miami (2010); Radical Nature: Art and Architecture for a Changing Planet, 1969 - 2009, Barbican Art Gallery, London (2009 - 2010); Wanås 2009: Footprints, Wanås Foundation, Knislinge; Fari Mondi / / Making Worlds, 53d Biennale de Venezia, Venice (all 2009); and Psycho Buildings: Architecture by Artists, the Hayward Gallery, London (2008).

The exhibition explores the significant influence of these two exemplary artists on modern art and contemporary life, focusing on the parallels, intersections and points of difference between the two artists» practices.

This year, The Armory Show will host five exhibition sectors between Piers 92 and 94: the first will focus on modern artworks; the second on contemporary spaces and practitioners; the third is entitled Focus: China; the fourth is a section for solo artist projects (similar to the Statements sector of the Art Basel franchise, The Armory's version is called Armory Presents); and the fifth will be devoted to non-profit organizations.

Varejão was inspired by a 2012 book, also titled Kindred Spirits, which elaborates on the connections between Native American visual culture and the work of modern and contemporary artists.

On the reason of ART PARIS ART FAIR 2016, we discussed with Mr. Guillaume Piens, who took over as Artistic Director of the Institution since 2011, for his vision and how he managed to renew Art Paris Art Fair, creating a connection between Modern and Contemporary Art, with tributes to the East and Galleries across Europe... He also explain us, how Paris and French artists going throw to International Contemporary Art Scene, in a different way from the London of «90s or the Berlin of 00's, considering the different boundaries, and the way that the major French Collectors including Francois Pinault and Bernard Arnault are functioning.

Showing a number of contemporary artists, as well as representing several estates of historically significant artists, the gallery confronts the canonical dialogue between modern and contemporary art through exhibitions that feature artists working in multiple disciplines including painting, photography and sculpture.

In February, a series of exhibitions opens pairing works by female contemporary artists (priced between # 2,000 and # 35,000) and Modern British women (priced up to # 90,000) with the work of Gluck, a British painter born in 1895 who famously eschewed any gender - defining prefix.

Light was also shed on sociohistorical and historico - cultural subjects such as «Shopping — A Century of Art and Consumer Culture,» «Privacy,» the visual art of the Stalin period, or New Romanticism in contemporary art; other presentations revealed the influence of Charles Darwin's theories on art of the nineteenth and twentieth centuries, or the intriguing causalities between artists of the modern era and self - proclaimed «prophets» of this period.

«This show explores what the Blue Period looks like for a contemporary artist today and examines how the internet and social media epidemic has blurred the lines between high and low art as a result of excessive accessibility,» The Dot Project and AucArt explains, «which provides us with an opportunity to view the Old, Modern and Contemporary Masters in one feed, but does a million likes make it a masterpcontemporary artist today and examines how the internet and social media epidemic has blurred the lines between high and low art as a result of excessive accessibility,» The Dot Project and AucArt explains, «which provides us with an opportunity to view the Old, Modern and Contemporary Masters in one feed, but does a million likes make it a masterpContemporary Masters in one feed, but does a million likes make it a masterpiece?»

London - based Danjuma hails originally from Nigeria and the show is noteworthy for the strong contribution of modern and contemporary African artists, with fascinating cross-currents discernible between Africa, Europe and the US.

Linking two influential figures in American art, the exhibition, explores the intersection between works by modern master Robert Rauschenberg and innovative contemporary artist Rachel Harrison.

The anniversary programme has involved a screening of the video recording of the performance and artist's talk at SAVVY Contemporary in Berlin (20 September 2016), an exhibition at Leeds College of Art of the archive of the project including drawings, preparatory notes, film and photographs (20 October — 16 December 2016) and a show on Resonance 104.4 FM (19 January 2017), which included a re-transmission of the original broadcast 10 years to the date followed by a conversation between Asemota and Mark Miller (Tate Britain and Tate Modern).

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003

Linking two influential figures in American art, this fascinating catalogue explores the intersection between works by modern master Robert Rauschenberg (1925 - 2008) and innovative contemporary artist Rachel Harrison (b. 1966).

Works by 72 artists from 20 countries worldwide are displayed in some 53,820 square feet of exhibition space: «Metropolis,» teetering between position and provocation, between Modern and post-Modern, focuses on an investigation of contemporary art, that is, art in the allegedly postideological era, the period after perestroika and the dismantling of the Berlin Wall, the period when artwork from the West and the East may be integrated into some comfortably unified whole.

«Most artists don't like talking about their work, but they are happy to answer questions, so I've scheduled a conversation between Alejandro and Michael Rooks [the Wieland Family Curator of Modern and Contemporary Art at the High Museum] around SERIOUSLY FUNNY.

«Most artists don't like talking about their work, but they are happy to answer questions, so I've scheduled a conversation between Alejandro and Michael Rooks [the Wieland Family Curator of Modern and Contemporary Art at the High Museum] around

The unfinished has been taken in entirely new directions by modern and contemporary artists, among them Janine Antoni, Lygia Clark, Jackson Pollock, and Robert Rauschenberg, who alternately blurred the distinction between making and un-making, extended the boundaries of art into both space and time, and recruited viewers to complete the objects they had begun...

2008 «Character Project» — USA Network Commission Honored Educator, The Society for Photographic Education, Cleveland, OH Oxbow School, Napa, CA — Visiting Artist Residency 2007 Addison Gallery of American Art, Andover, MA - Edward E. Elson Artist - in - Residence 2006 Studio Museum in Harlem, New York, NY - Artist in Residence, «Expanding the Walls: Making Connections Between Photography, History, and Community» 2005 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence San Francisco Arts Education, San Francisco, CA - Artist - in - Residence 2003 Detroit Institute of Arts, Detroit, MI - Artist - in - Residence California State University, Monterey Bay, CA - Artist - in - Residence, The Reclamation Project 2002 John Simon Guggenheim Memorial Foundation Fellowship - Fellow in Photography David and Alfred Smart Museum of Art, The University of Chicago - Artist - in - Residence 2000 Federal Reserve Bank, Chicago, IL - Commission 1999 International Artist's Studio Program in Sweden (IASPIS), Stockholm, Sweden - Artist - in - Residence Percent for Art Commission, Chicago Department of Cultural Affairs - Midway Airport Center for Documentary Sudies at Duke University - «Idivisible» / A National Documentary Project Parrish Art Museum, Southampton, NY - Artist - in - Residence Yale University Art Gallery, New Haven, CT - Artist - in - Residence 1998 National Portrait Gallery, London - Artist - in - Residence 1997 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence Cleveland Center for Contemporary Art, OH - Artist - in Residence 1996 High Museum of Art, Atlanta, GA, «Picturing the South: The Commission Project» Wadsworth Atheneum, Hartford, CT, Residency Project Committee for Public Art Commission, Cleveland Public Library Virginia Beach Center for the Arts, VA / Colonial Boys and Girls Club, Norfolk, VA - Residency Workshop 1995 Walker Art Center, Minneapolis, MN - Artist - in - Residence Wexner Center for the Arts, Columbus, OH - Artist - in - Residence 1994 Percent for Art Commission, Chicago Department of Cultural Affairs - Mabel Manning Near West Side Branch Library 1993 The Museum of Modern Art, New York, MoMA Life Trustees Portrait Commission The George Gund Foundation, Cleveland, OH, Commissioned Project The Museum of Contemporary Photography, Columbia College and Providence - St.

Started in October of 2009 by The Phillips Collection in Washington D.C., the initiative explores, «intriguing intersections between old and new traditions, modern and contemporary art practices, and museum spaces and artistic interventions» by commissioning a young artist to create a work inspired by a classic piece in their collection.

Intersections is the Phillips's series of contemporary art exhibitions that invites artists of today to explore the intriguing intersections between old and new traditions, modern and contemporary art practices, and museum spaces and artistic interventions.