Sentences with phrase «between modern architecture»

She makes no distinction between modern architecture and a safari.

Not exact matches

In keeping with Cannes» esteemed tradition and festive spirit over the years — a sophisticated mix between timeless French Riviera aura and Hollywood glamour brought by 1950's American stars — the Parisian designer will incorporate Palm Springs modern architecture with French Art Deco inspiration that promises to take this rooftop to new heights.

As we shovel our car out of knee - deep snow, we wonder if there is some relationship between the relentless tastelessness of modern French architecture and the relentless tastelessness of Jerry Lewis, whom the French absolutely adore.

Set in the title Indiana city that's essentially an outdoor modern architecture museum, this intellect - tickling meeting of minds between Haley Lu Richardson's yearning townie Casey and John Cho's resentfully dutiful son Jin is undoubtedly the best, 99 percent platonic relationship we've seen onscreen in many a moon.

The two represent the closest link in modern times between Corvettes built for racing and the road, sharing unprecedented levels of engineering and components including chassis architecture, engine technologies and aerodynamic strategies.

The International Convention Centre, a world - class example of modern architecture that lies between the beachfront and downtown, and across from the Exhibition Centre, has placed Durban on the International Conference map and draws business travellers from far and wide.

Stroll past award - winning modern architecture and majestic old buildings, built in the area's typical grey stone, or amble down the winding alleyways which fan out from the beautiful Royal Mile, named because it runs between Edinburgh Castle and Holyrood Palace.

If it is history you crave, visit the site of Alberobello, situated between two hills with a plethora of modern and ancient architecture.

Set snugly between the beach and the terraced rice fields of Cemagi on Bali's southwest coast, this four - bedroom ocean - view villa marries traditional Balinese architecture with the comforts of modern living.

This 4 - star hotel has 90 rooms and is divided between a colonial wing and a contemporary wing, combining stone archways, a beautiful patio, a fountain and original murals dating from the architecture of the 17th century with all the comforts of a modern, contemporary hotel.

Juvet Landscape Hotel Juvet Landscape Hotel — a meeting between raw Norwegian nature, cultural history and modern architecture.

The Small Hotel Krabi enjoys a beautiful fusion of modern architecture and ancient Thai design.Viewed from outside, the bright orange main building stands out and can not be missed.Located between Ao Nang and Nopparat Thara beaches (a mere 50m from the latter), the hotel is a perfect base to enjoy the bustling dining, shopping and nightlife of Ao Nang, and the tranquil Nopparat Thara Beach.It is also easy to join one the many day trips to Krabi islands, Railay Beach and the other attractions available in the region from here.The hotel may be small but it features no less than six types of rooms and suites: Studio Rooms, Pool Access Rooms, Mini Suites, Pool Access Mini Suites, Honeymoon Suites, and Moon Deck Suite.

Located between central Seminyak, the seaside resort of Bali, the famous area of Oberoi reputed for its trendy boutiques and restaurants, and the beach 500 meters away, Villa Lollie is for you!With a mix of modern and traditional architecture, this vacation rental will offer you full...

The hotel is divided between a colonial wing and a contemporary wing, combining stone archways, a beautiful patio, a fountain and original murals dating from the architecture of the 17th century with all the comforts of a modern, contemporary hotel.

Villa Damai Lestari presents a harmonic combination between unique Balinese architecture and modern minimalist design.

One of Bali best kept secrets, Alila Manggis is a secluded, stylish seaside resort in Manggis, East Bali.Set amidst a coconut grove, the resort is nestled between the sea and the majestic Mount Agung, Bali most sacred mountain.All rooms and suites face the ocean with clear views across the straits to Nusa Penida.A contemporary interpretation of traditional Balinese architecture is artfully combined with modern amenities to create a relaxed environment in harmony with its natural surroundings.

A dynamic combination between Balinese architecture and modern style design make Hotel Fairmont Sanur Beach Bali looks luxurious.

NusaBay Menjangan offers a perfect concept of accommodation, which is the combination between Balinese traditional architecture with modern touch.

Horison Seminyak Bali presents deluxe rooms, deluxe executive, deluxe pool view, Horison Suites and Family Suites with combination between Balinese architecture and the touch of minimalist modern design.

The matching combination between modern touch and Balinese architecture creates chic and luxurious accommodations.

A harmony combination between Balinese architecture and luxury modern design is performed through the form of building and lay out of Golden Tulip Bay View Hotel Bali.

The imagery explores the relationship between the uniformity seen in modern architecture and the sanitization of neighborhood character as brought about by continual infiltration of chains and big box stores.

Walker's wordplay suggests a relationship between the works on view in the exhibition and the moment, a century ago, when art and architecture were remaking a modern world.

Commemorating one of the earliest documented moments of cross-cultural exchange between Japan and the West, this exhibition will unveil a new series by revered photographer Hiroshi Sugimoto while also juxtaposing his monumental black - and - white photographs of early modern European art and architecture with traditional Japanese artworks.

Tony Delap, Modern Times III, 1966 Wood, fiberglas and lacquer, 32 x 84 x 38 inches March 7 — April 4, 2009 Pushing the edges, often literally, of his primary disciplines, artist Tony DeLap has dedicated close to half a century to exploring the seam between sculpture and painting, merging the boarders of architecture, design and art, reducing to the most basic expression of form, shape, scale and color, while remaining devoted to the -LSB-...]

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

THE sculptor Richard Serra, a stickler about the differences between art and architecture, once described most public sculpture in urban architectural settings as «displaced, homeless, overblown objects that say, «We represent modern art.

From working with world - renowned Dior Designer, Hedi Slimane, to teaming up with modern - dance choreographer Merce Cunningham, Snarkitecture's portfolio demonstrates an ability to quickly switch between disciplines, grounded in their alternative backgrounds in artistic and architecture trainings.

This is evident in The chance to be someone else (2011), where modern architecture repeatedly attempts to break down the barriers between the outside world and its interiors.

Opening: «Partners in Design: Alfred H. Barr and Philip Johnson» at Grey Art Gallery This exhibition celebrates the fruitful partnership between the Museum of Modern Art's first director, Alfred H. Barr, and the architect Philip Johnson, who founded the museum's architecture department.

Eight Million is an ongoing project attempting to capture the stillness and isolation between the centuries old architecture mixed with modern glass structures.

Méndez Blake who is known for his play between art, literature and architecture exhibit a new body of work based on multiple texts by Mexican, modern writer José Gorostiza (10 November 1901 — 16 March 1973).

Los Carpinteros» work — which combines and celebrates architecture, design and sculpture and balances between functional and nonfunctional — are part of the permanent collections of the Museum of Contemporary Art / Los Angeles, The Museum of Modern Art / New York, the Guggenheim Museum, the Tate Museum, and other major international museums and galleries.

Her works frequently explore our relationship to our built environment and draw comparisons and contrasts between the historic and the modern - industrial architecture, eliciting tensions between past and present.

Sculpture and architecture were also affected - and in time their changes would be even more revolutionary - but fine art painting proved to be the first major battleground between the conservatives and the new «Moderns».

A shift came in the early twentieth century with the emergence of two related innovations: the so - called Neues Sehen, a tendency in photography and visual art propelled by the development of modern camera technology, and the Neues Bauen in architecture and urban design; the nexus between them is exemplified by the work of László Moholy - Nagy, who taught at the Bauhaus.

Cledwyn's work is already in private and corporate collections and this exhibition offers collectors an opportunity to view her recent studies of the interaction between historic and modern architecture.

Seeing the totality of Welling's work, in a lucid installation by the architecture firm Johnston Marklee, clarifies connections such as those between the New Abstractions, (1998 - 2000), large photograms of deep black bars on white paper, recalling Franz Kline paintings, and the rigor of his straightforward pictures of modern architecture such as Maison de Verre (2009).

Starting on September 1st, the San Francisco Museum of Modern Art (SFMOMA) will be presenting an exhibition that «bends and blurs the boundaries between conceptual art and theoretical architecture, using the notion of the «field» to frame an investigation into the construction, representation, and experience of space.»

There is probably a compromise to be found between Steingruber and modern architecture, between filling our buildings with high - tech «green gizmo» solutions and simply building with healthy materials, lots of light and lots of fresh air.

«We try to find that balance between a sense of connectivity and the ability to maintain the character and soul of an old house,» says Schafer, founder of G.P. Schafer Architecture & Design in New York City, a firm renowned for translating traditional architecture into comfortable spaces for modern life.

There are often a lot of tussles between supporters of modern architecture and classical enthusiasts - think of the endless debate between those who are pro and against Prince Charles's traditional views - but this building is one that seems to satisfy both camps.